The Grapevine

CFP: 2012 MESDA CONFERENCE on American Material Culture

CALL FOR PAPERS: 2012 MESDA CONFERENCE on American Material Culture
Deadline: May 15, 2012

The seventh biennial MESDA Conference for recent research in the field of early American material culture and decorative arts will take place on October 25-27, 2012 at the East Tennessee Historical Society in Knoxville, Tennessee. The conference provides the only major forum for scholarly presentation and interaction on American material culture and decorative arts with specific emphasis on the South. The MESDA Conference includes the Gordon Seminar, a day of presentations on a variety of topics in American material culture. The conference also includes a day of field trips to regional material culture sites and decorative arts collections in east Tennessee. Scholars and graduate students in American studies, southern studies, decorative arts and other fields as they relate to early southern material culture are invited to submit proposals. Papers are to be twenty minutes in length. Subjects with an interdisciplinary approach and with emphasis on the study of southern decorative arts and material culture are highly encouraged.

Proposals will be accepted for individual papers or for panel sessions. Paper proposals must include the author’s name, the paper title, a one‐page abstract, and the author’s curriculum vitae. Session proposals must include a chair, list of presenters, cover letter, a one‐page summary of the session theme, presenter curriculum vitae, and abstracts for all papers.

Deadline for proposals: May 15, 2012

Notification of acceptance will be received by June 15, 2012.

Accepted papers must be submitted in full by September 15, 2010.

Electronic submission in Word format is preferred. Submit emailed proposals to Sally Gant : sgant@oldsalem.org

Or send hard copies to:
Sally Gant, MESDA Conference
924 South Main Street
Winston-Salem, NC 27101

Phone: 336-721-7361 Fax: 336-721-7367

For conference information, visit MESDA.org/conference

Conference registrar Martha Ashley: 336-721-7360 or email MESDAPrograms@oldsalem.org

LEC: The Artist’s Voice – Leonardo Drew in Conversation with Thelma Golden @ Studio Museum

JOB: Course Proposals Sought for 2012 Fall MoMA Courses

Course Proposals Sought for 2011 Fall MoMA Courses

Deadline: Thursday, June 30, 2011

Dear Colleagues:

The Department of Education is seeking new instructors and course proposals for five and eight-week fall MoMA Courses.  We also invite previous applicants to re-submit or update existing course proposals.  Please feel free to pass along the call-for-proposals to any colleagues outside the Museum who may be interested.

The fall term begins the third week of September and continues through early December. Each class meets once per week on Mondays, Tuesdays, Wednesdays, or Thursdays from 11:00 a.m. – 12:50 p.m., or in the evenings from 6:00 – 7:50 p.m. or 8:10 – 10:00 p.m.  The times may change slightly based on classroom availability and other conflicts. Enrollment is limited to twenty students per class (twelve for studio classes) and classes meet in the Museum’s classrooms, as well as in the galleries when they are available.  A class may be cancelled if it does not meet enrollment requirements (a minimum of twelve students).  The stipend for course instructors is $2,400 for an eight-week course and $1,500 for a five-week course. Prior teaching experience is required.

Survey courses, such as Modern Art 1880 – 1945 or Modern and Contemporary Art 1945 to Today, have consistently attracted an enthusiastic audience, as have more focused topics, such as contemporary art of the past decade. Proposals for studio courses and classes on current exhibitions, key artistic movements or artists, and contemporary art are also encouraged.

Consideration should be given to installations and exhibitions on view at MoMA during the course term in order to teach directly from these works.  Holding class in the galleries is a highlight for the students and you are encouraged to incorporate teaching in the galleries.

The courses for the current summer term are posted on www.moma.org/courses.

For those interested in teaching a course at MoMA, please include the following in your proposal:

  • Name (Department, if MoMA employee)
  • Descriptive title for the class
  • A brief description of the class (no more than 150 words) for the online listing.  If you mention artists, please include both first and last names.
  • An outline of the subject, time period, and major works and artists to be covered (no more than a page)
  • Curriculum Vitae
  • Two or three sentence bio
  • One letter of reference that addresses teaching experience if you have not taught a MoMA Course. Prior teaching experience is required.
  • Incomplete proposals will not be considered
  • Proposals will only be accepted via e-mail to amy_horschak@moma.org

The deadline for course proposals is Thursday, June 30.  Please feel free to contact me with any questions.

Thank you,

Amy Horschak

EXH: Wrapped in Pride: Ghanaian Kente and African American Identity @ Fitchburg Art Museum

AKWAABA!  means welcome — and the Fitchburg Art Museum welcomes you to the opening celebration of the exhibit Wrapped in Pride: Ghanaian Kente and African American Identity on April 15, 2012. The exhibit is sponsored by the National Endowment for the Humanities and this version of the exhibit by the Fowler at UCLA.

Massachusetts boasts a large Ghanaian community, in the thousands, and our honorary chair is Nana Yaw Ampong II, Wabiri Asonahene of Breman Asikuma (currently resident in Westminster, MA). Opening festivities include an Afternoon Dance Party hosted by Gordon Halm of Lowell with cultural performances from traditional to contemporary, an African market, a weaving demonstration by Edward Brempong (currently resident in Worcester) and an “Africa Today” Forum featuring Ambassador Thomas Hull (Sierra Leone 2004-2007) as keynote speaker along with other distinguished guests.

On April 29, Professor Emeritus (University of Calgary) Daniel Mato
will give a lecture “Woven Words” on the symbolism of Kente and other Akan art forms followed by
a performance of traditional drumming and dance by Nani Agbeli and the
Agbekor Ensemble (associated with Tufts University).

On May 13, we will be having an African fashion show and family activities day.

Please share this information with friends, and please join us.  The exhibit will run through June 3.
The Fitchburg Art Museum is open from 12-4 Wednesday-Friday, 11-5 Saturday and Sunday.
On the first Thursday of each month we are open until 8pm and admission is free after 4:00.

http://www.fitchburgartmuseum.org/exhibitions.php

LMU Professor Examines Race in Comics

Corey Blake's avatarThe Comics Observer

Loyola Marymount University‘s Dr. Adilifu Nama, Chair and Associate Professor of African American Studies and author of Super Black: American Pop Culture and Black Superheroes, will hold a conference tomorrow on race in comics.

Dr. Nama shares some of his findings in this video produced by LMU:

His take on Luke Cage as more than simply a blaxploitation character, which is typically how he’s dismissed, but a reflection of the debate about the criminal system and rehabilitation going on at the time, particularly stands out to me. This isn’t just another regurgitation of comics history but an indication of someone bringing their own knowledgeable perspective to the ongoing dialogue and analysis. I’m bummed I can’t make this conference, but I’m very interested in checking out his book as a consolation prize.

The colloquium ran from 9 AM to 4 PM and included a line-up of professors and professional…

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Video of the Week: The (S) Files

blackatlanticresource's avatarBlack Atlantic Resource Debate

This week’s video feature is a bumper package of 9 short videos each relating to El Museo del Barrio’s 2011 Bienal: The (S) Files. The exhibition ran from June 2011 – January 2012 in numerous venues across New York. Although the exhibition has now ended it leaves behind this great online resource of interviews with the curators and artists involved – and a bit of funky music thrown in too.

The first video introduces the concepts and rationale behind the 2011 bienal theme of the street and features short interviews with curators: Rocío Aranda-Alvarado, Trinidad Fombella, and Elvis Fuentes.

“El Museo’s Bienal: The (S) Files 2011 is El Museo del Barrio’s sixth biennial of the most innovative, cutting-edge art created by Latino, Caribbean, and Latin American artists currently working in the greater New York area. This year’s edition spreads all over the city, showcasing a record 75 emerging artists in seven different…

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Antonio Martorell Completes Sculpture of Ramón Emeterio Betances for the Puerto Rican Athenaeum

Vejigante: Creator of Carnival Masks Brings Puerto Rican Tradition to Hartford

LEC: The Gertrude Stein Paradox @ SVA

Jeff Edwards's avatarThe Visual & Critical Studies blog

This Monday, April 2nd at 7:00 p.m., the Visual & Critical Studies Department will present “The Gertrude Stein Paradox: Michèle Cone heads a panel of renowned Stein scholars.” Here is a detailed description of the event from SVA’s Press Resources page:

School of Visual Arts (SVA) presents The Gertrude Stein Paradox, a roundtable discussion led by historian and SVA faculty member Michèle C. Cone about Gertrude Stein, patron of the arts and mercurial author and thinker. The panel discussion coincides with “The Steins Collect: Matisse, Picasso and the Parisian Avant-Garde,” the exhibition on view at The Metropolitan Museum of Art from February 21 – June 3, 2012. Dr. Cone will be joined in conversation by Mary Ann Caws, distinguished professor of English, French and comparative literature at the Graduate Center of the City University of New York; Catharine Stimpson, University Professor and Dean Emerita of the Graduate…

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Exhibition: ‘Teenie Harris, Photographer: An American Story’ at Carnegie Museum of Art, Pittsburgh, Pennsylvania

Dr Marcus Bunyan's avatarArt Blart _ art and cultural memory archive

Exhibition dates:  29th October 2011 – 7th April 2012

 

Teenie Harris (American, 1908-1998) 'Construction site with bulldozer, two men, including one in front holding child, large tank with hose, and car on right, possibly in construction site of Belmar Gardens' c. 1954

 

Teenie Harris (American, 1908-1998)
Construction site with bulldozer, two men, including one in front holding child, large tank with hose, and car on right, possibly in construction site of Belmar Gardens
c. 1954
Gelatin silver print
© Carnegie Museum of Art

 

 

What an astonishing photographer this man was. These photographs are a revelation. African American artist Charles “Teenie” Harris, captured “the essence of daily African-American life in the 20th century. For more than 40 years, Harris – as lead photographer of the influential Pittsburgh Courier newspaper – took almost 80,000 pictures of people from all walks: presidents, housewives, sports stars, babies, civil rights leaders and even cross-dressing drag queens.”

While Harris is most famous for depicting an innovative and thriving black urban community – daily life in Pittsburgh’s Hill District – it is the less figurative, more abstract urban landscape…

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