A Critique of Afrofuturism…

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A good friend left the following response on my Facebook page where I had posted a link to my previous post on Afrofuturism, the Studio Museum etc. As I didn’t explicitly get his permission to repost his comment here I won’t name him but he raises some compelling points. While I might agree with some of them I think the main thing is that Afrofuturism is about fantasy, a fantasy of shedding a troublesome past as the two tweets by @StormSaulter indicate. By no means is it a substitute for investment in scientific research or a so-called scientific outlook. So I don’t think the existence of what we call Afrofuturism is at the expense of scientific inquiry or even a placeholder for it. In fact it’s the opposite, an artistic impulse that is futuristic in orientation. Anyway…what do YOU think? Is it a ‘timewank’ to borrow a phrase from…

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Author: Camara Dia Holloway

I am the Project Manager for the Romare Bearden Digital Catalogue Raisonné at the Wildenstein Plattner Institute. I earned my PhD at Yale University in the History of Art Department and specialize in twentieth century American art with a particular focus on the history of photography, race and representation, and transatlantic modernist networks. I also serve as a Founding Co-Director of the Association for Critical Race Art History (ACRAH).

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