Natural Histories: Shoshanna Weinberger

nationalgalleryofjamaica's avatarNational Gallery of Jamaica

Shoshanna Weinberger’s work takes beauty and sex appeal and turns them on their head. Her swollen, awkward humanoid creatures have all the trappings of beauty- gold chains, stilletos, and curves aplenty- but for all their glamour and glitter they are decidedly ugly, a potent and pungent distillation of stereotypes and female and racial objectification. Her use of grids, and titles like A Collection of Strange Fruit illustrate her interest in scientific discourse, and her own mixed race background fuels a fascination with hybridity.

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Author: Camara Dia Holloway

I am the Project Manager for the Romare Bearden Digital Catalogue Raisonné at the Wildenstein Plattner Institute. I earned my PhD at Yale University in the History of Art Department and specialize in twentieth century American art with a particular focus on the history of photography, race and representation, and transatlantic modernist networks. I also serve as a Founding Co-Director of the Association for Critical Race Art History (ACRAH).

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