Third International Maroon Conference, “The Return,” in Charles Town, Portland, Jamaica, June 22-25 2011

Dear Colleagues:

I have pasted below the call for papers for the Third International Maroon Conference, “The Return,” in Charles Town, Portland, Jamaica, June 22-25 2011.

This multidisciplinary conference seeks papers and panels that explore representations of Maroon culture in history, literature, art, music, political theory, cultural studies, film, linguistics, and theatre. With its theme “The Return,” it strives to revisit the roots of Maroon values and practices, considering the ways they have endured, transformed and resonated in the Caribbean, Canada, South America, Europe, the United States and Africa.  Offering a unique combination of scholarly panels and cultural events, the third international Maroon conference aims to increase awareness of Maroon contributions to contemporary societies, bringing together descendents of Maroons with scholars interested in Maroon heritage and indigenous cultures.

The conference cultural events and entertainment will commemorate the Annual Quao Victory Day (June 23), and they are part of a larger effort to develop strategies for sustainable development and wealth creation in Maroon communities.

Please send abstracts by 15 March or inquiries to fbotkin@towson.edu

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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