Storm Saulter: Keeps Getting Better

Repeating Islands

Busy plotting follow-up film projects to his debut feature film Better Mus’ Come, a reflective Storm Saulter squeezed some time in for an interview with SO last week at his West King’s House Road production office. Back on The Rock after an eventful trip last weekend to the prestigious Bahamas International Film Festival (BIFF) where Better Mus’ Come snagged the Audience Award and an honourable mention in the Spirit of Freedom category, the talented director’s elation came shining through his controlled demeanour. After all, accolades are still rolling in for the beloved little movie that could, as Jamaica’s Observer reports.

While Jamaican audiences saw the movie during its local run months ago, momentum for the searing 1970s-set political drama is steadily picking up steam beyond our shores. Before the recognition at BIFF, the film picked up Best Feature Film and Fan Favourite honours at the Trinidad and Tobago Film…

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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