Video of the Week: After Hot-En-Tot: Two conversations with Artist Renée Cox

Black Atlantic Resource Debate

Following on from the popularity of an earlier post – If you don’t ask, you don’t get, and then you get kicked to the curb – focusing on the work of Renée Cox this week’s video feature includes two clips, each containing an interview with artist Renée Cox recorded at the Spelman College Museum of Fine Art on 22 October 2009. The first is a conversation with an audience led by former Spelman Cosby chair Lisa E. Farrington, Ph.D., John Jay College, CUNY. The second is a one-on-one conversation that appears to have been filmed on the same day inside the Museum’s gallery space.

Each clip presents Cox ruminating on themes and driving forces behind her work including Race, Gender, Womanhood, Representation and Femininity. There are some overlaps in the conversation of each clip but also some interesting divergences.

The first conversation is pinned around specific works of Cox’s…

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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