“On Marronage: Ethical Confrontations with Antiblackness” is a collective intervention into the discursive formation of black studies at the outset of the twenty-first century.”
via EDITED: Saucier and Woods on Maroonage, Antiblackness, and Black Studies — African Diaspora, Ph.D.
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Author: Camara Dia Holloway
I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department.
Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.
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