CFP: Landscapes of Slavery, Landscapes of Freedom: The African diaspora and the American built environment

Harvard Graduate School of Design

November 5-7, 2021

Histories of the Atlantic world have focused both on the adaptation of ideas from the Old Continent to the new and on the material and cultural exchanges occurring throughout the centuries. To complement this scholarship, studies have been conducted on the slave trade between West Africa, mainland North America and the Caribbean, which formed the base of plantation economy and helped build the fortunes of many landowners in the colonial and antebellum period of the republic. Recent scholarship has acknowledged the violence of the archive of white records of slavery that have silenced the voices of the enslaved, and this work has sought to recover the experiences and vantage points of slavery’s victims.

This forum will address a more specific set of questions that have to do not only with the unique contribution the forced labor of the African diaspora and Afro-descendants brought to the plantation economy, but also with the potential exchange of knowledge about gardening and cultivation practices across the Atlantic, both from West Africa and between the Caribbean and mainland North America. On occasion the cultivation of specific staple crops such as rice depended upon the expertise of the enslaved. More generally, many of those forced to labor on their masters’ plantations simultaneously worked on small plots of land within their quarters, enabling them to exercise limited agency with regard to the extent and type of crop cultivation for their own use and consumption. When slavery legally ended, the exploitation of black labor continued, although over time black land-ownership increased and perhaps involved different approaches to land use than was common among white small-holders. Reconstructing these histories and those of the environments Africans built and cultivated for others and for themselves is challenging, as there is only a limited archival record that contains few enslaved voices.

This conference seeks to engage with the work of archaeologists, ethnobotanists, cultural geographers, anthropologists, and of experts in African American Studies and oral history in order to form a more complete picture of the African contribution to the shaping of the North American landscape.

Proposals for unpublished papers are welcome from scholars in any field. Topics might include (but are not limited to) such subjects as:

• the relationship between place-making and slave labor in North America and its cultural, social and economic underpinnings.

• the adaptation of imported African horticultural and agricultural knowledge in the Caribbean and North America.

• the exchange of knowledge related to agricultural and gardening practices between the Caribbean and the North American mainland.

• Atlantic World foodways.

• crop cultivation and food growing practices on plantation sites indebted to forced labor.

• the ways in which slavery and forced labor made intensive cultivation and production possible.

• the place-making of former slaves in both rural and urban environments.

Abstracts of no more than 500 words are to be headed with the applicant’s name, title of the paper, professional affiliation, and contact information. A two-page CV should also be included in the submission. Please send proposals by March 15, 2021 to: Raffaella Fabiani Giannetto, Graduate School of Design, Harvard University. Email: rfabiani@gsd.harvard.edu

Authors of accepted proposals will be required to submit the complete text of their papers by June 15, and carry out potential revisions by August 30, 2021, after which the symposium chair will circulate them among the speakers. Publication of the essays presented at the conference is anticipated.

Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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