The Grapevine

Fellowship Opportunity: The Betsy James Wyeth Fellowship in Native American Art at SAAM (Applications due Oct. 15, 2024)

One fellowship will be awarded annually in support of a 12-month residency for a scholar at the predoctoral level or a 9-month appointment for a postdoctoral or senior-level researcher. Residencies must take place between June 1, 2025, and August 31, 2026, and begin on the 1st or 15th of the month. Housing is not provided.  

The Betsy James Wyeth Fellowship in Native American Art carries a stipend of $53,000 and an allowance of up to $5,000 for short research trips. Additional funds will be provided to help with the fellow’s health insurance premiums and travel to Washington, DC. The Smithsonian’s Office of International Relations will assist with arranging J-1 exchange visas for any recipients who require them

More info here:

https://americanart.si.edu/research/fellowships/betsy-james-wyeth

Publications Coordinator (FT, contract—The Huntington Library, Art Museum, and Botanical Gardens (San Marino, CA) — apply now

Job Description: Job Description

About the Role

The Publications Coordinator helps the Publications Department create books and catalogues that document The Huntington’s exhibitions and collections. Reporting to the Manager of Book Publishing and working closely with the volume editors on each book project, the Coordinator assists the Manager of Book Publishing with assembling content for the books, including obtaining images, securing the permission to reproduce them, and coordinating and tracking author manuscripts. The Coordinator also makes sure that manuscripts move efficiently and accurately through the stages of copyediting, design, print, and distribution. They will also serve as publication coordinator for a companion volume to The Huntington’s exhibitions and programming for the occasion of the United States’s semi-quincentennial in 2026.

S/he/they demonstrates a background of working directly with people from diverse racial, ethnic, geographic and socioeconomic backgrounds, using a welcoming, inclusive, and accessible approach.

This is a limited-term position expected to last through approximately January 2026.

More info here.

FEL: CASVA @ National Gallery of Art

FELLOWSHIPS: The Center National Gallery of Art

The Center for Advanced Study in the Visual Arts is the National Gallery’s research institute. We foster the study of the production, use, and cultural meaning of art, artifacts, architecture, urbanism, photography, and film from all places and periods.

 

Senior Fellowships 
Senior fellowships provide scholars with the opportunity to conduct full-time research in residence at the Center. The Center will award one Paul Mellon Fellowship and four to six Ailsa Mellon Bruce, Samuel H. Kress, and William C. Seitz Senior Fellowships each academic year. We also consider applications for a single academic term.
Application deadline: October 15, 2024

Visiting Senior Fellowships
Visiting senior fellowships provide scholars with two-month appointments to conduct full-time research in residence at the Center. The Center will award up to two Leonard A. Lauder Visiting Senior Fellowships and up to five Paul Mellon and Beinecke Visiting Senior Fellowships for the period March 1–August 15, 2025. The Center will also host a Berger Collection Educational Trust Visiting Senior Fellow in British Art from June 15 to August 15, 2025. This residential appointment will support full-time research on the visual arts and architecture of Britain and the British Empire from any period.
Application deadline: September 21, 2024

Postdoctoral Fellowships
A. W. Mellon Postdoctoral Fellowships are two-year, residential appointments that support research and writing for publication. The Center will also host a Berger Collection Educational Trust Visiting Postdoctoral Fellow in British Art from June 15 to August 15, 2025. This residential appointment will support full-time research on the visual arts and architecture of Britain and the British Empire from any period.
Application deadline: October 15, 2024

Predoctoral Dissertation Fellowships

Predoctoral dissertation fellowships support graduate research in the history, theory, and criticism of the visual arts. Each of the following 10 fellowships has specific requirements and intents, and most fellowships include a one-year residency at the Center. All predoctoral fellowships support the completion of a doctoral dissertation as well as research travel. 

Application deadline: November 15, 2024

We will begin accepting applications on August 15, 2024

For more information, please visit the Center’s website, or email us at TheCenter@nga.gov.

“Pathways to Rochester Institute of Art: Art and Design Edition” — Academic Open House, Wed., Aug. 14, 2024, 1-2:30PM EST (via Zoom)

Pathways Art and Design Edition

Log into an “academic open house” to learn more about faculty career paths and opportunities within the Rochester Institute of Technology College of Art and Design (Rochester, NY, USA). RIT encourages historically underrepresented minority and women MFA or PhD candidates and graduates who are practicing artists, designers and photographers to register. This session is aimed at those interested in exploring a faculty role at RIT.

  • Learn about the College’s strategic plan and areas of growth
  • Get your job search questions answered and discover what search committees look for
  • Find out about anticipated or current faculty openings 
  • Understand expectations of incoming faculty
  • Hear from faculty and administrators about the culture and working environment at RIT 

Artists in the following disciplines represented within the College of Art and Design are invited to register:

3D Digital Design | Ceramics | Film and Animation | Fine Arts Studio | Furniture Design | Glass | Graphic Design | Illustration | Industrial Design | Interior Design | Medical Illustration| Metals and Jewelry Design | Motion Picture Science  | New Media Design | Photographic and Imaging Arts (Advertising/Fine Art/Photojournalism/Visual Media Options) | Photography and Related Media | Photographic Sciences | Studio Arts | Visual Arts-All Grades | Visual Communication Design.

Register here: https://bit.ly/PathwaystoRIT

Questions can be directed to: LOSOFR@RIT.EDU.


JOB: Asst Prof, Art History @ Northern Arizona University

The department of Comparative Cultural Studies at Northern Arizona University is hiring an assistant teaching professor in art history. CCS is an interdisciplinary department with over 300 majors and minors and 17 full-time faculty. We offer three bachelor’s degrees and five minors (Art History, Asian Studies, Comparative Study of Religions, Humanities, and Museum Studies). We are a campus leader in public humanities programming and support of NAU’s General Studies Program. Our research-active, highly engaged faculty include Guggenheim Fellows, Fulbright Fellows, and several award-winning teachers.

This position is benefit-eligible, promotion eligible, and non-tenure-eligible. Contract begins August 2024.
Responsibilities Include
Teach art history surveys including ARH 141 (Western Art before 1400) & ARH 142 (Western Art after 1400)
Teach other art history classes based on expertise
Help advance teaching excellence and student success
Participate in departmental, college, university, and/or community service
Minimum Qualifications
PhD in Art History
One year of teaching experience or equivalent
Preferred Qualifications
Experience teaching art history surveys equivalent to ARH 141 & 142
Experience teaching art history classes in addition to traditional surveys
Evidence of student-centered or high-impact teaching practices
Teaching or scholarship in museum studies
To apply, visit NAU’s HR page: http://nau.jobs/. Job ID: 607892.
Questions?
Gioia Woods, PhD
Professor and Chair
Department of Comparative Cultural Studies
Northern Arizona University
gioia.woods@nau.edu

JOB: Director of Temple Contemporary

The Tyler School of Art and Architecture invites applicants for the position of Director of Temple Contemporary, the school’s center for exhibitions and public programs. This position is an uncommon opportunity for an individual to bring progressive leadership to a contemporary gallery in a school of art and architecture with nationally ranked programs situated within a research university, Temple University.

We see this as a highly creative, hands-on position that requires an essential understanding of contemporary art and visual culture, and the collaborative and communication skills to work effectively across disciplines with constituencies within and beyond the school. We are looking for a leader who will build a distinctive intellectual vision for the gallery. The successful candidate will demonstrate initiative, creativity, be passionate about arts advocacy, be fluent in contemporary arts discourse, have experience in fundraising, and be able to work in collaborative and dynamic ways with a diverse group of faculty, students and staff and members of our surrounding community.

Curators, artists, scholars, and cultural producers and practitioners are invited to apply. We are especially interested in candidates who share a love for progressive ideas across the arts and design disciplines, who value working with the broad and diverse communities and who view art as knowledge and as an indispensable arm of free thought and direct social engagement.

The director is a salaried, 12-month position reporting to the Dean of the School. The director may also teach up to one class per year.

About the Tyler School of Art and Architecture
The Tyler School of Art and Architecture at Temple University is known for fostering a culture of diversity practices in our scholarship and pedagogy. Candidates for the position of director of Temple Contemporary are encouraged to address the ways in which they could contribute to Temple’s institutional mission and commitment to excellence and diversity and to Tyler’s engagement in interdisciplinarity, social responsibility, and community engagement.

One of the Tyler School of Art and Architecture’s core strengths is the breadth of its academic programs. The school offers more than three dozen degree programs at the undergraduate and graduate levels, in studio art, design, art history, art education, art therapy, architecture, and built environment disciplines. In each program, students work in small learning communities, while also benefiting from state-of-the-art facilities, a rigorous curriculum, and a large, diverse campus community.

Tyler’s faculty members are widely recognized as among the most exciting practitioners in their fields. Tyler’s vast network of alumni—artists, designers, art historians, scholars, architects and urban planners—are rich resources for collaboration. Temple Contemporary plays a crucial role in the lives of students at the Tyler School of Art and Architecture by expanding their learning experiences.

About Philadelphia
Located in Philadelphia, a hub of cultural and artistic activity and historical resonance, Tyler draws on the many opportunities and resources available throughout the city. Philadelphia has deep artistic traditions in the arts and crafts, including painting, printmaking, ceramics, architecture, and more. The city is home to a thriving contemporary art scene and myriad arts institutions, large and small, including the Philadelphia Museum of Art, the Barnes Collection, the African American Museum in Philadelphia, the Institute of Contemporary Art, the Fabric Workshop and Museum, the Clay Studio, Mural Arts Philadelphia, and Monument Lab.

Philadelphia’s urban context includes many notable works of architecture and urban design. Transformational design began with William Penn’s city vision, incorporating green urban squares accessible to all citizens. The city’s accessible green infrastructure was expanded over time to include Fairmount Park, the largest urban park system in the United States, and the Reading Viaduct Rail Park. The dense urban fabric, built up over three centuries, includes innovative architectural works from William Strickland’s Merchant’s Exchange to Howe and Lescaze’s PSFS Building, and more recent works like Snøhetta’s Charles Library.

Main Responsibilities of the Position
The Director of Temple Contemporary is responsible for generating and organizing a yearly series of vital exhibitions, workshops, lectures, and other programs. The director will be expected to consider the educational needs and goals of the academic programs at the Tyler School of Art and Architecture as well as actively engage with students, faculty, artists, scholars, alumni, and the public.

• Develop and maintain a dynamic vision for Temple Contemporary in collaboration with faculty, staff, students, and advisory committees.
• Engage in productive partnerships and collaborative relationships that enrich the educational and cultural life of the school, university, arts community, and general community.
• Create interdisciplinary activities that serves pedagogical, research and outreach interests of the students and faculty.
• Work with faculty to develop responsive programs that are integrated with academic coursework at Tyler.
• Manage, operate, and oversee 3,400 square foot gallery facility.
• Lead the effort to generate contributed income from private, public, governmental, and internal university sources.
• Develop and manage budgets for Temple Contemporary.
• Supervise Temple Contemporary staff of two to three full-time members, graduate assistants, and work study students.
• Maintain a dynamic media presence to promote Temple Contemporary in collaboration with Tyler’s communications staff.
• Support MFA thesis exhibitions.
• Coordinate Temple Contemporary’s Youth Advisory Council and general Advisory Council.

Education and Experience
• MFA in Visual Arts, MA in Museum/Curatorial Studies, MA in Art History/Museum
Management/Administration or equivalent
• Three to five years of experience in museum or gallery curating or programming.
• An equivalent combination of education and experience may be considered.

Qualifications – Required
• Outstanding written and verbal communication skills
• Hands-on experience with the practical processes of supporting exhibitions from proposal to de-installation
• Demonstrated ability to produce exhibition publications, gallery text and promotional materials

Qualifications – Preferred
• Experience in community engagement
• Record of successful fundraising.
• Experience as a teacher in formal or informal environments

How to apply

Submit application materials to https://temple.taleo.net/careersection/tu_ex_staff/jobdetail.ftl?job=24001098&tz=GMT-0400&tzname=AmericaNew_York

Your application must include six elements:
1. cover letter
2. curriculum vitae
3. documentation of 3-5 relevant previous projects
4. programming statement that illustrates your views of an institution as a space of cultural exploration and social interaction, as well as your vision for how you would approach a university gallery’s presentation of contemporary art and visual culture within the contexts of the school, the university, and the larger community.
5. statement outlining how you have contributed to diversity practices that foster equity and inclusion.
6. contact information for three professional references.

Please submit applications as soon as possible.

JOB: Visiting Asst Prof, Islamic World/Ancient @ Kenyon College

Kenyon College invites applications for a two-year, full-time Visiting Assistant Professor of Art History beginning August 2024. The area of specialization is open, but candidates with teaching expertise in the arts of the Islamic world or Ancient Art of any region before 600 CE are especially encouraged to apply. We are interested in teacher-scholars who can offer creative ways to engage with the Art History Department’s Visual Resources Center, the Blick-Harris Study Collection, The Gund, and regional art museums.

The successful applicant will be able to teach broadly in their field. The selected candidate will teach five total classes per year at the introductory, intermediate, and advanced levels. Applicants should complement, not duplicate, current expertise of the department. The selected candidate may have the opportunity to provide mentorship to honors projects.

The successful candidate will have a Ph.D. in hand at the time of the appointment. Candidates who are ABD with a completion date by August 2024 will be considered. Experience in teaching as the instructor of record in college-level courses is required. We seek scholars who can demonstrate a record of undergraduate teaching excellence, preferably in a liberal arts setting.

To apply, candidates should visit the online application site found at careers.kenyon.edu. Applications must include: 1) a cover letter describing teaching experience, research interests, teaching philosophy, and information on ways that issues and practices related to diversity, inclusion, and equity have been or will be included in teaching, 2) a curriculum vitae, 3) unofficial graduate transcript(s), 4) a list of three references with detailed contact information, including email address (at least one reference must speak to the candidate’s teaching experience). Note: references will only be contacted for those candidates who advance to the latter stages of the search.

Review of applications will begin immediately and continue until the position is filled. All applications received by May 10 will be given full consideration.

careers.pageuppeople.com/695/cw/en-us/job/493087/visiting-assistant-professor-of-art-history

CFP: 2024 Photography Network Symposium “In Relation: Photography’s Communities”

October 25–27, 2024
Tucson, Arizona + virtual (hybrid)
Proposal due date: May 15, 2024

Photography Network will convene its fourth annual symposium in the Sonoran Desert Borderlands city of Tucson, Arizona in partnership with the Center for Creative Photography at the University of Arizona. Grounded in the themes that arise in three CCP-organized exhibitions of Latinx photography that will be on view this fall (Louis Carlos Bernal: Retrospectiva, curated by Elizabeth Ferrer; Chicana Photographers LA, curated by Sybil Venegas; and Laura Aguilar: Nudes in Nature, curated by Sybil Venegas and Christopher Velasco), “In Relation” will consider how communities are made visible, defined, and constituted through photography. In her book Latinx Photography in the United States: A Visual History (2021), Elizabeth Ferrer writes: “As the photographer/subject relationship shifted from outsider/insider to insider/insider [in the late twentieth century], the photograph became less an ethnographic document than an autonomous and self-validating form of individual and community expression.” This shift highlights questions of agency, circulation, diaspora, and storytelling that are relevant to the practice and institutional interpretation of photography. Taking this idea as a point of departure, we invite proposals that broadly respond to the following questions and themes:

● How have artists, especially those from Latinx communities, used photography to probe issues of visibility, belonging, and representation? How do their artistic practices constitute forms of activism?
● Who has the right to tell stories for whom?
● How does the circulation of photographs create—or restrict—communities of subjects and viewers?
● How have borders—in the US and beyond—shaped histories of photography, and how has photography from borderlands challenged state-imposed divisions?
● What alternate models might exist for interpreting photographs and photographic practices that transcend simplistic binaries such as “insider” versus “outsider”?
● What do authentically relational, community-centered curatorial practices look like? How are methodologies such as community advisory councils rethinking the notion of curatorial voice and storytelling?

Submission Information

Photography Network invites proposals across disciplines and a broad range of subjects that reflect the geographic and thematic diversity of the field. Practitioners and scholars at any stage of their careers are welcome to submit their research. We also welcome international scholars but note that the conference will be in English.

The symposium organizers encourage a variety of presentational styles. In addition to proposals for individual, 20-minute papers relating to the themes outlined above, we also seek submissions for a workshop on the topic of community-centered exhibition development and for a roundtable featuring presentations from artist activists .
Please prepare for submission:
(1) a 250-word abstract with a clear indication of format, and
(2) a two-page resume or CV.

All files should be named “[LAST NAME]–CV” or “[LAST NAME]–ABSTRACT.”

Email completed materials by May 15 to the Photography Network Symposium organizing committee: Josie Johnson, Emilia Mickevicius, and Anne Cross at photographynetworksymposium@gmail.com. Notifications of accepted proposals will be emailed by mid-June. The schedule and registration information will be available by July 1 and the symposium will be held October 25–27, 2024.

Note: All are welcome to apply. Accepted presenters must be Photography Network members in good standing at the time of the symposium. We have a sliding scale membership: $20 (student/unaffiliated), $40 (affiliated), or $100 (sustaining). We also have free need-based memberships. Please visit the Photography Network’s membership page (www.photographynetwork.net/memberregistration) for more information on how to join.

CFP: Beyond the Substrate: Hand Papermaking Seminar for Print Curators

Dieu Donné is pleased to announce an open call for a four day, hands-on workshop and seminar in hand papermaking in fine art for early- to mid-career curators and specialists in the field of prints and drawings. This workshop is made possible with support from Getty through The Paper Project initiative.

More information and application details can be found here: https://www.dieudonne.org/beyond-the-substrate-seminar

“Enduring Legacy: Conversations on Romare Bearden” Zoom webinar series in May

Bearden with Betty Blayton and Children’s Art Carnival students; “Romare Bearden: The Prevalence of Ritual” at the Studio Museum in Harlem, 1972; Romare Bearden Papers [ysqdockk], The Wildenstein Plattner Institute, Inc.

We hope you can join us for an exciting series running throughout May 2024 hosted by the Wildenstein Plattner Institute: 

ENDURING LEGACY: Conversations on Romare Bearden 

This event series features three speakers whose scholarship and practice engage with Bearden’s formulation of the visual world. 

Curating Romare Bearden with Charlie Farrell 

Wednesday May 8, 2024 at 1 pm

Registration link

Charlie Farrell will discuss the exhibition Romare Bearden: Resonances at the Saint Louis Art Museum. The show features Bearden’s important collage, Summertime (1967), alongside other collage works from the Museum’s collection. The aim is to trace Bearden’s influence and relationships with other artists, grounding him in a continuum of Black creativity. 

Situating the Projections with Anne Monahan 

Wednesday May 15, 2024 at 1 pm

Registration link

Anne Monahan will discuss her chapter on Bearden from her manuscript in progress, “A Usable Past”: Race, Figuration, and Politics in the 1960s. Her research on Bearden reconsiders his breakthrough Projections exhibition in 1964, exploring his turn to photomontage, how race factored into the works’ reception, and the impact of this work on a rising generation of artists of color.

Conceptualizing Black Joy with Kahlil Robert Irving

Wednesday May 22, 2024 at 1 pm

Registration link

Kahlil Robert Irving will discuss his artistic practice, including the pieces that were included in the recent exhibition, In Common: New Approaches with Romare Bearden, held at the New School in New York City. The show featured the work of six contemporary artists alongside that of Bearden.


These conversations commemorate Bearden’s continuing impact thirty-six years after his passing. The insight of his work resonates with our present moment and contemporary questions of race in America. More information can be found on our website.