Webinar: “Hidden Histories: Rediscovering the Federal Art Project at the Saint Louis Art Museum”

Greetings,  

I’m writing to announce the free Living New Deal webinar “Hidden Histories: Rediscovering the Federal Art Project at the Saint Louis Art Museum” at 5 PM Pacific Standard Time on Tuesday, February 4, 2025.

To register, click on the link below

We invite you to join us for a webinar with John Ott, Professor of Art History at James Madison University, and Amy Torbert, the Andrew W. Mellon Foundation Associate Curator of American Art at the Saint Louis Art Museum and co-curator of the current exhibition The Work of Art: The Federal Art Project, 1935–1943. Their conversation will offer a behind-the-scenes look at the planning process for this show, relate forgotten and untold stories from our nation’s artistic past, and illuminate neglected contributions from women, immigrant, and minority artists.

Co-curated with Clare Kobasa, SLAM’s associate curator of prints, drawings, and photographs, The Work of Art presents a remarkable collection of artworks created amidst the hardship of the Great Depression. In 1934, President Franklin D. Roosevelt launched a series of national initiatives for the visual arts as part of the New Deal. The largest and most ambitious program, the Federal Art Project (FAP) (1935–43), put more than 10,000 artists on the federal rolls. The resulting artworks decorated municipal spaces, toured the nation in travelling shows, and eventually found homes in institutions across the country.

When the FAP ended in 1943, the Saint Louis Art Museum received a trove of 256 prints, drawings, watercolors, and paintings. This exhibition draws from this rich collection to explore how this federal program expanded opportunities to create and encounter art in many different communities, some of which had historically lacked the necessary infrastructure and support for the arts. By displaying work made by African American, Asian American, female-identifying, and immigrant artists, The Work of Art testifies to and keeps alive the New Deal’s ambition to nourish individuals and communities of every kind through the arts. Organized by geography, this showcase also reveals the complexities of the nation’s creative landscapes and art’s capacity to bridge communities near and far.

JOB: PostDoc, Reparative Art Histories @ University of Pittsburgh

The Department of the History of Art & Architecture (HAA) in the Kenneth P. Dietrich School of Arts and Sciences at the University of Pittsburgh is seeking applications for a Mellon Foundation Postdoctoral Associate position on “Reparative Art Histories.” We invite candidates who have completed or will complete a Ph.D. in the history of art, architecture, or visual culture to apply for this two-year appointment, running August 1, 2025, through July 30, 2027, that is funded by a grant from the Mellon Foundation on the theme of social justice and disciplinary knowledge. 

Review of applications begins March 1, 2025. More details about the position and the link to apply can be found here: https://cfopitt.taleo.net/careersection/pitt_faculty_external_pd/jobdetail.ftl?job=24009218

JOB: Prof., Architectural Design/Theory @ University of Chicago

Professor of Practice in the Arts (Associate or Full) – Architectural Design/Theory

Description
The Department of Art History at the University of Chicago invites applications for a position as Professor of Practice in the Arts (Associate or Full) in Architectural Design/Theory and related areas. The expected start date of the position is July 1, 2026, or as soon as possible thereafter. The selected candidate will teach four courses per year on the quarter system in areas related to their expertise, and they will pursue their own creative and scholarly agenda. The initial appointment is for five years, which is renewable upon successful review.
We seek to fill our PPA opening with a practicing architect who is committed to undergraduate education and can discuss the role of the built environment in society with colleagues across the university, particularly those involved with the Committee on Environment, Geography and Urbanization, Chicago Studies, and the Mansueto Institute for Urban Innovation.
This search is part of an initiative to continue to build the Department of Art History’s Architectural Studies program, which offers both scholarly and studio-style courses to undergraduates. The PPA will serve as the Architectural Studies Advisor, collaborating with the Coordinator of the Architectural Studies Program and other faculty and lecturers who specialize in architectural design, practice, and theory. Together, they will identify and implement best practices related to teaching and advising to shape the present and future of the program. The selected candidate is expected to maintain profiles both in university instruction and in architecture design and practice.

Qualifications
The successful candidate will be actively involved in architectural debates, practice, and theory; possess experience teaching at the university level; and the ability or potential to be an excellent teacher and mentor to undergraduate students. We especially seek candidates who are well positioned to shape the future of architectural studies within the greater context of the arts and humanities.
All requirements for receipt of an M.Arch or Ph.D. in architecture or a related field must be completed prior to the start of the appointment.

Application Instructions
Applicants must upload the following materials to the University of Chicago’s recruitment website at https://apply.interfolio.com/160767 by 10:59pm Central Time/11:59pm Eastern Time on January 26, 2025:

  • CV
  • Cover Letter
  • Research and Creative Statement
  • A sample portfolio (texts and/or images)
  • Contact information for three references who may be asked to write letters of recommendation

Candidates who advance will be asked to provide a teaching statement and other additional materials following the initial review of applications. Questions may be directed to arthistory@uchicago.edu.
The terms and conditions of employment for this position are covered by a collective bargaining agreement between the University of Chicago and the Service Employees International Union. This position is contingent upon budgetary approval.

Equal Employment Opportunity Statement
All University departments and institutes are charged with building a faculty from a diversity of backgrounds and with diverse viewpoints; with cultivating an inclusive community that values freedom of expression; and with welcoming and supporting all their members.
We seek a diverse pool of applicants who wish to join an academic community that places the highest value on rigorous inquiry and encourages diverse perspectives, experiences, groups of individuals, and ideas to inform and stimulate intellectual challenge, engagement, and exchange. The University’s Statements on Diversity are at https://provost.uchicago.edu/statements-diversity.
The University of Chicago is an Affirmative Action/Equal Opportunity/Disabled/Veterans Employer and does not discriminate on the basis of race, color, religion, sex, sexual orientation, gender, gender identity, national or ethnic origin, age, status as an individual with a disability, military or veteran status, genetic information, or other protected classes under the law. For additional information please see the University’s Notice of Nondiscrimination.
Job seekers in need of a reasonable accommodation to complete the application process should call 773-834-3988 or email equalopportunity@uchicago.edu with their request.

CFP: Disabilities and American Art Histories, American Art

Call for Papers:American ArtCommentaries
Disabilities and American Art Histories
Deadline: April 1, 2025
Co-organizers Laurel Daen and Jennifer Van Horn invite short essays that explore the intersections of disability studies and the histories of American art, architecture, and design; center disability in compelling and innovative ways; foreground critical disability studies methodologies; and conceptualize disability broadly. For details, visitjournals.uchicago.edu/journals/amart/cfp-disabilities-and-american-art-histories. The articles will be published in American Art, the peer-reviewed journal co-published by the Smithsonian American Art Museum and the University of Chicago Press, in 2026.

CFP: Thinking Art History and Black Studies Together, American Art Journal

Call for Papers:Thinking Art History and Black Studies Together
SAAM American Art Journal
Deadline: March 1, 2025
Co-organizers Tiffany Barber, Ariel Evans, and Cherise Smith invite short essays that investigate the methodological intersections between art history and Black studies, understood as both theory and practice; document the institutions and individuals who have championed them; and exemplify how thinking art history and Black studies together expands the roots and aims of both disciplines. For details, visit journals.uchicago.edu/journals/amart/cfp-thinking-art-history-and-black-studies-together. The articles will be published in American Art, the peer-reviewed journal co-published by the Smithsonian American Art Museum and the University of Chicago Press, in 2026.

Call for Nominations: 2025 Charles C. Eldredge Prize

Call for Nominations: 2025 Charles C. Eldredge Prize
The Smithsonian American Art Museum is now accepting nominations for the 2025 Charles C. Eldredge Prize. The prize is awarded annually by the museum for outstanding scholarship in the field of American art. A cash award of $3,000 is made to the author of a recent book-length publication that provides new insight into works of art, the artists who made them, or aspects of history and theory that enrich our understanding of America’s artistic heritage. The Eldredge Prize seeks to recognize originality and thoroughness of research, excellence of writing, clarity of method, and significance for professional or public audiences. It is especially meant to honor those authors who deepen or focus debates in the field, or who broaden the discipline by reaching beyond traditional boundaries.
Single-author books devoted to any aspect of the visual arts of the United States and published in the three previous calendar years (2022, 2023, 2024) are eligible. To nominate a book, send a one-page letter explaining the work’s significance to the field of American art history and discussing the quality of the author’s scholarship and methodology. Nominations by authors or publishers for their own books will not be considered. The deadline for nominations is January 15, 2025. Please send to: Eldredge@si.edu. Further information about the prize may be found at americanart.si.edu/research/awards/eldredge.

JOB: Asst Prof, University of Maryland, Baltimore County (UMBC)

The UMBC Visual Arts Department seeks to recruit a tenure-track Assistant Professor with a specialty in art history and/or visual culture whose research and teaching interests encompass the modern and contemporary visual arts (20th and 21st centuries) of one or more of the following geographical areas: Asia, Africa, Latin America, the Middle East, or another academic field of artistic and cultural focus, historically marginalized by Eurocentric canons of art history. This position requires demonstration of a deep interest in and commitment to addressing diverse political, historical, social, and cultural perspectives on a global scale within the disciplines of art history and visual culture. Also of interest are applicants who demonstrate new and culturally diverse experimental methodological approaches and/or hold a specific interest in museum/curatorial studies as these relate to art structures and practices in a global modern and contemporary context.

Apply via Interfolio at:   https://apply.interfolio.com/158714

JOB: Registrar, David C. Driskell Center, University of Maryland

Position Number: 130060
Title: Program Manager
Functional Title: Art Registrar
Category Status: 35-Exempt Contingent Category 2
Applicant Search Category: Staff
University Authorized FTE: 1.000
Unit: ARHU-David C. Driskell Center

Campus/College Information:
Founded in 1856, University of Maryland, College Park is the state’s flagship institution. Our 1,250-acre College Park campus is just minutes away from Washington, D.C., and the nexus of the nation’s legislative, executive, and judicial centers of power. This unique proximity to business and technology leaders, federal departments and agencies, and a myriad of research entities, embassies, think tanks, cultural centers, and non-profit organizations is simply unparalleled. Synergistic opportunities for our faculty and students abound and are virtually limitless in the nation’s capital and surrounding areas. The University is committed to attracting and retaining outstanding and diverse faculty and staff that will enhance our stature of preeminence in our three missions of teaching, scholarship, and full engagement in our community, the state of Maryland, and in the world.

Background Checks
Offers of employment are contingent on completion of a background check. Information reported by the background check will not automatically disqualify someone from employment. Prior to any adverse decision, finalists have an opportunity to provide information to the University regarding the background check.

The University reserves the right to rescind offers of employment or otherwise decline or terminate employment if the information reported by the background check is deemed incompatible with the position, regardless of when the background check is completed.

Offers are contingent on providing proof of employment eligibility in the United States no more than 3 days after the initial start date. If this proof is not provided within this timeframe, the offer may be rescinded or employment terminated.

Position Summary/Purpose of Position:
Serving as a member of the senior administrative team of the David C. Driskell Center, the Registrar supervises all aspects of registration activities pertaining to the permanent collections, loans, implementation of policies and procedures for acquisition, documentation, inventory, management, and disposition of the permanent collection and other objects in the Center’s custody. The Registrar also manages collections storage and will be the lead staff member on an upcoming migration to a new collections management database.

This is an in-person position. Telework may be available up to two (2) days per week, subject to approval.

Benefits Summary
Top Benefits and Perks: Exempt Benefits Summary

Minimum Qualifications:

EDUCATION: Bachelor’s degree in an appropriate area of specialization; or an equivalent combination of education and experience.

EXPERIENCE: 3 years of relevant professional experience.

KNOWLEDGE, SKILLS, & ABILITIES:
– Demonstrated knowledge of professional museum practices, including registration methods, safe object handling and art preservation, packing and shipping, storage of art, security measures, and object numbering techniques.
– Knowledge of and demonstrated skill in collection management databases, Microsoft Word and Excel, and Adobe Photoshop.
– Excellent interpersonal, organizational, and written and verbal communication skills.

Preferences:
-MA in Museum Studies or related field preferred.
– Experience in the field of Collections Management, including long-term department and museum planning, supervising staff, and writing and managing budgets.
– Experience with loans, both international and domestic, is a plus.
– Some knowledge in the areas of artwork and items in the Museum’s care is preferred.

Additional Information:
This is a grant-funded, term position for three years. Salary range is $58,656 – $70,000.

Candidates must be able to provide proof of eligibility to work in the USA. No visa sponsorship is offered for this position.

The University also offers a comprehensive benefits package, including 22 Days Annual Leave; 15

Days Sick Leave; 3 Days Personal Leave; 15 Paid Holidays; Tuition Remission; Health, Dental, Vision and Prescription coverage.

This is an in-person position. Telework may be available up to two (2) days per week, subject to approval.

People who identify with historically marginalized groups based on gender, race, ethnicity, and nationality are especially encouraged to apply.
Job Risks: Not Applicable to This Position

Physical Demands:
Creating an object’s condition report may require prolonged standing and lifting of large/heavy art objects.

Posting Date: 10/31/2024
Closing Date:
Open Until Filled Yes
Best Consideration Date 12/06/2024

Diversity Statement:
The University of Maryland, College Park, an equal opportunity/affirmative action employer, complies with all applicable federal and state laws and regulations regarding nondiscrimination and affirmative action; all qualified applicants will receive consideration for employment. The University is committed to a policy of equal opportunity for all persons and does not discriminate on the basis of race, color, religion, sex, national origin, physical or mental disability, protected veteran status, age, gender identity or expression, sexual orientation, creed, marital status, political affiliation, personal appearance, or on the basis of rights secured by the First Amendment, in all aspects of employment, educational programs and activities, and admissions.

PUB: Oxford Art Journal Essay Prize

Submissions are now open for the 2024 Oxford Art Journal Essay Prize. The submissions deadline is December 1, 2024.

The annual Oxford Art Journal Essay Prize for Early Career Researchers launched in 2018, to coincide with the journal’s fortieth year of publication, and seeks to further enhance Oxford Art Journal’s international reputation for publishing innovative scholarship. The Essay Prize for Early Career Researchers aims to encourage submissions from British and international doctoral students, as well as early career researchers who are within five years of gaining their PhD. The essay will be on any topic relevant to art history and should be between 6,000 and 10,000 words (normally including footnotes) in length. The editors will review all submissions to select the Prize winner and will work with the successful candidate to advise on revision of the manuscript for publication. The journal and Oxford University Press will advise the Prize winner on securing image permissions and may be able to make a contribution to image costs.

The winner will receive:
Publication of the winning essay in Oxford Art Journal
£500 worth of Oxford University Press books
A year’s free subscription to Oxford Art Journal

Other entries of sufficient quality may be invited to publish their submission in Oxford Art Journal.

Please see the following page for more information about submission and the prize: https://academic.oup.com/oaj/pages/essay_prize

JOB: Asst Prof, Art History @ Eastern Michigan University

The School of Art and Design at Eastern Michigan University invites applications for a tenure-track Assistant Professor position in Art History, beginning August 2025. This position is part of a four-faculty cluster in Art History, Political Science, Sociology Anthropology and Criminology, and Arts Administration collaborating with the University’s new Civil Rights and Social Justice Center. We seek candidates from any specialization whose work aligns with the Center’s goals, with a preference for a focus on premodern art, globally defined. Areas of focus may include, but are not limited to, the arts of Africa, the Islamic world (including the ancient Mediterranean and Near East), the Americas, or other regions that complement our existing faculty strengths. A museum studies background is also welcome.

Principal Duties and Responsibilities
The successful candidate will have a three courses per semester base teaching load, primarily art history courses including surveys and upper-level classes in their area of expertise, while actively engaging in—and helping to shape—the Civil Rights and Social Justice Center’s initiatives. A primary instructional responsibility will be to teach our ancient through medieval survey course, but the appointee is also encouraged to develop new courses and collaborate in a broader re-envisioning of the art history curriculum. They will have opportunities to participate in our College in Prison Program, intercollegiate collaborations with Historically Black Colleges and Universities (HBCUs), study abroad programs, and campus programming such as the EMU galleries, among others. The appointee will be expected to collaborate with faculty in the cluster from other disciplines and contribute to shaping a more equitable vision of the arts at EMU. We value candidates who can leverage these unique engagement opportunities to enrich their teaching and research while fostering community connections.

Minimum Qualifications:
Applicants should hold a Ph.D. in Art History or a related field (completed by August 2025), with a preference for expertise in premodern art history, globally defined. Candidates must show evidence of scholarly potential and commitment to teaching excellence. Enthusiasm for undergraduate teaching, pedagogical creativity, and flexibility are essential, as is a commitment to working with students from a wide range of cultural and social backgrounds.
The ideal candidate will have a strong commitment to social justice, diversity, equity, and inclusion, and an interest in interdisciplinary collaboration and community engagement. Willingness to participate in diverse educational outreach programs is crucial. Experience in digital humanities, background in critical race studies, interest in cultural exchange and interaction, and familiarity with museum studies are desirable.
Eastern Michigan University is an equal-opportunity employer committed to fostering diverse and inclusive academic communities.

Special Instructions:
Applications for this position are due by January 5, 2025. ATTN: Dr. Pamela Stewart (pstewa13@emich.edu) The following documents in PDF format must be attached when submitting the application:
letter of application
curriculum vitae
statements of teaching philosophy and research agenda
writing sample or offprints of published work (35 pages maximum)
contact information of three references (names, phone numbers, and emails).
Applicants must address their interest in social justice and civil rights and how they might collaborate with the cluster and Center. They may do so in their letter and teaching/research statements, or they may put forward a separate statement.

Application: https://careers.emich.edu/jobs/assistant-professor-art-history-ypsilanti-michigan-united-states