The Grapevine

FEL: The Metropolitan Museum of Art annual fellowship competition is open

The Metropolitan Museum of Art welcomes applications from scholars of art history, archaeology, conservation and related sciences, as well as from scholars in other disciplines whose projects are interdisciplinary in nature and relate to objects in The Met’s collection. The tremendous diversity of fellows’ projects reflects the historic and geographic diversity of the Museum’s collection. The community of fellows becomes immersed in the intellectual life of the Museum and takes part in a robust program of colloquia, roundtable seminars, research-sharing workshops, behind-the-scenes tours of exhibitions, conversations with Museum staff, and visits to the curatorial and conservation departments. Fellows form long-lasting professional relationships as they discuss research questions, look closely at objects, and share the experience of living in New York City.

Applications are open now for 2018–2019 Fellowships. Please visit http://www.metmuseum.org/about-the-met/fellowships for more information

Deadlines for all application materials (including letters of recommendation):

  • Art History Fellowships – November 3, 2017
  • Museum Education and Public Practice Fellowship – November 3, 2017
  • Curatorial Research Fellowships – November 3, 2017
  • Mellon Post-Doctoral Curatorial Fellowships – November 3, 2017
  • Leonard A. Lauder Fellowships in Modern Art – November 3, 2017
  • Conservation and Scientific Research Fellowships – December 1, 2017
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CFP: Black Portraitures IV; DEADLINE EXTENDED: 10/1

Event Timing: March 15-17, 2018.
Event Address: Havana, Cuba

BLACK PORTRAITURE[S] IV: The Color of Silence is the eighth conference in a series of international conversations to assess and break new ground in the fields of African, African American and African diasporic art and art history. This forum also provides various approaches to interpreting the representations, ambiguous meanings, and erasures of the black body in visual, social, material and expressive cultures. Over a span of fifteen years, artists, activists, patrons, musicians, writers, collectives, journalists, educators and scholars have come from across the globe to reflect on why and how conceptions of “blackness” shape historical imaginaries and subvert political ideologies. This is an opportunity to situate not only various macro-histories but also the micro-histories that inform a genealogy of innovative interrogations into the social structures that articulate—or silence—black subjectivity.

The conference aims to explore the aesthetic representation of the frameworks and social relations in which black bodies are seen and unseen, in which black lives are lived freely and under constraint, and most crucially, the representation of black subjects themselves. Examples abound throughout the African diaspora of how the humanity of black subjects is rendered invisible or hyper-visible—or both simultaneously (Cuba’s “antiracism,” Brazil’s “racial democracy,” South Africa’s “rainbow nation,” Jamaica’s “out of many, one people” motto, and the “postracial” U.S. are just a few examples). We invite papers that interrogate the complex intersections of race, history, culture and art.

In past conferences, participants have offered generative exchanges on everything from tourism and pop culture (art, fashion, music, dance, film), to revolutionary movements, pedagogy, the history of colonization and its impact on cultural expression, the Trans-Atlantic Slave Trade and the contemporary entanglements of the global marketplace. With this latest iteration of Black Portraitures, we seek papers and panel proposals that probe and build off of these themes and provide new methodologies, and even new questions, for the 21st century.

Deadline for submissions: October 1, 2017
Notice of acceptance: October 27, 2017

All proposals must be submitted through completion of the online form. Follow the link at http://hutchinscenter.fas.harvard.edu/black-portraitures-iv

The conference will be held on Thursday through Saturday, March 15-17, 2018, in Havana, Cuba.  As the status of the US/Cuba relations are in flux, more information about travel will be available when the new Administration’s policies are enacted.  We will keep you posted.

Please note that as with most academic conferences, we are unable to provide institutional funding for travel to Black Portraitures.

Black Portraiture[s] IV is a collaboration with the U.S. Ambassador to Cuba, Jeffrey DeLaurentis; Hutchins Center for African & African American Research, Harvard University; New York University’s LaPietra Dialogues, Tisch School of the Arts, and the Institute for African American Affairs.

Please contact blackportraitures@gmail.com with questions.

CFP: Beyond Boundaries: Artistic inquiries into borders and their meaning(s) @ Association for Art History 2018

Association for Art History Annual Conference 2018

5-7 April 2018

Courtauld Institute of Art and King’s College London

Deadline for submissions: 6 November 2017

Beyond Boundaries: Artistic inquiries into borders and their meaning(s)

Borders have played a critical role in the development and distribution of culture, often acting as frameworks that help or hinder our ability to ‘look outwards’. In The Location of Culture, Homi Bhabha calls attention to the value of interstitial spaces, where borders, frames, and other locations ‘in- between’ become ‘innovative sites of collaboration and contestation in the act of defining the idea of society itself.’ Other philosophical considerations of borders, such as Martin Heidegger’s concept of gestell, or enframing, Jacques Derrida’s deconstruction of Enlightenment aesthetics vis-à-vis the parergon, and Victor Stoichita’s analysis of framing devices in early modern ‘meta-painting’, have demonstrated the transformative power of edges, frames, borders, and boundaries in art.

This session will focus on works of art, artistic practices, and art historical perspectives that think critically and creatively about borders and their meaning(s). The goal is to expand our understanding of borders, whether physical or conceptual, historical or theoretical. In the spirit of pushing beyond boundaries of convention and ‘looking outwards’, we welcome papers that focus on any medium, art historical period, or curatorial practice. Papers may address, though are not limited to: art that explores the significance of borders to migrants, immigrants, diasporic communities or other groups residing (both literally and figuratively) ‘in-between’; activist art that interrogates borders and their meaning(s); the role of public art, public space, and social media in thinking beyond boundaries; the metaphorical and/or literal framing of a work of art and its effects; the symbolic purpose or meaning of frames in various cultural contexts (for instance, the role of framing in religious spaces or objects, such as tabernacles, wall niches, icon paintings, and marginalia).

Please email your paper proposals directly to the session chairs:

Mey-Yen Moriuchi, La Salle University, moriuchi@lasalle. edu

Lesley Shipley, Randolph College, lshipley@randolphcollege.edu

Proposals should include an abstract (250 words maximum) and CV.

Click here for the full call for AAH submissions.

Papers topics addressing critical race art history, theory, and curatorial practices welcome.

REV: The changing focus of black artists

Tonya Nelson examines the changing responses of black artists to racism since the Civil Rights Era

via From denouncing racism to destabilising systems: the changing focus of black artists — Media Diversified

Job Opportunity: Curator of Painting and Sculpture, Smith College Museum of Art (Northampton, Mass.) — Apply now

Position Summary:

PRIMARY FUNCTION(S):   Oversee, steward, and develop SCMA’s collection of American and European paintings and sculpture made before 1950.

 

DUTIES AND RESPONSIBILITIES:

Serve as an intellectual authority on, and assume a full range of curatorial responsibilities for, the Museum’s activities related to paintings and sculpture made before 1950. Responsible for the installation, interpretation, documentation, and growth of the collection of paintings and sculpture; proposing and executing temporary exhibitions as well as serving as an in-house curator for traveling exhibitions from other institutions; initiating research on acquisitions, loans, and the permanent collection; fielding public inquiries; representing the department on Museum and College committees.

Work within a team environment, and supervise project-based research assistants and student interns.  Promote dialogue, engagement, and collaboration both within the Museum and beyond.  Work with SCMA’s senior leadership to cultivate prospective donors, foundations, and related entities to support the activities of the department as well as the growth of the collections.

MINIMUM QUALIFICATIONS:

Education/Experience: Master’s degree in art history or a closely related field plus a minimum of three years of collection-based curatorial experience or an equivalent combination of education/experience; Ph.D. in art history preferred.

Skills: Independent and self-directed, with the ability to take initiative, anticipate actions needed, and to exercise discretion and independent judgment. Excellent interpersonal and organizational skills. Demonstrated ability to be an effective collaborator both within the Museum and the larger College community.  Demonstrated ability to communicate effectively to diverse audiences. Proven record of scholarly research and knowledge of the history of European or American paintings and sculpture 1800 to 1950. Demonstrated ability to manage multiple tasks, set priorities, and meet deadlines

Additional Information.

Smith College is an EO/AA/Vet/Disability Employer

Job Details
Title: AD0091 – Curator of Paintings and Sculpture
Department: Museum of Art
Job Category: Staff
Position Control: AD0091
Grade: H
Position Category: Regular
Internal/External Position Type: Administrative
FLSA: Exempt

Apply here.

JOB OPPORTUNITY: Director of Academic Administration, California College of the Arts (San Francisco and Oakland campuses) — apply now

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Photo source: sfgate.com

Apply here, or go to:

https://cca.wd5.myworkdayjobs.com/en-US/CCA/job/Oakland/Director-of-Academic-Administration_R502544-1

JOB OPPORTUNITY: Associate Provost, California College of the Arts (Oakland)–apply now

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Photo source: Daniel Gonzalez blog

 

Apply here for Associate Provost for Faculty and Academic Partnerships, or go to:

https://cca.wd5.myworkdayjobs.com/en-US/CCA/job/Oakland/Associate-Provost_R502291-1

 

 

JOB: Assistant Professor/Provost Fellow- Black Atlantic Art and Architecture @ UChicago

The Department of Art History at the University of Chicago seeks (an) art or architectural historian(s) of the Black Atlantic, specializing in any pertinent historical period and in any territory of Africa, Latin America, the Caribbean, North America, Iberia, and/or the more ramified Atlantic world. We are also interested in art or architectural historians working more broadly on race, (post)colonialism, and visual culture in the Atlantic world. The ability to work across fields and subfields is highly desirable, as we expect the successful candidate to collaborate with faculty within and beyond our department.

The Department of Art History values diversity. A goal of the search is to increase the diversity of the faculty in the Department of Art History and across the Humanities Division, and we therefore welcome applicants from groups historically underrepresented in academia, such as black/African American, Hispanic/Latino, American Indian or Alaskan Native.

Successful candidates will be appointed either as a tenure-track Assistant Professor, or as a Provost Fellow at the rank of Instructor with an initial two-year faculty appointment. This initial period is intended to serve in lieu of a postdoctoral appointment. Provost Fellows will teach one class/year, receive research support, and participate in programming designed to help support them in their transition to Assistant Professor. Provost Fellows will ordinarily be promoted to Assistant Professor at the end of their 2-year term. Candidates for Provost Fellow appointment must have no more than two years of postdoctoral experience. All candidates must have the Ph.D. in hand by the start of the appointment, 1 July 2018.

Complete application materials include cover letter (including discussion of research and teaching interests), CV, two scholarly writing samples, names and contact information for three professional references, and a statement describing the applicant’s prior and potential contributions to diversity in the context of academic research, teaching, and service. Applicants should send all materials in electronic format (MS Word or PDF) to Caroline Altekruse at caltekruse@uchicago.edu with subject heading “Black Atlantic Art and Architecture Search.” In addition, applicants must upload the CV and cover letter to the Academic Career Opportunities website at http://tinyurl.com/ya6e3sek. No applications received after 20 September 2017 will be accepted. University positions are contingent upon budgetary approval.

The University of Chicago is an Affirmative Action/Equal Opportunity/Disabled/Veterans Employer and does not discriminate on the basis of race, color, religion, sex, sexual orientation, gender identity, national or ethnic origin, age, status as an individual with a disability, protected veteran status, genetic information, or other protected classes under the law. For additional information please see the University’s Notice of Nondiscrimination at http://www.uchicago.edu/about/non_discrimination_statement/. Job seekers in need of a reasonable accommodation to complete the application process should call 773-702-0287 or email ACOppAdministrator@uchicago.edu with their request.

CFP: CAA 2018/Los Angeles panel–The Photograph, Self-Representation & US Contemporary Art

Alternative Visions: The Photograph, Self-Representation, and Fact in Contemporary Art of the United States 

Chair(s): Natalie Zelt, The University of Texas at Austin, nzelt@utexas.edu
As the editors of “Aperture” recently reminded their readers, “The need for artists to offer persuasive, alternative visions is more urgent than ever.”
In response to that need for creative dissent, this panel investigates the ways contemporary artists use the photograph and self-representation together to craft alternative visions and selves. The photograph’s tangled relationship to truth and identity make it a potent conceptual and compositional tool for artists to challenge the limits of both art historical and social categories. Designed to delineate and define, the photograph continues to circumscribe the visual limits of identity categories, including nationality, race, class, gender, and sexuality, well after art historians and cultural critics such as Allan Sekula, Martha Rosler, Sally Stein, and John Tagg called its documentary “truthiness” into question. Additionally, a swell of “post-photography” discourses, ranging from Geoffrey Batchen to Robert Shore, confound the boundaries of the medium, while curators and museums struggle to adapt.
“Alternative Visions” examines the many ways contemporary artists in the United States disrupt the photograph’s master narratives and traditional roles to create subversive, subjective, and contradictory representations of themselves that resist prevailing visual modes.
Presentations will consider an array of questions including: What is the relationship between the photograph and the self in a “post-identity,” “postfact,” and “post-photography” environment? What methods of dissent are evidenced in self-centered photographic practice and what might be their limits? In a contemporary cultural landscape untethered from conventional arbiters of fact, what spaces of resistance can artworks that deploy the photograph create?
For more on the College Art Association conference, go to CAA News Today.

2017 Terra Publication Grant Applications due Sept. 15

Letters of Inquiry for Terra Foundation for American Art International Publication Grants are due September 15.

The Terra Foundation for American Art International Publication Grant supports book-length scholarly manuscripts in the history of American art, visual studies, and related subjects that are under contract with a publisher. For this grant program, “American art” is defined as art (circa 1500–1980) of what is now the geographic United States. Awards of up to $15,000 will be made in three distinct categories:

  • Grants to US publishers for manuscripts considering American art in an international context
  • Grants to non-US publishers for manuscripts on topics in American art
  • Grants for the translation of books on topics in American art to or from English.

Applicants must submit a letter of inquiry by September 15, 2017. The deadline for the receipt of completed applications is December 15, 2017.

For more information, please visit the College Art Association website, where you will find application guidelines and the application process, schedule, and checklist, or contact CAA Editorial Manager Sarah Zabrodski at szabrodski@collegeart.org or +1 212-392-4424.
Marsden Hartley, Painting No. 501914–15. Terra Foundation for American Art, Daniel J. Terra Collection, 1999.61

TERRA FOUNDATION FOR AMERICAN ART

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