REF: The Black Atlantic Resource

The Black Atlantic Resource:
http://www.liv.ac.uk/csis/blackatlantic
http://blackatlanticresource.wordpress.com/
Follow us on Twitter: @blackatlantic1

This exciting new resource is a collaborative project between the University of Liverpool and Tate Liverpool originally constructed on the occasion of Tate Liverpool’s exhibition “Afro Modern: Journeys through the Black Atlantic“. This resource seeks to promote the study of black Atlantic cultures by providing a hub for access to current research, debates and online materials and a space for scholarly exchange.

The Black Atlantic Resource provides free access to current research, artworks, chronological and bibliographic information in this area. We are happy to publish posts about new publications in relevant fields of study, as well as book reviews, and information about other online resources.

If you would like to contribute your research or take advantage of this opportunity to publicise please contact Wendy Asquith: w.j.asquith@liv.ac.uk<mailto:w.j.asquith@liv.ac.uk>

We also provide information on key historical and current figures working within the flows of the Black Atlantic.

Check out our recent profiles on Marcus Garvey:
http://www.liv.ac.uk/csis/blackatlantic/information/people%20D-J/Marcus_Garvey.htm

and Renee Cox:
http://blackatlanticresource.wordpress.com/2010/08/14/renee-cox-if-you-dont-ask-you-dont-get-then-you-get-kicked-to-the-curb/

There are a number of platforms through which to access the Black Atlantic Resource. Our main site which is updated with new content regularly: http://www.liv.ac.uk/csis/blackatlantic

Alternatively you can subscribe to our blog and receive updates each time we post up new material here: http://blackatlanticresource.wordpress.com/

Or you can follow us on Twitter, where we’ll keep you updated with new online research, resources and debates as well as updates on our own new material. Find us: @blackatlantic1.

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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