The Inferiority of Blackness as a Subject

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I am writing this very quickly while on the side of Interstate 20. I am also struggling mightily to not use my colorful repertoire of insanely rhythmic and appropriate curse words. Thank me later.

Today The Chronicle of Higher Education published a blog entry from Naomi Schaefer Riley entitled “The Most Persuasive Case for Eliminating Black Studies? Just Read the Dissertations.” I refuse to link. They do not deserve the traffic. Google it or take my word for it.

Schaefer Riley is responding to an earlier Chronicle article lauding the first cohort of Northwestern University’s Black Studies program. So bemused is she by the mere titles of the dissertations of these young black scholars that Schaefer Riley can barely contain her glee as she proceeds to viciously, intentionally, and deliberately insult every single one of the scholars listed and everyone within the field of black studies. You can almost…

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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