LEC: Race, Gender and Intermedia Art Practice in Transnational Paris, c. 1900

Race, Gender and Intermedia Art Practice in Transnational Paris, c. 1900
Zoom Roundtables, Friday February 26 and March 5, 2021 from 5-7 PM UK time.
Organized by the Birkbeck Centre for Nineteenth-Century Studies and the Centre for Nineteenth-Century Studies at Durham University

What were the opportunities and limitations in late nineteenth-century Paris for artists (broadly defined) who were not white and male?

This pair of events brings together research presentations and roundtable discussion in response to passages from art historian Emily C. Burns’s book-in-progress, Performing Innocence: Cultural Belatedness and U.S. Art in Fin-de-Siècle Paris. Burns analyzes how the encounters in the French capital reshaped American culture, fueled by the idea that the US had no culture, no history, and no tradition. The sections were pre-circulated to participants and will be briefly summarized at the start of the Feb 26 event.

Friday, Feb 26

Emily C. Burns, Associate Professor of Art History, Auburn University / Terra Foundation Visiting Professor, University of Oxford
“Introduction: Race, Gender and Intermedia Art Practice in Transnational Paris, c. 1900”

Adrienne L. Childs, Associate, The Hutchins Center for African and African American Research, Harvard University
“Cordier’s Caryatids: Laboring Black Bodies and the Sumptuous Second Empire Interior”

Susan Waller, Professor Emerita, Department of Art & Design, University of Missouri, St. Louis / Adjunct Professor of Art History, Maine College of Art
“Muslim Models in Nineteenth-century Paris”

Kirsten Pai Buick, Professor of Art History, University of New Mexico
“Don’t Look Back: African and African Diasporic Entanglements with France”

Friday, Mar 5

Peter Gibian, Associate Professor of English, McGill University
“Elle s’affiche”: Women Performers Pushing the Limits—Daisy Miller, Virginie Gautreau [Mme. X], Isadora Duncan”

Juliet Bellow, Associate Professor of Art History, American University
“Rodin and Hanako: Behind the Mask”

Renée Ater, Provost Visiting Professor, Africana Studies, Brown University
“Meta Vaux Warrick in Paris, 1899-1902”

Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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