PUB: n. p a r a d o x a, issue, “Africa and Its Diasporas”

 n. p a r a d o x a: Volume 31, Jan 2013, Africa and Its Diasporas

Full Contents Listing:

Guest Edited by Bisi Silva (curator and Director of CCA, Lagos)

Giulia Lamoni  ‘African masks, family photographs and open suitcases: Rosana Paulino, Mónica de Miranda and Maimuna Adam’
Julie Crenn ‘Michèle Magéma – Without Echo, there is no Meeting’
Nontobeko Ntombela  ‘Silent Toyi-Toyis in the work of Donna Kukama and Reshma Chhiba’
Monique Kerman ‘Cut to the Chase: The Work of Mary Evans’
Rachida Triki  ‘Contemporary women artists in Tunisia’
Cheryl Thompson ‘Contesting the Aunt Jemima Trademark through Feminist Art:  Why is She Still Smiling?’
Solange Farkas ‘From “ferramentaria” to trance: Symbolism, concept and religiosity in the work of Eneida Sanches’
Peju Layiwola ‘From Footnote to Main Text: Re/Framing Women Artists from Nigeria’
Zehra Jumabhoy ‘Betwixt and In-Between: Reading Zarina Bhimji’
Artists’ Statements on recent works from Taiye Idahor, Ato Malinda, Adwoa Admoah, Maimuna Adam and Mary Sibande

Artist’s Pages by Ayana V. Jackson; Pinar Yolacan; Angèle Etounde Essamba

This volume is financially supported by the Andy Warhol Foundation for the Visual Arts, New York.

n.paradoxa is published two times a year (Jan and July) and its content is available in print and electronic form.

Order online at www.ktpress.co.uk

Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning. View all posts by Camara Dia Holloway