CONF: ‘Race Matters: Interdisciplinary Approaches’ Research Seminar @ The Institute of North American Studies, King’s College London

‘Race Matters: Interdisciplinary Approaches’
The Institute of North American Studies, King’s College London
http://www.kcl.ac.uk/aboutkings/worldwide/global/nas/index.aspx

October 3; 5-7pm; S0.12
Daniel Matlin, King’s College London
On the Corner: African-American Intellectuals and the Urban Crisis of the
1960s

October 17; 5-7pm; S0.12
Celeste-Marie Bernier, University of Nottingham
Imaging Slavery: The Body, Memory and Representation in the Transatlantic
Imagination

October 31; 5-7pm; K2.40
Harvey Cohen, King’s College London
Duke Ellington on Film 1929-1942

November 14; 5-7pm; S0.12
Paul Gilroy, King’s College London
Elements of a Vernacular Neoliberalism

November 28; 5-7pm; S0.12
Ashwani Sharma, University of East London
No ordinary TV: The Wire as (post)racial critique

December 12; 5-7pm; S0.12
Sarah Meer, University of Cambridge
Nineteenth-century Theatre, Burlesque, and Ethnicity in John Brougham’s
‘Po-ca-hon-tas’ and Dion Boucicault’s ‘Belle Lamar’

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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