Religion and Spirituality: Prayer and Ritual

nationalgalleryofjamaica's avatarNational Gallery of Jamaica

The current Explorations II: Religion and Spirituality exhibition is organized around six broad, overlapping themes, with a gallery dedicated to each theme. Here is the text panel for the fifth gallery, titled “Prayer and Ritual”:

The work in this gallery consists of various representations and evocations of prayer and ritual and, in doing so, also focuses on the performative nature of popular religions and spiritual practices, particularly the role of music and dance.

Revival religion features prominently in this section, for instance Osmond Watson’s celebratory Revival Kingdom (1969) and Day of the Pentecost (1971) or, in a more satirical vein, in Carl Abrahams’ Hallelujah, Hallelujah, Hallelujah (c1965) and Backyard Preacher (c1975). The same exuberant spirit of Revival is also evident in the examples by Revival leader Mallica “Kapo” Reynolds, particularly his Revival Baptism Ceremony (1972) and Allan “Zion” Johnson’s Giving Praise to the Lord (1972), although Kapo is also represented…

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Author: Camara Dia Holloway

I am the Project Manager for the Romare Bearden Digital Catalogue Raisonné at the Wildenstein Plattner Institute. I earned my PhD at Yale University in the History of Art Department and specialize in twentieth century American art with a particular focus on the history of photography, race and representation, and transatlantic modernist networks. I also serve as a Founding Co-Director of the Association for Critical Race Art History (ACRAH).

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