EXH: “Ancestors of Congo Square: African Art in the New Orleans Museum of Art” @NOMA

The New Orleans Museum of Art (NOMA) presents Ancestors of Congo Square: African Art in the New Orleans Museum of Art on May 13 to July 17. In keeping with the spirit of the centennial year, which highlights the museum’s vast and diverse permanent collection, one of the most impressive areas of the museum’s holdings is an extensive African collection. This exhibition highlights the collection as well as the connection between New Orleans and Africa.

For more information, call (504) 658-4100 or visit www.noma.org

On the occasion of the exhibition opening, a 376-page book of the NOMA’s African collection will be available, produced by the New Orleans Museum of Art and published by Scala Publishers of London. Curator and editor William Fagaly, has been the African curator at NOMA for over four decades.

“There are over 225 color illustrations of pieces in the book including a number of field photographs of similar works in their native Africa,” said Fagaly. “This will be one of the first publications to include CT scans and x-rays revealing the contents of African terra cotta sculptures.”

Gallery displays will feature a 38-second loop of a CT scan that reveal the inside contents of a 11-17th century terra cotta sculpture. There will also be short video loops of tribal dances in Africa that feature works similar to the ones on view. Nearly a dozen photographic blow-ups will show Africans dancing similar masks featured in the exhibition.

The title of the exhibition is a nod to the historic Congo Square right outside the French Quarter in New Orleans where African American slaves were given a day off to gather. In Congo Square they could socialize, dance and sing freely. The exhibition is a metaphor for the people who came together, representing different areas of Africa, to create one common spirit.

“Many times an exhibition will inspire a book. In this instance, it was truly African curator William Fagaly’s book that has inspired this exhibition,” said Susan Taylor, director of the New Orleans Museum of Art.

The book features catalog entries by 48 prominent scholars from North America, Europe and Africa, containing information not published previously. The book represents the most recent research about what is known about these works of art and the state of the field.  A seminal work in the field of African art, students, scholars, African enthusiasts and the general public alike will enjoy this book both for its educational and aesthetic value. The book is available in the Museum Shop for $75.

The book and the exhibition are dedicated to the musicians and dancers who gathered in Congo Square on these free days, and to the artists (mostly anonymous) whose artworks are featured in both the exhibition and the book. There are over 200 pieces featured in the book. The exhibition will feature the top 100 pieces. Dan Kershaw, of the Metropolitan Museum of Art, will design and install the exhibition on view in NOMA’s first floor Ella West Freeman galleries.

EXHIBITION EVENTS
Friday, May 13 – 6 p.m.
Opening ceremonies with music from Bamboula 2000
7p.m. – Walk-through by curator William Fagaly

Friday, June 3 – 6 p.m.
Kristina Van Dyke, Menil Collection: “Making Mute Objects Speak: New Approaches to Malian Antiquities”

Friday, June 17 – 6 p.m.
Roslyn Walker, Dallas Museum of Art: “Olowe of Ise: A Yoruba Sculptor to Kings”

Friday, June 24 – 6 p.m.
Freddi Williams Evans, “New Orleans’ Congo Square: A Cultural Landmark”
7 p.m. – Conversation with Lolis Eric Elie and Jessica B. Harris

Friday, July 8 – 6 p.m.
David Binkley, “Kuba Art and Loyola University’s Frère Joseph-Aurélien Cornet Archives”

Friday, July 15 – 6 p.m.
Walk-through of the exhibition by art history professor Dr. Sarah Hollis of Southern University

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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