Author: Camara Dia Holloway

I am the Project Manager for the Romare Bearden Digital Catalogue Raisonné at the Wildenstein Plattner Institute. I earned my PhD at Yale University in the History of Art Department and specialize in twentieth century American art with a particular focus on the history of photography, race and representation, and transatlantic modernist networks. I also serve as a Founding Co-Director of the Association for Critical Race Art History (ACRAH).

JOB: Sr Instructional Prof, Architectural Studies @ UChicago

The Department of Art History (https://arthistory.uchicago.edu/) at the University of Chicago invites applications for a position as a Senior Instructional Professor (Open Rank) in Architectural Studies, with an expected start date of September 1, 2026, or as soon as possible thereafter. The selected candidate will be appointed at the rank of Assistant Senior Instructional Professor, Associate Senior Instructional Professor, or Senior Instructional Professor, depending on qualifications and educational background. The initial appointment is for a minimum of 3 years, with longer initial terms possible depending on qualifications and initial rank. The position is renewable upon successful review.

This search is part of an initiative to continue to build the Department of Art History’s Architectural Studies program, which offers both historical and studio-style courses to undergraduates. In consultation with the Director of Undergraduate Studies for Architecture and the Department Chair, this position will be responsible for overseeing the curriculum planning of the Architectural Studies program; coordinating and supporting design studio classes; developing and coordinating extracurricular studio work and programming; advising students on theses and career pathways; and supervising and reviewing related lecturers and Teaching Assistants. The candidate hired into this position will typically teach 4 courses per year (on the quarter system), which may include architectural studies core curriculum, introductory, and advanced design studios or seminars. Senior Instructional Professors of all ranks are required to engage in regular professional development.

Salary Range or Pay Grade:
Assistant Senior Instructional Professor: $82,500-$92,000; Associate Senior Instructional Professor: $90,000-$100,000; Senior Instructional Professor: $98,000-$115,000. This base pay range is for a nine-month academic appointment paid over twelve months. The position also includes a relocation allowance for qualifying expenses.

This position is benefits-eligible. The University of Chicago offers a wide range of benefits programs and resources for eligible employees, including health, retirement, and paid time off. Information about the benefit offerings can be found in the Benefits Guidebook (https://mybenefits.nfp.com/UChicago/benefits-guide/).

Qualifications:
The successful candidate must have experience teaching architecture at the university level, the ability to work collaboratively in an interdisciplinary environment, and excellent organizational and management skills. We especially seek candidates who are well positioned to shape the future of architectural studies within the greater context of the arts and humanities. Preferred qualifications include experience teaching architecture in a liberal arts context, experience in curriculum design or oversight, management or supervising experience, relevant pedagogical training, and a professional design background.

BA/BArch required, and MA/MArch or Ph.D. preferred. All requirements for receipt of a BA/BArch, MA/MArch, or Ph.D. in architecture or a related field must be completed prior to the start of the appointment.

Application Instructions:
Applicants must upload the following materials to the University of Chicago’s recruitment website at apply.interfolio.com/180001 by 10:59 PM Central Time/11:59 PM Eastern Time on Monday, February 16, 2026:

– CV
– Cover letter
– Teaching statement
– Teaching portfolio
– Contact information for three references

Applicants may be asked to provide additional materials following the initial review of applications. Questions may be directed to arthistory@uchicago.edu.

This position is contingent upon budgetary approval.

Equal Employment Opportunity Statement:
The University of Chicago is an equal opportunity employer and does not discriminate on the basis of race, color, religion, sex, sexual orientation, gender, gender identity or expression, national or ethnic origin, shared ancestry, age, status as an individual with a disability, military or veteran status, genetic information, or other protected classes under the law. For additional information please see the University’s Notice of Nondiscrimination (https://www.uchicago.edu/about/non_discrimination_statement/).

Job seekers in need of a reasonable accommodation to complete the application process should call 773-834-3988 or email equalopportunity@uchicago.edu with their request.

ACRAH will be at CAA2026!

The ACRAH/CAA2026 panel will be Excavating Race in the Archive

This session will remote/hybrid on Thursday, February 19, 2026 at 11:00am – 12:30pm local Chicago time. If you are in Chicago you can attend in person at the Hilton Chicago – 3rd Floor – Williford B.

Check out the full session description here: CAA2026

The ACRAH Business Meeting will be held in the same room on Thursday, February 19, 2026 from 1:00pm-2:00pm local Chicago time.

PUB: Working Towards a Critical Race Art History

Our new article has been published in kritische berichte.

Abstract:

This essay outlines the foundations and aims of Critical Race Art History, a methodological approach that examines how race operates in art and visual culture. Through case studies of artworks ranging from 18th-century porcelain to contemporary art, the authors reveal how racial hierarchies are naturalized through representation. They argue that race functions as a structuring visual logic and call for a critical reexamination of art history’s disciplinary assumptions.

Check it out here: https://journals.ub.uni-heidelberg.de/index.php/kb/article/view/113082

Jacqueline & Camara

CFN: Eldredge Book Prize

Call for Nominations: Eldredge Book Prize
Deadline: January 15, 2026
The Smithsonian American Art Museum invites nominations for the 2026 Charles C. Eldredge Prize. Single-author books devoted to any aspect of the visual arts of the United States and published in the three previous calendar years are eligible. To nominate a book, send a letter explaining the work’s significance to the field of U.S.-American art history and discussing the quality of the author’s scholarship and methodology. Self-nominations and nominations by publishers are not permitted. Please send all nominations to eldredge@si.edu.
Learn more at americanart.si.edu/research/awards/eldredge.

JOB: Prof., Premodern @ University of Pittsburgh

William S. Dietrich II Professor of Premodern Arts and/or Architecture
The Department of History of Art and Architecture (HAA) in the Kenneth P. Dietrich School of Arts and Sciences at the University of Pittsburgh seeks to appoint an accomplished historian of premodern art, architecture, or related fields to the William S. Dietrich Professorship, with an ideal start date during academic year 2026-27, pending budgetary approval. We seek a colleague who will use the prominence of this endowed professorship to advance HAA’s mission of enhancing and diversifying the histories of art and architecture through their teaching, research, mentorship, and leadership. The position provides an opportunity for its holder to undertake significant scholarly initiatives at the departmental, university, and extra-institutional levels. The successful applicant will be asked to develop and teach at the undergraduate and graduate levels, supervise doctoral students, undertake service, participate actively in the life of the department and university, and develop connections with national and international communities of scholars. We particularly welcome candidates whose work and teaching engage with the structural inequalities that art and architectural history have perpetuated, and we invite them to describe how their pedagogical approach addresses those concerns.

To learn more about the position and to apply, visit: https://cfopitt.taleo.net/careersection/pitt_faculty_external/jobdetail.ftl?job=25005722

Applications should include: 
>Cover letter addressed to Prof. Christopher Nygren, Chair, HAA Department, that discusses the applicant’s approaches to research, teaching, and mentoring (of peers, graduate, and undergraduate). Please include a discussion of your current and future research programs.
>Current CV. Please include a list of students mentored and courses taught.
>Two sample publications (in the case of a single-authored book, please send the introduction, table of contents, and one sample chapter). 

Review of applications will begin on 15 January 2026, and will continue until the position is filled. Questions may be directed to Christopher Nygren, Chair, HAA Department (cnygren@pitt.edu) or Evan Zajdel, Department Administrator, HAA Department (ewz5@pitt.edu).

JOB: Curator of Native Arts @ Denver Art Museum

Exciting curatorial opportunity at the Denver Art Museum! 🌟

Position: Assistant or Associate Curator of Native Arts

Salary: $60,000 – $83,200/year

Apply by: November 28, 2025

This is a fantastic role for someone passionate about Native arts, community collaboration, and curatorial innovation within a major institution.

🔗 Full job details & application info here: https://www.denverartmuseum.org/en/careers-and-volunteers

CFP: “Photography Beyond the Vault” Photography Network Symposium 2025

PHOTOGRAPHY BEYOND THE VAULT
PN VIRTUAL SYMPOSIUM, DECEMBER 4–6, 2025

https://www.photographynetwork.net/symposium-2025-call-for-papers

Photography Network’s fifth annual symposium will consider the subject of photography collections and the institutions that shape them. When Rosalind Krauss published her 1982 essay “Photography’s Discursive Spaces,” questioning the categorical shifts of historic photographs from archives to art museums, the effects of the 1970s “Photo Boom” were still unfolding. Today, a half century after the founding of influential galleries, museums, and academic programs focused on photography, the medium is fully ensconced in the global art market and public collections through countless prints, negatives, books, magazines, and many other materials. At the same time, this history centers on the United States and western Europe, and within these geopolitical regions, scholars and critics have long noted how particular sets of photographs are privileged for preservation and study over others. Collecting photographs became a way to value and prioritize certain stories over others. 

Drawing inspiration from the Nepal Picture Library, a digital archive of over 120,000 photographs that strives to create a broad and inclusive visual archive of Nepali social and cultural history, this symposium seeks to present a current appraisal of changes to photography collections around the globe. Our keynote speaker will be NayanTara Gurung Kakshapati, Co-Founder and Director of photo.circle, a platform for photography in Nepal including the Nepal Picture Library, and the organizer of Photo Kathmandu—an international photography festival that serves as an alternative platform for conversations between visual storytellers and local audiences. 

For our 2025 virtual symposium, we invite proposals that critically examine how the institutional frameworks of photographic history and practice—often shaped by Western models of scholarship, archiving, and pedagogy—are unevenly applied across global contexts, and that explore how alternative or locally grounded approaches can challenge, expand, or reconfigure dominant narratives in the field. How can photography collections of the future improve and how can we better serve these collections?
Proposals might consider: 
Alternative collecting, preservation, or display practices
Issues of access to and ownership of photographs
Legacies of colonialism and histories of resistance in photography collections
Absence, loss, and destruction of photographs 
Digitization, databases, and AI as tools 
Artists in the archives and archives as art
Photography’s “discursive spaces” today

Submission Information: 

Photography Network invites proposals across disciplines and a broad range of subjects that reflect the geographic and thematic diversity of the field. Practitioners and scholars at any stage of their careers are welcome to submit their research. We also welcome international scholars but note that the symposium will be in English.

The symposium organizers encourage a variety of presentational styles. In addition to proposals for individual, 15-minute papers, we also seek alternative-format presentations (e.g., workshops and roundtables). Applicants may submit up to 2 proposals, provided that one is in an alternative format. Sessions will be organized around accepted submissions, rather than prescribed themes.

To be considered for a panel or alternative-format presentation, please prepare: 
(1) a 250-word abstract with a clear indication of format, and
(2) a two-page resume or CV.
All files should be named “[LAST NAME]–CV” or “[LAST NAME]–ABSTRACT.”
Email completed materials by August 15 to photographynetworksymposium@gmail.com. Notifications of accepted proposals will be emailed by August 31. The symposium will be held online December 4–6. 2025. 
Note: Accepted presenters must be Photography Network members in good standing at the time of the symposium. We have a sliding scale membership: $20 (Student/Unaffiliated), $40 (Affiliated), or $100 (Senior). We also have free need-based memberships. Please visit Photography Network’s membership page for more information on how to join and email any questions to photographynetworkboard@gmail.com.

FEL: Getty Scholars Program

PROVENANCE

For the 2026–2027 year, the Getty Scholars Program invites innovative proposals for projects that explore provenance and adjacent research areas, including but not limited to the history of collecting, the study of the art market, and broader explorations around the ownership of art objects. Relevant to all periods and areas of art production, the scholar cohort will be invited to examine and critique the arena of provenance studies while also envisioning its future, situated between the practices and demands of source communities, art historians, museums, and the market. Digitization and databases, such as the Getty Provenance Index, have also opened up the interdisciplinary possibilities of provenance research and laid the ground for art restitution efforts and other forms of reparation. Applicants are invited to propose projects, either individual or collaborative, that reflect upon the ownership, transfer, and movement of art objects from all world regions and time periods.

Please find the full call for applications and theme text on the Getty Scholars Program and Getty Pre- and Postdoctoral Fellowships webpages.
https://www.getty.edu/projects/getty-scholars-program/
https://www.getty.edu/projects/pre-and-postdoctoral-fellowships/

REF: The Romare Bearden Catalogue Raisonné Project

The Wildenstein Plattner Institute is proud to announce the inaugural release of THE ROMARE BEARDEN CATALOGUE RAISONNÉ PROJECT, featuring over 200 of the artist’s unique works created between 1964 and 1969. This significant launch represents a major step forward in the study of one of the 20th century’s most influential African American artists.⁠

Romare Bearden, Prevalence of Ritual: Tidings, 1964, Photostat mounted on fiberboard, 28 3/4 x 39 3/4 inches (73 x 101 cm), Carnegie Museum of Art, Pittsburgh. Photograph © 2025 Carnegie Museum of Art, Pittsburgh © Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. RB27TI

Working in partnership with the Romare Bearden Foundation, WPI’s team of researchers led by Dr. Camara Holloway have made incredible strides in identifying elements of the artist’s production: approximately 50 works presented in this first installment were previously unknown within the Foundation’s records. ⁠

The publication of this first installment includes an introductory text by Jacqueline Francis and Anne Monahan, “Romare Bearden, 1964–69: A Turning Point,” which describes Bearden’s artistic transformation — from painter and watercolorist to a nationally-recognized master of collage — as well as pivotal moments earlier in his career: http://bit.ly/4neTiox

We are thrilled to share the initial phase of this project with the larger community, and are looking forward to future installments with continued collaboration with the Romare Bearden Foundation, our technology partner Navigating.art and vital support from the Hasso Plattner Foundation.

Explore the first installment of the digital catalogue here! http://bit.ly/4kRFONU

FEL: Dedalus Foundation – Senior Fellowship in Art History

Dedalus Foundation – Senior Fellowship in Art History
Accomplished writers and scholars seeking support for critical studies related to 20th-century painting, sculpture, and allied arts may apply for fellowships of up to $30,000. Applicants may not currently be students and must be US citizens.
Deadline: September 15, 2025 | dedalusfoundation.org