REF: Race & Gershwin’s “Porgy and Bess”

On the 10th of October 1935, George Gershwin’s opera Porgy and Bess opened in the Alvin Theatre on Broadway, New York. A few years earlier, Singer Al Jolson attempted to musicalise the story starring as a comic blackface Porgy, his minstrel shows, an unacceptable racist concept nowadays. The Broadway opening was unprecedented in U.S. history due to […]

via Racism in Opera: Gershwin’s Porgy and Bess — A R T L▼R K

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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