What the post-racials are looking for

Africa is a Country (Old Site)

April marks the springtime festival of fertility and harvest, Holi, which is celebrated throughout northern India. Because Holi is a yearly event that includes a large amount of revelry, without the obvious presence of the sacred, it’s become adapted by some odd pockets of people. I even saw a “Festival of Colours Run” race recently: you run a 5 km race and get bombed by coloured powder (immediately after that, I found a blogpost titled, “The color run is the most cultural appropriative shit I’ve ever seen” on the Blog “India is Not a Prop Bag”). What a pity that the organisers and participants of various “Holi Fests” in South Africa didn’t get that memo. Even calling it “Holi Fest” irritates a little—as if it is now commodified nicely into yet another Neohippy Wellingtons meets muddyshit-and-rapedrugs-in-drinks music festival.

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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