JOB: Africa/African Diaspora @ Courtauld

The Courtauld Institute of Art seeks to appoint a Lecturer/Senior Lecturer in the arts of Africa and/or the African diaspora, within the broad period from c. 1800 to the present. This appointment offers an exciting opportunity to transform The Courtauld’s teaching and research, and to provide academic leadership in fields of critical importance to the discipline, within and beyond the institute. It is one of two new posts in this broad field, the other being a Professorship.

We invite applications from early and mid-career scholars with a profile in research and teaching commensurate with their career stage.

These posts are part of The Courtauld’s commitment to a more inclusive and diverse curriculum. They are generously supported by The Andrew W. Mellon Foundation.

Application is online. You will also need to include a CV and a supporting statement of no more than 1500 words. You should also give the names of 3 referees.

The supporting statement should set out how you meet the criteria of this position, and include a brief statement about your research profile. This should include your current and future research plans, your teaching plans and experience, your administrative experience, and potential to contribute to the research profile and impact of The Courtauld. Please address the criteria set out in the Person Specification when preparing your statement.

Interviews for the position will take place on Thursday 5th and Friday 6th December 2019.

If you would like an informal conversation about the roles please contact Dr Jo Applin, Head of Art History. jo.applin@courtauld.ac.uk

https://jobs.courtauld.ac.uk/Vacancy.aspx?ref=323

 

Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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