Black Indians: A Hidden Heritage

The Progress

“I got Indian in my family” is a phrase not foreign to Black folks, especially Southerners. It quickly rolls off the tongue as an explanation for phenotypic attributes such as keen noses, high cheekbones or “good hair.” Often dismissed as cliché, the notion is brushed off as foolish banter, but once upon a time Native American and Black communities did merge. With everyone so quick to claim “Indian blood” has anyone really questioned why and how this historic alliance came to be and why it dissolved?

William Loren Katz, a former public school teacher, wrote Black Indians: A Hidden Heritage to turn one dimensional accounts on their heads, shine a light of shame on American “heroes”and fill in where the blatant omission of textbooks fail us. While it is an insightful read targeted at middle and high schoolers, don’t be ashamed to walk into the young adult…

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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