Call for essay proposals closes March 1
The Smithsonian’s Archives of American Art is planning an issue of the Archives of American Art Journal devoted to Latino art. This special issue will offer a valuable opportunity for scholars and artists to increase the visibility of Latino studies in the field of American art history as well as enrich the study of Latino art with primary sources at the Archives of American Art. While the Archives has been collecting the papers of Latino artists for decades, the focused collecting initiative that it launched in 2015 has resulted in the acquisition of many important new collections, which include the personal papers of artists, gallery and organization records, and oral history interviews. You can explore the Archives’ Latino art research collections online at http://www.aaa.si.edu/collections.
Essays selected for publication in the journal will offer new approaches to Latino art and artists by thinking in innovative ways about primary sources in the Archives of American Art. Authors must identify the specific collections that will inform their research. Please include the following in a single MS Word document and email it to Tanya Sheehan, editor of the Archives of American Art Journal, SheehanT@si.edu, by March 1, 2017:
* Author name and contact information
* Proposed manuscript title and abstract of no more than 250 words
The journal’s editorial team will review the proposals and then invite select authors to prepare a manuscript of 5,000-7,000 words (including endnotes) for double-blind peer review. Complete manuscripts for review will be due by July 1, 2017. Essays must be previously unpublished and not under consideration for publication elsewhere.
The Archives of American Art Journal is the longest-running scholarly journal devoted to the history of American art. It aims to showcase new approaches to and out-of-the-box thinking about primary sources. Distributed by the University of Chicago Press, the journal contains both peer-reviewed research and commissioned articles based in part on the vast holdings of the Archives.
Information on manuscript submissions and review criteria is available on the journal’s webpage, http://www.journals.uchicago.edu/aaa.
The 2015 inaugural exhibition of the new Whitney Museum of American Art, America Is Hard to See, charted a largely unconventional history of modern American art built around issues that have galvanized United States artists, pressing them into often uncomfortable relationships with challenging political and social contexts, including the history of slavery, labor unrest and the Vietnam War–and effectively underscoring the point that American is hard to see.
In recent years, scores of museum exhibitions, books and catalogues have worked to reimagine the field among these lines, telling the history of United States art in all of its multilayered, messy complexity. It is not common to find major shows of previously suppressed African-American and Latinx artists as well as scholarly studies of forgotten women and LGBTQ artists. Yet in an era of unprecedented economic inequality, Black Lives Matter, the rise of the alternative right, and anti-immigration reform, there remains much to be done.
This panel seeks to address where American art history from colonial times to the present sits in our twenty-first century classrooms, galleries, museums, blogs and journals–and, more importantly, what directions we might pursue for its future growth. We welcome papers representing all historical periods in American art as well as new avenues of research and methodological inquiry.
Please send a one-page abstract and short c.v. by March 15, 2017, to email@example.com
AHAA seeks to included new voices, and we encourage younger scholars to make submissions. Chairs and panelists of AHAA-sponsored sessions must be current members of AHAA and CAA.
Betty Reid Soskin is the granddaughter of Louis Charbonnet (1869-1924), architect and builder of Corpus Christi Church and School in New Orleans. Ms. Soskin has information and memorabilia about her grandfather that she would like to share with reputable researchers of 19th and early 20th-century African American architecture and material culture, and/or Louisiana history and culture.
Initially, a creator of ornamental iron work, Louis Charbonnet became an engineer, inventor and millwright. His New Orleans business establishment dates to 1893. After St. Louis School was destroyed in a 1915 storm, Charbonnet drew plans for its reconstruction and supervised the project.
To learn more, contact Ms. Soskin firstname.lastname@example.org
Also see Betty Reid Soskin’s blog!
Photo of Louis Charbonnet Sr. at “The Charbonnets” homepage
CFP: Art of the Latinx Diaspora
Journal of Latino-Latin American Studies, University of Nebraska at Omaha, 2018
The Journal of Latino-Latin American Studies (JOLLAS) seeks contributions for a special issue on the Art of the Latinx Diaspora. All media, periods and geographies are eligible, and contributors are encouraged to think broadly and innovatively about the ways in which the Latinx diaspora and its cultural production are framed. Scholarship from all art-related disciplines, including Art History, Curatorial Studies, Art Education, etc. is welcome. Technical and quantitative methodologies are invited.
Interested parties are asked to submit a full draft manuscript (10-20 pages in length, notes and images included), in MSWord compatible and PDF format to arduran[at]unomaha.edu by 15 March 2017. Submissions will be peer-reviewed.
For more information, please visit:
The Journal of Latino-Latin American Studies (JOLLAS) is an interdisciplinary, international, and peer reviewed on-line journal housed at the University of Nebraska at Omaha. The journal seeks to be reflective of the shifting demographics, geographic dispersion, and new community formations occurring among Latino populations across borders and throughout the Americas. The journal emphasizes the collective understanding of Latino issues in the U.S. while recognizing the growing importance of transnationalism and the porous borders of Latino/Latin American identities.
The Journal of Latino-Latin American Studies welcomes quality scholarship from relevant academic disciplines as well as from practitioners in the private and public sectors. JOLLAS is receptive to scholarship coming from a variety of theoretical perspectives and methodological approaches. All research should be understood and examined from a transnational perspective.
To publish academically rigorous scholarship with real-world applicability to the understanding of Latino/Latin American peoples and critical issues.
All inquiries should be directed to Adrian R. Duran, Associate Professor, Art & Art History, University of Nebraska at Omaha, email@example.com
Terra Foundation International Research Travel Grants offer US-based scholars working on American art and visual culture prior to 1980 the opportunity to conduct research outside the United States. Grant funding is available for short-term travel for scholars whose research projects require study of materials outside the United States, enabling scholars to:
- Discover new primary source material;
- Experience works of art first-hand in museums and private collections;
- Make contact with artists, critics, art dealers, archivists, curators, and university scholars;
- Consult archives and library collections outside the US;
- Establish professional networks for future research.
Applications are due Jan. 15, 2017.
Grants will be awarded to doctoral students as well as postdoctoral and senior scholars.
For more information, go to the Terra Foundation’s website.
Call for papers: deadline Friday, July 22, 2016.
Black Chronicles at the National Portrait Gallery. Installation photo: Zoe Maxwell at Autograph-apb.co.uk
From Art Historian and Critic Judith Wilson-Paes:
Somebody needs to research a book/ organize an exhibition on the West’s black community photographers–i.e., Oakland’s E.F. Joseph, San Francisco’s David Johnson, and the two LA women photojournalists who are in Jeanne Moutoussamy-Ashe’s book on black women photographers.
These California photographers are our Van Der Zees and W.S. Robertses in the western US. And as Joy Byrd’s Facebook post makes clear, they documented a little-known chapter of African American history–the flowering of 20th-c. West Coast black communities.