REF: Slavery and Revolution @ WWW

Announcing the launch of Slavery and Revolution, an internet resource for research about Jamaica and Atlantic slavery in the Age of Revolution

Slavery and Revolution uses a blogging format to showcase excerpts from letters written by Simon Taylor (1738-1813), a slaveholder and plantation owner who lived in Jamaica during a period characterised by revolution, war, and imperial reform. The website is a free resource, open to anyone. Its contents are intended for academics, students, and others to use in their research, teaching, and learning.

Web address: http://blog.soton.ac.uk/slaveryandrevolution/

Follow Slavery and Revolution on Twitter: Slavery & Revolution @SlandRev

CONF: ‘Disturbing Pasts: Memories, Controversies and Creativity’ @ Museum of Ethnology, Vienna

Conference homepage:http://www.open.ac.uk/Arts/disturbing-pasts/

We are pleased to announce the details of the conference ‘Disturbing Pasts: Memories, Controversies and Creativity’ at the Museum of Ethnology, Vienna, on the 20th to 22nd November, 2012. This is part of a two-year international research project led by Dr Leon Wainwright (The Open University, UK; http://www.open.ac.uk/Arts/arthistory/wainwright.shtml ) and funded by HERA (Humanities in the European Research Area, the European Science Foundation).

‘Disturbing Pasts’ brings together artists, photographers, curators, policy makers and academics from around the world, with the aim of networking with one another and exploring creative engagements with controversial and traumatic pasts in art practice, curating and museums.

Our theme:    Traumatic pasts have complex and often dramatic influences on the present. In many countries, legacies of war, colonialism, genocide and oppression return again and again to dominate contemporary politics, culture and society. The controversies surrounding traumatic pasts can shape policy, make or break governments, trigger mass demonstrations, and even spark violent confrontation. These pasts also inspire rich visual and creative responses, through which the past is remembered, remade and challenged, and the public space of the modern museum is the primary venue for these responses.

Confirmed speakers include artists, curators, policy-makers and academics:

Peju Layiwola, Dierk Schmidt, T. Shanaathanan, Christopher Cozier, Rita Duffy, Paul Lowe, Rafał Betlejewski, Joanna Rajkowska, Heather Shearer, John Timberlake, Shan McAnena, Sofia Dyak, Wayne Modest, Liv Ramskjær, Maria Six-Hohenbalken, Margit Berner, Clara Himmelheber, Maruska Svasek, Fiona Magowan, Alexander Etkind, Uilleam Blacker, Andrij Portnow, Elizabeth Edwards, Sigrid Lien, Susan Legêne, Annette Hoffmann, Erica Lehrer, Simon Faulkner, Carol Tulloch

‘Disturbing Pasts’ marks a collaboration between three HERA-sponsored research consortia drawn from universities throughout Europe, in partnership with the Museum of Ethnology, Vienna. They are:

o   ‘Creativity and Innovation in a World of Movement’ (CIM) http://www.qub.ac.uk/sites/CreativityandInnovationinaWorldofMovement/

o   ‘Photographs, Colonial Legacy and Museums in Contemporary European Culture’ (PhotoCLEC) http://www.heranet.info/photoclec/index

o   ‘Memory at War’ (MAW) http://www.memoryatwar.org/

The project will publish its scholarly and creative work in a special issue of the Open Arts Journal (www.openartsjournal.org), and the conference will generate audio-visual material to be made available through the Open Arts Archive (www.openartsarchive.org).

Entrance to the conference is free, but places are limited, and so we ask that you please reserve in advance by writing to Julia Binter, Julia.Binter@ethno-museum.ac.at

Committee members for the project include: Dr Leon Wainwright (The Open University, UK), Dr Barbara Plankensteiner (Museum of Ethnology, Vienna), Dr Maruska Svasek (Queen’s University, Belfast), Professor Elizabeth Edwards (De Montfort University, Leicester), Dr Alexander Etkind and Dr Uilleam Blacker (University of Cambridge).

Description: Description: The Open University                        Description: Description: Museum fur Volker Kunde

Description: Description: HERA         Description: Description: HERA

The project ‘Disturbing Pasts: Memories, Controversies and Creativity’ is financially supported by the HERA Joint Research Programme which is co-funded by AHRC, AKA, DASTI, ETF, FNR, FWF, HAZU, IRCHSS, MHEST, NWO, RANNIS, RCN, VR and The European Community FP7 2007-2013, under the Socio-economic Sciences and Humanities programme.

 

JOB: Carruthers Internship @ Birmingham Museum of Art, Spring 2013

Carruthers Internship – Spring Semester 2013

Education: Graduate student

Area of Study: Art History, Visual Culture, History, African American Studies, or American Studies

Purpose: To support exhibition projects related to the 50th anniversary of the Sixteenth Street Baptist Church bombing.

Responsibilities:
·        Assist with artist research which includes but not limited to exhibition history, biographical information, and bibliographical history.
·        Write artist biographies and descriptions of art for museum publications.
·        Create artist files for artists involved with commemorative projects.
·        Help coordinate performance projects.
·        Manage communication between the curatorial department and artists and exhibition lenders.
·        Other duties as assigned.

The Carruthers Intern will have the opportunity to contribute to the Museum’s public and support group programs.

Examples include:
·        ArtBreaks
·        Lunch & Learn
·        Gallery Talks

Special Skills
·        Strong interest in African American art and history
·        Good verbal and written communication skills
·        Strong visual analysis skills
·        Extensive experience with library, archival, and web-based research

Time period: January 14 – May 3, 2013
Hours per week: 15-20 hours
The Carruthers Intern will receive a $3,000 stipend.

Additional application material: 10-15 pp writing sample from a research or seminar paper

Deadline is November 1, 2012. Please check out
https://artsbma.org/about/internships/item/642-carruthers-internship-curatorial

For more information, contact Anne Forschler-Tarrasch at aforschler@artsbma.org

Call for Submissions: Meditations on Emancipation (in the 21st Century) @

This exhibition Meditations on Emancipation (in the 21st Century) is being developed as part of the semester long programming in support of Celebrating the 150th Anniversary of the Emancipation Proclamation at Geneseo. The Bertha V.B. Lederer Gallery seeks artist’s submissions that specifically address the Emancipation Proclamation and what it means today.

Submissions are due: November 15, 2012

Artist Notification:  December 15, 2012

http://www.geneseo.edu/galleries/meditations-emancipation

 

Mola Textiles and the Kuna Indians

lacma's avatarUnframed The LACMA Blog

Molas come from the kalu Tuipis.
It was a dangerous place
where skilled scissor-users lived…
They were very beautiful women . . . 

—”Black Vulture” recounted by E.G. from Mulatupu

“Picture yourself in a boat on a river
With tangerine trees and marmalade skies

Somebody calls you, you answer quite slowly
A girl with kaleidoscope eyes

Cellophane flowers of yellow and green
Towering over your head

Look for the girl with the sun in her eyes
And she’s gone”

—Paul McCartney; John Lennon

Either of these quotes above could be invoked to describe the mola textiles in LACMA’s Stitching Worlds: Mola Art of the Kuna on view in the Art of the Americas building through the fall. With kaleidoscopic designs and layers of psychedelic colors carefully cut out and stitched together by craftswomen, molas are intriguing modern textiles. The term mola—the Kuna word for “cloth”—refers to brightly…

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Be a ‘Slave for a Day’: Controversial black history event held by National Park