SYMP: Nka Roundtable III: “Contemporary African Art and the Museum”

Nka Roundtable III: “Contemporary African Art and the Museum”

Over the next several weeks curators and directors of major museums in the United States, Germany, Japan, South Africa and the UK will engage in spirited but substantial discussion on the relationship between contemporary African art and the museum. I expect excursions into the history of this relationship, its crucial moments, state of affairs, and challenges that remain. In the process, we shall debate issues of presenting this material in art and ethnology museums; the politics of acquisitions and display; museums and scholarship; and the place of contemporary African art–relative to the “traditional” and western contemporary. I suspect that there will be surprising turns in the course of our discussion, but I am certain that the deliberations of this diverse, unprecedented and distinguished panel of curators will surely be of immense value to students and scholars working or interested in this exciting, dynamic field. Please join us!

Convener: *Chika Okeke-Agulu* (Princeton University)

Participants: *Marla Berns* (Director, Fowler Museum of Cultural History, University of California, Los Angeles), *Christa Clarke* (Senior Curator, Newark Museum, Newark, NJ), *Laurie Ann Farrell* (Director of Exhibitions, Savannah College of Art & Design Gallery, Savannah, GA), *Khwezi Gule* (Chief Curator, Hector Pieterson Memorial, Johannesburg), *Kinsey Katchka* (independent scholar/curator), *Yukiya Kawaguchi* (Associate Professor, National Museum of Ethnology, Osaka), *Clive Kellner* (Curator-at-Large, The Gordon Schachat Collection, Johannesburg), *Karen Milbourne* (Curator, Smithsonian National Museum for African Art, Washington DC), *Raison Naidoo* (Director Arts Collections, Iziko: South African National Gallery, Cape Town), *Enid Schildkrout* (Chief Curator/Director of Exhibitions, Museum for African Art, New York) *Chris Spring* (Curator, British Museum, London), *Ulf Vierke* (Director, Iwalewa-Haus, University of Bayreuth, Bayreuth), *Okwui Enwezor*, *Salah M. Hassan*.

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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