Slavery North: Call for Abstracts — Deadline Dec. 19, 2025

Slavery North is pleased to invite participation in an academic conference, Rebellion, Resistance, and Refuge: Slavery and Border-Crossing during the American Revolution.

The conference will take place in person from Thursday, July 9 to Sunday, July 12, 2026, at the University of Massachusetts, Amherst, USA.

On the 250th anniversary of the signing of the Declaration of Independence, Slavery North invites proposals for papers that rethink the cultures, events, and experiences of the Revolutionary War. This call encourages new scholarship that reexamines the Revolutionary War through the experiences of enslaved people in British North America, exploring themes of displacement, resistance, and freedom across emerging national borders.

Call for Abstracts:

Deadline for Abstracts: Friday, December 19, 2025

Slavery North invites proposals for 20-minute papers from graduate students, scholars, professors, and cultural and heritage workers. Proposals must include:

· Name, title, affiliation/institution, and location (city, province/state, country)

· Paper title

· Abstract: 200-300 words

· Two-page CV (featuring research highlights)

Submission Instructions:

Please submit your abstract and supporting materials via email as PDF attachments by Emily Davidson at: emilydavidso@umass.edu

More information: https://slaverynorth.com/event/call-for-abstracts-academic-conference/

The full call for abstracts is here.

We encourage you to circulate this invitation across your scholarly and community networks.

2026 Future Faculty Career Exploration Program at RIT–applications due February 27, 2026

Be part of the 2026 Future Faculty Career Exploration Program and gain a “behind the scenes” glimpse into life as a faculty member at the Rochester Institute of Technology (RIT). This vigorous, four-day program offers additional opportunities to enhance interview skills, practice job-talk presentations, and explore the research, teaching, and service expectations of RIT Faculty members.

Individuals who meet the following are encouraged to submit an application:

  • Able to contribute in meaningful ways to the RIT’s commitment to innovation and creativity. We are interested in scholars and artists who are multifaceted and exceptional in their research or artistry. The Program is open to all eligible participants regardless of race, religion, age, gender, or other protected federal or state categories.
  • Studying or researching in the discipline areas offered at RIT
  • Advanced PhD (ABD status) or MFA candidates (anticipated graduation by May/June 2027), postdoctoral scholars or early-career faculty or researchers.
  • Desire a rewarding academic teaching and research career at an exceptional institution.
  • Able to travel to Rochester, New York, for the duration of the program.

Application Materials:

  • Curriculum Vitae (CV)
  • Cover letter: express your interest in FFCEP, and desire for a career in the professoriate. MFA applicants should include a link to their online portfolio. 
  • Artistic or Research Statement: summary of current research or artistic endeavors and/or proposal for upcoming work.
  • Teaching Statement: summary of the guiding principle(s) that inform your pedagogical approach & style.

Sample Itinerary

Day 1 – Travel day, meet and greet with participants, job talk pointers

Day 2 – RIT community welcome breakfast, host department activities, panel discussions on faulty support, diversity and student body

Day 3 – Host department activities, panel discussions on faculty life, dinner with RIT administration and community members

Day 4 – Conclude program with a tour of the greater Rochester area, lunch with cohort, and departure for travel home

For more information on RIT’s current COVID-19 guidelines please visit https://www.rit.edu/ready/

The final application deadline is February, 27, 2026.

Start your application here: https://rit.az1.qualtrics.com/jfe/form/SV_6eU0rCIsk7c1cbz

JOB: Prof., Premodern @ University of Pittsburgh

William S. Dietrich II Professor of Premodern Arts and/or Architecture
The Department of History of Art and Architecture (HAA) in the Kenneth P. Dietrich School of Arts and Sciences at the University of Pittsburgh seeks to appoint an accomplished historian of premodern art, architecture, or related fields to the William S. Dietrich Professorship, with an ideal start date during academic year 2026-27, pending budgetary approval. We seek a colleague who will use the prominence of this endowed professorship to advance HAA’s mission of enhancing and diversifying the histories of art and architecture through their teaching, research, mentorship, and leadership. The position provides an opportunity for its holder to undertake significant scholarly initiatives at the departmental, university, and extra-institutional levels. The successful applicant will be asked to develop and teach at the undergraduate and graduate levels, supervise doctoral students, undertake service, participate actively in the life of the department and university, and develop connections with national and international communities of scholars. We particularly welcome candidates whose work and teaching engage with the structural inequalities that art and architectural history have perpetuated, and we invite them to describe how their pedagogical approach addresses those concerns.

To learn more about the position and to apply, visit: https://cfopitt.taleo.net/careersection/pitt_faculty_external/jobdetail.ftl?job=25005722

Applications should include: 
>Cover letter addressed to Prof. Christopher Nygren, Chair, HAA Department, that discusses the applicant’s approaches to research, teaching, and mentoring (of peers, graduate, and undergraduate). Please include a discussion of your current and future research programs.
>Current CV. Please include a list of students mentored and courses taught.
>Two sample publications (in the case of a single-authored book, please send the introduction, table of contents, and one sample chapter). 

Review of applications will begin on 15 January 2026, and will continue until the position is filled. Questions may be directed to Christopher Nygren, Chair, HAA Department (cnygren@pitt.edu) or Evan Zajdel, Department Administrator, HAA Department (ewz5@pitt.edu).

JOB: Curator of Native Arts @ Denver Art Museum

Exciting curatorial opportunity at the Denver Art Museum! 🌟

Position: Assistant or Associate Curator of Native Arts

Salary: $60,000 – $83,200/year

Apply by: November 28, 2025

This is a fantastic role for someone passionate about Native arts, community collaboration, and curatorial innovation within a major institution.

🔗 Full job details & application info here: https://www.denverartmuseum.org/en/careers-and-volunteers

2026-27 Slavery North Research Institute at UMass.-Amherst: Fellowship Applications Due Sept. 21, 2025

The Slavery North Research Institute at the University of Massachusetts at Amherst is pleased to announce three fellowship opportunities for the 2026-2027 Academic Year.

The deadline for all Slavery North fellowship applications is Sunday, September 21, 2025.

About Slavery North Fellowships

The Slavery North fellowship program welcomes national and international students, artists, and scholars, providing them with the space, funding, time, and community to produce transformative research outcomes. Slavery North Fellows actively participate in both the scholarly and social environment of the center. Slavery North Fellows, with support of Slavery North leadership, conduct independent research and create original works in one or more of the five mandate areas of Slavery North which include 1) Canadian Slavery, (2) slavery in the US North, (3) the comparative study of slavery in Canada, the US North, and other northern or temperate regions, (4) the study of the inter-connectedness of slavery in Canada and the US North with Caribbean Slavery, and (5) Black-Indigenous relations in Canadian Slavery or US North Slavery. Furthermore, the research must center on the enslaved and/or adopt an anti-colonial, de-colonial, post-colonial, and/or anti-racist methodology/approach which challenges the nature of European and Euro-American imperialism and colonialism and interrogates the racist logic of the institution of Transatlantic Slavery.

Visiting (Open Rank) Research Professor

See Full Job Description and Apply: https://careers.umass.edu/amherst/en-us/job/527921/visiting-open-rank-research-professor

Graduate Student Fellow (MA, MFA, or PhD)

See Full Job Description and Apply:  https://careers.umass.edu/amherst/en-us/job/527920/slavery-north-research-fellow

Artist-in-Residence Fellow

Link to Full Job Description and Apply: https://careers.umass.edu/amherst/en-us/job/528032/slavery-north-artistinresidenceresearch-fellow

Questions can be directed to: Emily Davidson emilydavidso@umass.edu

2026 MoAD Emerging Artists Program — Applications due Oct. 31, 2025

Call for Artists: 2026 Emerging Artists Program (EAP)

Museum of the African Diaspora (MoAD)

San Francisco, CA

The Emerging Artists Program (EAP) reflects the Museum of the African Diaspora’s commitment to supporting, exhibiting, and amplifying the work of Black artists living and working in the Bay Area. As a leading contemporary art museum focused on the global African Diaspora, MoAD is proud to incubate innovative practices and foster long-term artistic growth.

We are now accepting applications for the 2026 cycle. Four artists will be selected to present solo exhibitions in MoAD’s Salon space and will each receive a $10,000 award along with comprehensive institutional support.

Program Overview

Incubation

Selected artists will receive:

Direct mentorship and guidance from MoAD’s curatorial and exhibitions team

Writing and design support for wall text, labels, and marketing materials

Access to career-sustaining professional development workshops led by artists, curators, scholars, gallerists, and financial experts

Exhibition

Each artist will present a two-month solo exhibition in MoAD’s Salon, a multipurpose space used to showcase stellar artwork as well as for deep engagement through public programs, workshops, and community events

Artists will be given up to three days each for installation and deinstallation

All artists will work with the same set of institutional tools and resources provided by MoAD

Public Programming + Publicity

MoAD will organize and support at least one public program (e.g. artist talk, conversation, or workshop) for each exhibition

Artists will receive dedicated marketing and press support from MoAD’s communications team

Additional Award Opportunity

One of the four exhibiting artists will receive the EAP Excellence Award, a $25,000 grant awarded in recognition of outstanding work

Application + Selection Timeline

Application Deadline: October 31, 2025 Final Selections Made: December 15, 2025 Finalists Announced: January 5, 2026 First Exhibition Opens: March 20, 2026

Apply via SlideRoom: https://moadsf.slideroom.com/#/permalink/program/84758

Terms & Conditions

Applications must be submitted through the official SlideRoom portal.

Submission does not guarantee selection.

MoAD will insure exhibited artworks up to a maximum of $15,000, from delivery through deinstallation.

Artists are responsible for shipping, delivery, and retrieval of artworks.

All non-installation-based works must arrive ready to hang.

Artists must be on-site for both installation and deinstallation, which may take up to three days each.

Artworks left at MoAD more than 30 days after exhibition close will be considered abandoned.

Artists release MoAD from liability for damage or injury during transportation.

Visitors may photograph artworks for non-commercial use. Artists grant MoAD permission to photograph and use images for marketing, publicity, and educational purposes.

Please note: The Salon is a multi-use space. Food and drink may be served, and the space may be rented for private events during or after museum hours.

For questions or additional information, please contact: exhibitions@moadsf.org

We look forward to reviewing your proposal and continuing to build a vibrant future for Black art in the Bay Area.

Apply Now

This program contains:

  • Forms (1)
  • Media (up to 10)

Preview Full Application

CALL FOR PROPOSALS–Apply for Terra Foundation Collection Grant (due August 4, 2025)

Terra Foundation Collections Grants encourage organizations worldwide to re-interpret and re-present their permanent collections.

Terra supports permanent collection projects that broaden understanding and pursue inclusive and expansive practices of American art, whether through reinstallation or temporary exhibitions drawn primarily from an institution’s permanent collection. They welcome proposals from museums, art centers, and community-based cultural organizations of varying sizes, annual budgets, and diverse geographies, within and outside the United States.

  • Planning grants typically range between $25,000 and $75,000.
  • Implementation grants are up to $100,000.
  • Grant support through this program is offered once yearly.

https://terraamericanart.fluxx.io/user_sessions/new

Call for Research Writing: Submit your research by Sept. 15, 2025 to the Met Journal

The Metropolitan Museum of Art invites  invite you to submit your research to the Metropolitan Museum Journal.

The Journal publishes articles and research notes that contain original research on works of art in The Met’s collection.

Articles contribute extensive and thoroughly argued scholarship—art historical, technical, and scientific—whereas research notes are narrower in scope, focusing on a specific aspect of new research or presenting a significant finding from technical analysis, for example.

The maximum length for articles is 8,000 words (including endnotes) and 10–12 images, and for research notes 4,000 words (including endnotes) and 4–6 images. 

The process of peer review is double-anonymous. Manuscripts are reviewed by the Journal Editorial Board, composed of members of the curatorial, conserva­tion, and scientific departments, as well as scholars from the broader academic community.

Articles and research notes in the Journal appear in print and online, and are accessible in JStor on the University of Chicago Press website.

Deadline for submissions for Vol. 61 (2026): September 15, 2025.

Submission guidelines: 

www.journals.uchicago.edu/journals/met/instruct

Please send materials to: 

journalsubmissions@metmuseum.org

Questions? Write to:

Elizabeth.Block@metmuseum.org

Inspiration from the collection

www.metmuseum.org/art/collection

View the Journal

http://www.journals.uchicago.edu/loi/met

Call for Papers: Submit to the Metropolitan Museum Journal

The Editorial Board of the peer-reviewed Metropolitan Museum Journal invites submissions of original research on works of art in the Museum’s collection.  

The Journal  publishes  Articles  and  Research Notes. Works of art from The Metropolitan Museum of Art collection should be central to the discussion.  Articles  contribute extensive and thoroughly argued scholarship—art historical, technical, and scientific—whereas  Research Notes  are narrower in scope, focusing on a specific aspect of new research or presenting a significant finding from technical analysis, for example. The maximum length for articles is 8,000 words (including endnotes) and 10–12 images, and for research notes 4,000 words (including endnotes) and 4–6 images. 

The process of peer review is double-anonymous. Manuscripts are reviewed by the Journal Editorial Board, composed of members of the curatorial, conserva­tion, and scientific departments, as well as scholars from the broader academic community.

Articles and Research Notes in the Journal appear in print and online, and are accessible in JStor on the University of Chicago Press website.

The deadline for submissions for Volume 61 (2025) is September 15, 2025.

Submission guidelines: www.journals.uchicago.edu/journals/met/instruct

Please send materials to: journalsubmissions@metmuseum.org

Questions? Write to Elizabeth.Block@metmuseum.org

Inspiration from the Collectionwww.metmuseum.org/art/collection

View the Journalhttp://www.journals.uchicago.edu/loi/met

JOB: Curator, African art @ Neuberger Museum

The Neuberger Museum of Art is seeking a Harris Molnar (Rank TBD) Curator of the Arts of Global Africa and the Diaspora to work with traditional objects in the Museum’s collection, and to create contemporary projects that explore the broad ways in which Africa is being thought about today. 

The history of this collection at the Neuberger extends back to the opening of the Museum in 1974 at Purchase College, SUNY. The collection totals approximately 350 objects. The capstone of our current work in the arts of Africa was NEU Conversations: African Art in American Museums, a fall 2024 two-day virtual convening in which speakers shared their work in moderated panels, offering models for how museums can address issues of what constitutes a traditional object, provenance and restitution, engage and collaborate with communities both locally and in Africa, reframe the institutional representation of African art, and bridge the historic past and the creative present. 

The Neuberger seeks scholar who is engaged in these conversations and is familiar with the creation of the best practices guidance being generated by the Arts Council of the African Studies Association. The successful candidate will be able to review the categorization and provenance of objects of the extant collection so that the Neuberger’s display and conceptualization of the arts of Africa is in keeping with the highest and most contemporary standards and methodologies. 

The successful candidate will collaborate with source and descendant communities in their stewardship of the collection, with respect to the traditional arts as well as the contemporary program, to think historically in the present and to diversify and bring forth new narratives, particularly from Black communities. As an academic museum, the Neuberger is a space that supports consideration of the understanding, activation, and explication of the complex histories that can arise from work with arts of Africa and the legacy of Eurocentric colonialism and coloniality in museums. 

Primary responsibilities 
• Organize exhibitions in the area of the Arts of Global Africa and the Diaspora including loan exhibitions and exhibitions of works from the Museum’s permanent collection 
• Assess and research on the permanent collection of the Arts of Global Africa and the Diaspora (also add in note about restitution) 
• Publish researched scholarly publications associated with these projects. 
• Organize symposia in conjunction with these projects. 
• Work with leading artists from the Arts of Global Africa. Organize residencies and encourage the participation of Purchase College students in the making of new on-site works and activities.
• Coordinate the touring of exhibitions. 
• Cultivate a national and international network, engaging actively with scholars, institutions and museums working in the field of the Arts of Global Africa and the Diaspora 
• Participate in the academic life of the College and promote connections between the Museum and the rest of the College. 

Secondary responsibilities 
• Supervise and co-organize exhibitions by students and guest curators. 
• Collaborate closely with Purchase College’s Global Black Studies department 
• Offer special tours of exhibitions to students to match the content of specific courses. 
• Stand on departmental committees and search committees. 

Requirements 
• M.A. in a relevant discipline, such as Anthropology or Art History; Ph.D. or equivalent experience preferred; 
• Expertise in African material culture; 
• 7+ years of progressively relevant experience, preferably in a museum setting 
• Demonstrates a commitment to diversity and inclusion; 
• Track record of engagement with African communities; 
• Demonstrated writing, public speaking, research, and organizational skills; 
• Ability to travel as needed. 

To apply visit: https://jobs.purchase.edu/