Call for Papers due Apr. 4, 2016 (Association of Historians of American Art)
Category: conferences & symposia
CFP: CAA 2017 @ New York City
Submission Portal: https://caa.submittable.com/submit
CAA 105th ANNUAL CONFERENCE – FEBRUARY 15-18, 2017, NEW YORK, NY
The call for proposals for 2017 begins March 1, 2016, and ends April 18, 2016.
The Annual Conference Committee invites session and paper proposals that cover the breadth of current thought and research in art, art and architectural history, theory and criticism, pedagogical issues, museum and curatorial practice, conservation, and developments in technology.
All sessions will be 90 minutes in length. Please plan accordingly.
To submit a proposal individuals must be current CAA members. If you are not a current member, please renew your membership or join CAA. Please note that all session participants and leaders must also be current CAA members and register for the conference. Online registration for the CAA 105th Annual Conference will begin in mid-September and end in late December.
PROPOSAL SUBMISSION TYPES:
- Complete Session (CAA committees should use this option)
- Session Soliciting Contributors
- Individual Paper
- Affiliated Society Complete Session
KEY DATES
- March 1 – Call for Annual Conference session and paper proposals begins
- April 18 – Deadline for session and paper proposal submissions
- June 3 – Annual Conference Committee meets to select sessions and papers
- June 20 – Notification sent regarding approved sessions
- July 1 – Call for Participation for approved sessions soliciting contributors
- August 30 – Paper titles and abstracts due for sessions soliciting contributors
- Mid-September – Online conference registration opens
- September 30 – Deadline for chairs to choose speakers for sessions soliciting contributors; deadline for poster session submissions
- Late December – Online conference registration closes
CFP: “The Gustatory Turn”
Call for Papers: The Gustatory Turn in American Art
AHAA sponsored session at CAA
February 15-18, 2017, New York
Co-chairs: Guy Jordan, Western Kentucky University and Shana Klein, National Museum of American History
The rapid emergence of food studies programs, food studies journals, and museum exhibitions devoted to food reveals how the role of taste and digestion in American art has become a vibrant topic of study. This session examines the relationships between ocular and gastronomic delectation and visual consumption in paintings, prints, cookbooks, dietary manuals, and other forms of media that represent food and drink. This panel specifically invites papers that consider how artists used formal techniques to elicit pleasure or disgust in images of food and drink and how viewers responded to the sweet or unsavory qualities of an image. Paper proposals might also consider how images of food and drink interact with the social conventions of eating, dining, and consuming in their respective time periods. Proposals that evaluate the mechanics of taste and the ways in which these mechanics engage with political life and discourses of identity (i.e. race, class, and gender) are also welcome. The goal of this panel is to showcase scholarship that complements and advances the gustatory turn in American art.
Please send a one-page abstract and short c.v. by Monday, April 4 to Guy Jordan (guydjordan@gmail.com) and Shana Klein (Shana.Klein@gmail.com).
LEC: Race + Space: Conversations on Modern Architecture (Feb. 26, 2016)
CONF: CAA 2016 Session: “Race, Remembrance, and Reconciliation: International Dialogue in National Museums”
Race, Remembrance, and Reconciliation: International Dialogue in National Museums
Chair: Julie L. McGee, University of Delaware
The year 2016 marks the opening of the Smithsonian Institution’s newest museum on the Mall in Washington, D.C.: The National Museum of African American History and Culture (NMAAHC). Framed as constructive and palliative, for remembrance, race dialogue, reconciliation, and healing, the NMAAHC seeks to foreground African American history and culture in a broader global context inclusive of freedom struggles.
In this open format session, scholars, curators, artists, and educators embrace the complexity and contradictions embedded in visions of museology and arts and heritage management as agents of emancipation and social repair. Of concern is the performative nature of museums in the twenty-first century vis-à-vis race, remembrance, and reconciliation—potentially ambiguous yet on-going engagements. What roles do objects, history, or cultural heritage perform under such curatorial and museological mandates and visions? How do changing sociopolitical and cultural landscapes and challenges to representational politics shape museum practices? Deep spatial memory, in the USA and South Africa, and Black centered cultural institutions and programming are considered. Designed as a forum led by thought-provoking contributors, this session offers an open conversation on the intersection of race, remembrance, and reconciliation in cultural institutions.
Speakers:
NMAAHC and the Deep Memory of Black Spaces
Mabel O. Wilson, Columbia University
Remembrance: An African American Museum Dialogue
David C. Driskell, University of Maryland, College Park
Museums and Reconciliation during the Civil Rights Movement: The Case of the Studio Museum in Harlem
Susan E. Cahan, Yale University
Museums for ALL: Toward a Critical Approach to the Re-conceptualization of Museums
Wayne Alexander, Iziko Museums of South Africa, Cape Town
Thursday, Feb. 4, 9:30 AM—12:00 PM
Location: Salon 3, Lobby Level
Washington Marriott Wardman Park Hotel
CONF: Black Portraiture Revisited II – Feb. 19-20, 2016 @NYU
The Art of Change: Conversations with Ford Foundation Fellows–Live Webcast, Fri., Jan. 15, 2016, 9am-5pm Eastern Time
Please join us for a live webcast of “The Artists of Change,” a daylong forum with our Art of Change Fellows—13 creative visionaries working at the forefront of art and social change. Over the course of the year, the Fellows have pursued independent projects on critical issues such as surveillance, climate change, drug policy and capitalism, soft power, diversity in the arts, social networks, and the power of technology. Tune in as they share their work and spark lively conversation—with the audience and each other—around the ideas they are exploring.
To watch the live webcast, visit artofchange.is.
Join the conversation: #ArtofChange
See The Art of Change Webcam 2016
Join the conversation with Eungie Joo, Thelma Golden, Carrie Mae Weems, Sandra Jackson-Dumont, and others.
ACRAH at CAA 2016/Washington DC
See you next month at the College Art Association annual conference in Washington, D.C, to be held at the Washington Marriott Wardman Park Hotel for ACRAH’s session:
“Beyond the Veil: An Inside Look at the Smithsonian National Museum of African American History and Culture”
Saturday, February 6, 2016, 12:30-2 PM
See: Beyond the Veil session info
The session will be held in WASHINGTON 1 (EXHIBITION LEVEL) of the CAA Conference Hotel:
Washington Marriott Wardman Park Hotel
2660 Woodley Road NW, Washington, DC, 20008
Tel. 202 302-2000
Travel to the CAA Conference Hotel
CAA 2016 Conference Registration Info at: Attending ACRAH Session at CAA 2016/Washington DC
CFP: Zones of Representation
Call for Papers:
“Zones of Representation: Photographing Contested Landscapes, Contemporary West Coast Perspectives on Photography and Photograph-Based Media,” a symposium organized by Makeda Best (California College of the Arts), Bridget Gilman (Santa Clara University), and Kathy Zarur (California College of the Arts), at SF Camerawork, San Francisco, CA, April 23, 2016
Contemporary global events and phenomena continue to shape visual interpretations of economic, social, environmental, and political geographies, and to disrupt conceptions of region, nation, citizenship, and community.
“Zones of Representation” will consider how photographers and time-based media artists have responded to transformations in the global landscape through new ideas about the function of photographic media, and the shifting roles of makers and audiences. We want to know: how can novel visual practices disrupt traditional narratives of spatial representation? In what unique ways do artists in time-based media acknowledge and respond to the historical contribution of their medium in defining, producing, and perpetuating these same narratives? What new connections do these practices demonstrate and reveal? And, in what ways do contemporary technologies, modes of distribution, and access impact interactions with the land?
We invite papers that address the expanded role of photography and time-based media in global landscape discourses and social fabrics.
Proposals on contemporary topics or new perspectives on historic materials are encouraged. Proposals from image makers are also welcome.
Please send a 300-word proposal, a one-paragraph biographical statement, and full contact information tozonesofrepresentation@gmail.com by January 8, 2016.
“Zones of Representation” aims to connect artists, historians, curators and arts professionals, and students in Northern California, facilitating a regional network for the latest art historical scholarship. The symposium is presented in collaboration with SF Camerawork and is co-sponsored by the Northern California Art Historians (NCAH), a College Art Association affiliated society.
Live: Conversations about Race at Stanford
Tomorrow (Nov. 19, 2015) starts at 12:30 PM Pacific
The first half of the symposium will feature a conversation from 12:30 to 2 pm PST about Policing, Mass Incarceration & Racial Justice with Mychal Denzel Smith (The Nation), Rinku Sen (Colorlines), Isabel Garcia (Derechos Humanos) and Reverend Osagyefo Sekou (Fellowship of Reconciliation & King Research and Education Institute). Moderated by H. Samy Alim.
The second half of the symposium will feature a conversation from 2:30 to 4 pm PST about The Arts, Racial Justice & Cultural Equity with Favianna Rodriguez (CultureStr/ke), Jasiri X (1Hood), Jonathan Calm (Stanford Department of Art & Art History), Deborah Cullinan (Yerba Buena Center for The Arts), and Rita Gonzalez (Los Angeles County Museum of Art). Moderated by Jeff Chang.
Here’s the URL again:
