In his review D. H. Alves demonstrates that both Barry Jenkins and James Baldwin articulate love as a political force, placing it at the centre of their work, be it in the format of the novel, or its cinematographic adaptation. Moreover, the review examines the theological nature of Baldwin’s work and how Jenkins, while having a […]
via The Politics of Love in If Beale Street Could Talk — Media Diversified
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Author: Camara Dia Holloway
I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department.
Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.
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