The Grapevine

CFA: The Tyson Scholars of American Art @ Crystal Bridges Museum of American Art

The Tyson Scholars of American Art Program encourages and supports full-time, interdisciplinary scholarship that seeks to expand boundaries and traditional categories of investigation into American art and visual and material culture from the any time period. The program was established in 2012 through a $5 million commitment from the Tyson family and Tyson Foods, Inc. Since its inception, the Tyson Scholars Program has supported the work of 66 scholars, attracting academic professionals in a variety of disciplines nationally and internationally.

Crystal Bridges and the Tyson Scholars Program invites PhD candidates (or equivalent), post-doctoral researchers, and senior scholars from any field who are researching American art to apply. Scholars may be focused on architecture, craft, material culture, performance art, and new media. We also invite applications from scholars approaching US art transregionally and looking at the broader geographical context of the Americas, especially including Latinx and Indigenous art. Applications will be evaluated on the originality and quality of the proposed research project and its contribution to a more equitable and inclusive history of American art.

The Tyson Scholars Program looks for research projects that will intersect meaningfully with the museum’s collections, library resources, architecture, grounds, curatorial expertise, programs and exhibitions; and/or the University of Arkansas faculty broadly; and applicants should speak to why residence in Northwest Arkansas and the surrounding areas will advance their work. The applicant’s academic standing, scholarly qualifications, and experience will be considered, as it informs the ability of the applicant to complete the proposed project. Letters of support are strongest when they demonstrate the applicant’s excellence, promise, originality, track record, and productivity as a scholar, not when the letter contains a commentary on the project.

Crystal Bridges is dedicated to an equitable, inclusive, and diverse cohort of fellows. We seek applicants who bring a critical perspective and understanding of the experiences of groups historically underrepresented in American art, and welcome applications from qualified persons of color; who are Indigenous; with disabilities; who are LGBTQ+; first-generation college graduates; from low-income households; and who are veterans.

Fellowships are residential and support full-time writing and research for terms that range from six weeks to nine months. While in residence, Tyson Scholars have access to the art and library collections of Crystal Bridges as well as the library and archives at the University of Arkansas in nearby Fayetteville. Stipends vary depending on the duration of residency, position as senior scholar, post-doctoral scholar, or pre-doctoral scholar, and range from $17,000 to $34,000 per semester, plus provided housing. The residency includes $1,500 for relocation, and additional research funds upon application. Scholars are provided workspace in the curatorial wing of the Crystal Bridges Library. The workspace is an enclosed area shared with other Tyson Scholars. Scholars are provided with basic office supplies, desk space, an office chair, space on a bookshelf, and a locking cabinet with key for personal belongings and files. Housing is provided in a fully furnished, shared four-bedroom, four-bathroom apartment within walking distance of the museum. Each scholar will have their own bedroom and ensuite bathroom with shared living room and kitchen.

Further information about the Tyson Scholars Program, application instructions, and application portal can be found at crystalbridges.org/reports-and-research/tyson-scholars/.

Applications for the 2023-2024 academic year open September 15, 2022 and close November 15, 2022.

About Crystal Bridges:
As Crystal Bridges and the Momentary, we recognize our role as settlers and guests in the Northwest Arkansas region. We acknowledge the Caddo, Quapaw, and Osage as well as the many Indigenous caretakers of this land and water. We appreciate the enduring influence of the vibrant, diverse, and contemporary cultures of Indigenous peoples. We are conscious of the role in colonization that museums have played. As cultural institutions, we have a responsibility to engage in the dismantling of historical and systemic invisibility of Indigenous peoples past, present, and future. We choose to intentionally hold ourselves accountable to appropriate conversation, representation, connection, and education to facilitate a space of measurable change.

The mission of Crystal Bridges Museum of American Art is to welcome all to celebrate the American spirit in a setting that unites the power of art with the beauty of nature. Since opening in 2011, the museum has welcomed over six million visitors, with no cost for admission. Crystal Bridges was founded in 2005 as a non-profit charitable organization by arts patron and philanthropist, Alice Walton. The collection spans five centuries of American masterworks from early American to current day and is enhanced by temporary exhibitions. The museum is nestled on 120 acres of Ozark landscape and was designed by world-renowned architect Moshe Safdie. A rare Frank Lloyd Wright-designed house was preserved and relocated to the museum grounds in 2015. Crystal Bridges offers public programs including lectures, performances, classes, and teacher development opportunities. Some 300,000 school children have participated in the Willard and Pat Walker School Visit program, which provides educational experiences for school groups at no cost to the schools. Additional museum amenities include a restaurant, gift store, library, and five miles of art and walking trails. In February 2020, the museum opened a satellite contemporary art space in downtown Bentonville called the Momentary (507 SE E Street).Through the Tyson Scholars of American Art program, Crystal Bridges encourages and supports pre-doctoral and post-doctoral research that seek to expand boundaries of American art.

Crystal Bridges’ collection spans five centuries of American masterworks from early American to current day and is enhanced by temporary exhibitions. The collection development focuses on artwork that expands American art, including artwork by artists with diverse backgrounds, working in a wide range of media. Special interests include craft, Native American art, and art that addresses multiple perspectives and stories. The collection is available online at CrystalBridges.org/art-galleries. Crystal Bridges’ research library consists of approximately 60,000 volumes as well as significant manuscript and ephemera holdings. The Crystal Bridges Library also houses a comprehensive collection of American color-plate books from the nineteenth century.

JOB: Historical Archaeology of the African Diaspora @ Boston University

The Department of Anthropology at Boston University invites applications for the position of Assistant Professor (tenure-track) with a focus on the historical archaeology of the African Diaspora in the Americas, beginning Fall 2023. We seek specialists in the material culture and history of African diasporic communities in North, Central, or South America, including the Caribbean. Temporal period and technical specialty are open; community and public approaches to archaeology are especially welcome. We will give greater consideration to archaeologists whose scholarship and teaching complement those of current Archaeology faculty and bridge cognate campus programs, including African American Studies, American and New England Studies, Latin American Studies, and Women’s, Gender, and Sexuality Studies. Successful applicants will have evidence of an ongoing research program (field, lab, and/or museum/archival), evidence of teaching effectiveness, and evidence of a commitment to increasing diversity and fostering inclusion in academia.

Boston University strives to create environments for learning, working, and living that are enriched by racial, ethnic, and cultural diversity. We expect an active record of publication, teaching experience, a willingness to participate actively in undergraduate and graduate student advising, and a commitment to the department’s and university’s institutional values regarding diversity, equity, and inclusion. Application materials should be submitted through https://academicjobsonline.org/ajo/jobs/22368 by October 10, 2022, and should include a cover letter, current CV, diversity statement, teaching portfolio, and contact information for three references. In the cover letter and teaching portfolio we invite candidates to explain how their teaching and mentorship activities work to increase student awareness of African Diasporic communities of the Americas and contribute to more inclusive intellectual discourse.

We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, disability status, protected veteran status, or any other characteristic protected by law. We are a VEVRAA Federal Contractor. 

JOB: Tenure-track position in Media Arts @ Antioch College

Antioch College seeks applications for a tenure-track position in Media Arts to begin August 15th, 2023.

The Arts Division at Antioch College welcomes candidates in the Media Arts to contribute to a student-centered interdisciplinary undergraduate liberal arts curriculum. M.F.A or a Ph.D. in media arts or a related field and evidence of successful teaching at the undergraduate level is required. The successful candidate will have the opportunity to build a dynamic set of media arts courses within Antioch College’s unique self-designed major curriculum. Duties include teaching six courses per year on a term system, advising, service, and an active research or creative agenda. Salary is competitive and commensurate with experience.

The successful candidate will have broad training in the media arts and be excited to teach a wide range of media arts courses which may include studio classes (Basic Media Production, Animation, Documentary Filmmaking); survey courses (History of Cinema, New Media, Media Theory) and courses in their areas of specialization. Scholar-practitioners are highly desired and should have strong exhibition records, be proficient in the technical, theoretical, and historical foundations of contemporary media arts practice, and be capable of sophisticated engagement with media art in its broadest definition. They should have a strong commitment to and understanding of how the arts engage social justice work and critical pedagogy.

In addition to offering courses within the discipline, the successful candidate will bring subject-matter expertise and enthusiasm to a collaborative General Education Program. The successful candidate is expected to maintain an active research agenda, participate in program development, provide academic advising, guide students in developing their Self-Designed Majors, and oversee Senior Capstone Projects.

Antioch College holds a distinct place within higher education. This is an opportunity to join a collaborative faculty community dedicated to building a new kind of American college. Antioch College is a place where students seek to “win victories for humanity” and engage in real-world problem-solving in the classroom, campus, and community, and through our renowned cooperative education program. Antioch attracts tenacious questioners who find virtue in our being rigorous and open, creative and deliberative, diverse and self-reliant; who appreciate the thoughtful scale of individual, small group and community learning, and our commitment to principles of applied and experiential education. Antioch is a laboratory for discovering new and better ways of living and learning that are the building blocks for democratic communities and a healthy planet. Through participatory learning and work-based education, students develop and put their ideas into practice. Guided by talented teachers and mentors, students own their education through a robust Self-Designed Major program that encourages students to explore the transdisciplinary spaces within and between the humanities, sciences, arts, and social sciences. Students also utilize Antioch’s dynamic resources in their studies, such as our sustainable farm, Wellness Center, Coretta Scott King Center for Cultural and Intellectual Freedom, and adjacent 1,100-acre nature preserve. The high level of participation in the design and governance of the College, dialogue and collaboration across the campus to develop community here and in the surrounding region is unmatched elsewhere.

Antioch College embraces diversity as a core value, and considers it fundamental to excellence in education. We are an educational community dedicated to the pursuit of social justice that intentionally and consistently supports diverse and inclusive practices. Antioch College acknowledges and seeks to end the existence of systemic inequity in terms of access to power, resources, and privilege and works to develop access and equity in the community. Within this context, Antioch seeks to build authentic engagement across diversity, ensure systems of support for historically and currently marginalized groups, and promote safety in challenging dialogues and exchanges. We believe diversity enhances learning and our individual and collective ability to manifest positive change. We seek candidates who can contribute to Antioch’s mission through curricular development and innovation that fosters social justice, cultural competencies and understanding of diversity.

Antioch College is located in the village of Yellow Springs, Ohio – a vibrant progressive community nestled between two nature preserves. Yellow Springs is located 55 miles from the fast-growing city of Columbus, Ohio, and 30 miles from the Dayton metro area.

Antioch College is an equal opportunity employer; the college offers employment, advancement opportunities, and benefits in a harassment-free environment on the basis of merit, qualifications and competency to all individuals without regard to race, color, religion, creed, age, sex, gender identity, national origin, handicap, sexual orientation or covered veteran status. Candidates must be eligible to work in the United States without Antioch sponsorship.

To apply, please send a cv (including a link to a creative portfolio), sample syllabus, and cover letter that addresses the position, including teaching philosophy and experience with diversity, equity, and inclusion, to facultysearch@antiochcollege.edu with “Media Arts” in the subject line. Additional materials will be requested from select candidates at a later stage.Official transcripts will be required of finalists for this position. For full consideration, please apply by October 20, 2022. Candidates must be legally authorized to work in the United States without Antioch College sponsorship. Questions related to this position can be sent to facultysearch@antiochcollege.edu.
antiochcollege.edu/job/assistant-professor-of-media-arts-tenure-track/

JOB: Asst Prof, Ancient Art @ UCLA

The Department of Art History, University of California, Los Angeles, invites applications for a tenure-track assistant professor specializing in Ancient Art of the Mediterranean basin (prior to 300 CE), including, more broadly, Western Asia or North Africa, to start July 1, 2023. We seek a scholar whose work emphasizes methodological innovation as well as transdisciplinary, interregional and global approaches. Ph.D. is required. We especially welcome candidates whose experience in teaching, research, or community service has prepared them to contribute to our commitment to diversity and excellence. Competence in relevant ancient and modern research languages required.

Please submit letter of interest, curriculum vitae, sample publication, statement on contributions to diversity, equity, and inclusion, and names and contact information for three referees online at https://recruit.apo.ucla.edu/JPF07835.

For more information, contact Professor Sharon Gerstel, Chair, Search Committee at gerstel@humnet.ucla.edu. Application deadline: November 15.

JOB: Asst Prof, Premodern Visual Cultures @ Bates College

The Department of Art and Visual Culture, in conjunction with the Religious Studies Department and the Classical and Medieval Studies Program, seeks a tenure-track colleague in premodern visual cultures with an emphasis on visual cultures produced in and among varied religious cultures, including Islamic, Christian, and/or Jewish, in the centuries before 1500 CE. We envision a colleague whose research and teaching attend to issues of power and privilege, racism and colonialism as these exist(ed) within the historical world under consideration, within the academic fields of the history of art and visual cultures and religious studies, and as they relate foundationally to modern structures of oppression.

The successful candidate should have completed all necessary requirements for the Ph.D. by the start of the contract and will teach five courses per year in premodern visual cultures. Courses should range from beginning to advanced levels and some should center substantial religious-studies content, broadly defined. Academic advising – including senior-thesis advising – is a regular component of the position.

Our students represent a wide range of experiences and identities. We seek a colleague who is committed to building a strong and inclusive community of learning in our related fields. We encourage applications from individuals from underrepresented backgrounds and identities, individuals who have followed nontraditional pathways to higher education, and individuals with a demonstrated interest in advancing the college’s continuing commitments to equity and inclusion. Candidates should identify their strengths and experiences in these areas.

For full consideration, applications should be received by November 1, 2022. Applicants should submit the following: a cover letter (including a brief overview of scholarly work and a list of potential courses); curriculum vitae (including a list of referees); and statements on teaching, research, and past and/or potential contributions to inclusive excellence and other equity and inclusion efforts. Applicants should also anticipate providing a sample of their written work, as well as three letters of recommendation, in subsequent stages of the search process.

For more information about employment at Bates, please visit www.bates.edu/employment/.

www.bates.edu/employment/opportunities/?job=492560

SYMP: Intersecting Photographies @ Howard University

Registration is now open for Photography Network’s Second Annual Symposium (October 13-15, 2022) in Washington, DC. Register now!

(With apologies for cross-posting)

“Intersecting Photographies,” will be held at Howard University in Washington, DC, from October 13-15. We hope that many of you will take an interest in the presentations and conversations that will be fostered there, from an artist conversation between LaToya Ruby Frazier and Leslie Ureña to a keynote by Tina Campt, a pecha kucha featuring lightning talks to six panels presenting more in-depth research questions. To view the complete schedule online, which also includes an awards ceremony, receptions, and Saturday workshops hosted at DC-area institutions by local experts, please view our Symposium page.

You must be a Photography Network Member to register for the symposium, with annual dues beginning as low as $20. Click on the registration button and follow the instructions to register for the In-Person ($50) or Online ($20) experience. We apologize that our website does not offer the capability of joining or renewing your membership and registering for the symposium in a single transaction.

Photography Network is a 501(C)3 and College Art Association Affiliated Society whose purpose is to foster discussion, research, and new approaches to the study and practice of photography in its relation to art, culture, society, and history. Through a range of programming, Photography Network (PN) cultivates a spirit of community and exchange with the aim of advancing innovation in the field.

We encourage you to register early for the symposium. We do not have a registration cap, but availability is limited at the three DC-area hotels with whom we have made arrangements for discounted rates. Additionally, three of the four optional Saturday workshops will be collections-focused at area institutions including the Library of Congress, National Gallery of Art, and National Museum of American History, where space is necessarily limited; the fourth, with the National Museum of the American Indian, will be held over Zoom to accommodate those participating in the symposium remotely.

If you encounter any problems during the registration process, please reach out to us at photographynetworksymposium@gmail.com. We thank the Terra Foundation for American Art and the Phillip and Edith Leonian Foundation for their generous support of this program.

Best,
Monica Bravo and Caroline Riley
Photography Network Co-Chairs

JOB: Asst Prof, Asian Art @ University of Richmond

The Department of Art & Art History at the University of Richmond invites applications for a tenure-track position in Asian Art History at the rank of Assistant Professor, beginning August 2023. The successful candidate must demonstrate promise of scholarly distinction and excellence in teaching. The department welcomes any area and period of specialization in the field, but the candidate must be able to teach a survey of Asian Art. We seek candidates who display a knowledge of new methods and approaches to the study of art history, including curatorial practice, transculturalisms, and subalternity. Beyond the survey course, the successful candidate is expected to develop courses from introductory to upper levels that range from ancient to contemporary Asian art, depending on their specialization, and that advance the Art History program’s goal of making its curriculum more inclusive. The ideal candidate will also be able to build connections with our related departmental program in Visual and Media Arts Practice.

The teaching load is five courses per year, in addition to some supervision of senior theses. The teaching of the two-semester senior thesis seminar, which is the capstone course for our majors, rotates among the art history faculty, but all faculty act as readers each year. Student research is a cornerstone of both the department’s curriculum and that of the university. A completed Ph.D. is expected prior to appointment.

The University of Richmond is a private university located just a short drive from downtown Richmond, Virginia. Through its five schools and wide array of campus programming, the University combines the best qualities of a small liberal arts college and a large university. With nearly 4,000 students, an 8:1 student-faculty ratio, and 92% of traditional undergraduate students living on campus, the University is remarkably student-centered, focused on preparing students “to live lives of purpose, thoughtful inquiry, and responsible leadership in a global and pluralistic society.”

The University of Richmond is committed to developing a diverse workforce and student body, and to modeling an inclusive campus community which values the expression of difference in ways that promote excellence in teaching, learning, personal development, and institutional success. Our academic community strongly encourages applications that are in keeping with this commitment. For more information on the Department of Art and Art History, please visit: http://art.richmond.edu.

Applicants should apply online at http://jobs.richmond.edu and submit the following materials: a cover letter, curriculum vitae, a statement of research interests and goals, and a teaching statement. The teaching statement should articulate the candidate’s teaching philosophy, interests, and future professional development goals, as well as their involvement in and commitment to inclusive pedagogy. We strongly encourage applications from people of color, women, first-generation scholars, LGBTQ+ people, and members of other marginalized populations. Candidates for this position may be asked, at a later date, to provide the names and contact information for three references. Review of applications will commence October 15, 2022 and will continue until the position is filled. Questions about the position should be addressed to the Chair of the Search Committee, Professor Elena Calvillo (ecalvill@richmond.edu).

CFA: Toward Equity in Publishing

Call for Applications: Toward Equity in Publishing
Deadline: September 15, 2022

Toward Equity in Publishing is a professional development program provided by the peer-reviewed journal American Art, which is co-published by the Smithsonian American Art Museum and University of Chicago Press. The program, supported by the Dedalus Foundation, will work toward ameliorating the inequitable conditions that precede and impede publication by providing developmental editing and workshops to demystify academic publishing. Eligibility is limited to, untenured faculty, junior museum staff, independent scholars, and unpublished graduate students.

For more information and application instructions, please visit americanart.si.edu/research/toward-equity-publishing.

Seeking Advisors
American Art seeks senior scholars for the Toward Equity in Publishing advisory committee. Please send letter of interest and CV to AmericanArtJournal@si.edu.

CFP: US Art and Critical Whiteness Studies at CAA 2023

U.S. Art and Critical Whiteness Studies: Looking Back, Looking Forward
Session will present: In-Person

James W. Denison
Email Address(s): jwden@umich.edu

More than fifteen years have passed since the publication of Martin Berger’s Sight Unseen: Whiteness and American Visual Culture, which was widely celebrated for bringing a promising new category of analysis, critical whiteness studies, into the discipline of U.S. art history. However, despite its potential to speak to issues of social stratification and power at the core of the history and historiography of U.S. art, critical whiteness studies has yet to become a regular component of the analytical toolbox employed by scholars of American art. Recent years have seen a spate of scholarship focused on white supremacism and eugenics in U.S. art, but incorporation of the insights of the broader field of whiteness studies, especially regarding more everyday forms of racial bias and self-understanding, remains infrequent and haphazard. How have American artists of various backgrounds visually articulated “whiteness”, and how can we historicize such articulations? How have artists propelled or stymied prejudice through their representations of “white” people? How has whiteness affected how artists represent racialized people, places, and objects? How has it intersected with other forms of identity, including ethnic, gender, and class identities? Finally, what has kept critical whiteness studies from entering the mainstream in art history, a field so long dominated by white artists and scholars? This session seeks to analyze and address these and related questions, inviting papers that examine the past and future of whiteness as a subject of analysis in American art studies and/or offer new directions for such investigation.

Potential topics for papers might include:
·         The history and future of critical race art history
·         Whiteness and nationalism in the history of American art history
·         Whiteness, the art world, and elitism/class concerns
·         Relationships between critical whiteness studies and other forms of critical race studies within art history
·         The invisibility of whiteness/the visualization of whiteness
·         Whiteness and ethnicity/historicizing whiteness
·         Whiteness and gender, including masculinity, femininity, and feminism

·         Whiteness and modernist primitivism

JOB: Asst. Prof., African American Art @ Santa Clara University

SANTA CLARA UNIVERSITY, a Jesuit, Catholic university located in the Silicon Valley area of California, seeks candidates to fill the position of Assistant Professor, a tenure-track faculty position in African American art, secondary expertise in the arts of Africa or the greater African Diaspora desirable. The Department of Art and Art History has a commitment to recruit faculty from under-represented groups, contributing to our continuation to meet our diversity and inclusion goals and actions, both in the classroom and in the larger Department community. Courses to be taught include a two-quarter Culture and Ideas 1 & 2 sequence, possibly one course for Culture and Ideas 3, an introductory course in African American, African diaspora, or African art, and upper division courses in the candidate’s area of specialty. Cultures and Ideas courses will be broadly grounded in the applicant’s specialty with a strong interdisciplinary approach to the field; see http://www.scu.edu/provost/ugst/core2009/faculty.cfm for more information. Ability to teach African American art as part of a broader global perspective is thus highly desirable. Ph.D. required by time of appointment, as well as publications and teaching experience beyond the level of teaching assistant. The Department of Art and Art History is situated in a recently-built facility, equipped with custom designed art history classrooms. The department offers majors and minors in Art History as part of well-rounded liberal arts education. We are seeking teaching scholars who will develop and present their scholarship at a national and international level while maintaining a successful learning environment for students.

This position is part of a cluster hire in Race, Inequality, and Social Justice. The six participating departments are Art and Art History, English, Political Science, Psychology, Public Health, and Religious Studies. The 2022 cohort includes faculty in Anthropology, Child Studies, Classics, Communication, History, and Religious Studies. The purpose of the cluster hire is to recruit talented, accomplished, diverse faculty members who will advance knowledge and understanding in this area through their scholarship and teaching. Once hired, the faculty in the cluster will meet regularly as a cohort to network with a variety of colleagues in the College and University involved in scholarship and teaching related to the theme of the cluster.

Santa Clara University is an educational institution that highly values ethics, social justice, and global engagement. The ability to involve undergraduate students in your scholarship is strongly desirable, as well as the potential for engagement with one of our three Centers of Distinction (Miller Center for Social Entrepreneurship, Ignatian Center for Jesuit Education, and the Markkula Center for Applied Ethics). Salary and benefits are highly competitive. Benefits package includes registered domestic partners, housing subsidy program, pre-tenure research leave, and internal grant program.

For more information and to apply, visit: https://wd1.myworkdaysite.com/en-US/recruiting/scu/scu/job/Assistant-Professor–African-American-Art-African-or-African-Diaspora_R2619