“Fotota” (http://fotota.hypotheses.org/) is a new blog devoted to photography in Africa, its current challenges, readings and discourses. It is jointly run by Érika Nimis and Marian Nur Goni.
The Grapevine
ARC Magazine Announces Issue 7
See The Beauty In Haiti With Photographer Maggie Steber’s New Show In Coral Gables
Exhibition: Sonia Boyce, Scat – Sound and Collaboration
Why we need to dust off the drawing board: the tale of The Crystal Bridges Museum of American Art
An endorsement of the Crystal Bridges Museum of American Art:
It’s time for a little history. Museums have been around for almost as long as recorded history, used as historical resources for the educated elite, like the Musaeum of Alexandria (which included the famous Library) dating from around the 3rd century BCE. Art museums, however, have a significantly shorter history, art having been almost exclusively kept in private collections and archaeological museums until the 15th century. The Pope, of all people, ushered in the era of “public” art collection – primarily sculpture – during the Renaissance and was followed by an influx of public University art collections. The 18th century brought about the golden age of the familiar art museum in the form of a free-standing building with its own collection, Board, and funding. This era brought us the British Museum, the Uffizi Gallery, The Hermitage Museum, The Louvre, and even the Charleston Museum two years before…
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Tribute to Gerard Sekoto at WAM
TO celebrate a hundred years of Gerard Sekoto’s life, the Wits Art Museum (WAM) is staging a retrospective of his artwork in an exhibition titled Song for Sekoto 1930-2013.
In collaboration with the Gerard Sekoto Foundation, WAM brings an intimate and exclusive display of Sekoto’s celebrated pieces. Some which have been brought overseas, loaned from the Johannesburg Art Gallery and private collectors.
A Photographic Champion of Latinos
An immigrant turns memories into art – and a fundraiser for the American Latino Museum
CFP: Constructing National Identity Through Fashion @ 2nd International Non-Western Fashion Conference, November 21 – 22, 2013
2nd International Non-Western Fashion Conference
Constructing National Identity Through Fashion
London College of Fashion, UK
21-22 November 2013
CALL FOR PAPERS
In today’s rapidly globalizing world, dichotomies like ‘traditional’ versus
‘fashionable,’ ‘tradition’ versus ‘modernity’ and ‘non-West’ versus ‘West’
can no longer be justified and fortunately a new generation of fashion
scholars is acknowledging the existence of different (non Euro-American)
fashion systems. They realize there is a growing urgency for fashion
theory to rectify its ethno- and Eurocentric approach and no longer assume
that non-Western dress is (automatically) outside the realm of fashion
dynamics. Fashion designers from Asia, The Middle East, Latin America and
Africa are increasingly influencing global fashion dynamics, but
surprisingly still little is known on the effects these developments will
have on fashion as we know it today.
Therefore the aims of this annual conference, which is part of a larger
international interdisciplinary cross-regional research project set up in
2012, is to establish a broad network of scholars focusing on non-Western
fashion systems (without explicitly excluding research on Western fashion
systems), to stimulate international cross-regional comparative research
and to mobilise scholars across disciplines to engage in primary and
archival fieldwork on (emerging) non-Western fashion centres. The project
aims to meet a new intellectual and public interest in more local models
of fashion production and consumption.
This second edition of the Non-Western Fashion Conference will focus on the
construction of national identity in fashion and the roles of so-called
‘tradition’ and ‘modernity’ in this process. Fashion designers are
increasingly branding their national heritage/tradition as a successful
marketing tool, while simultaneously reinventing/modernizing it. On the
one hand, in a globalizing world, it allows them to differentiate
themselves on a highly competitive international fashion market, while on
the other hand, on a national level, it seems to make them successful as a
result of a general revaluation of national culture as a counter reaction
to increasing foreign cultural influences. However, when non-Western
designers use their cultural heritage as a source of inspiration, it is
considered ‘traditional
identity’ whereas when Western fashion designers brand their cultural
heritage, it is considered ‘fashion identity.’
This conference not only wishes to be interdisciplinary but also
cross-regional, assembling researchers who are engaged in creative and
critical rethinking of (non-Western) fashion systems in a wide scope of
geographical areas in ways that may include, but certainly are not limited
to the ideas above. Please note that all papers will be presented in
English, and no translation will be available.
Keynote speakers for this edition are:
* Jennifer Craik (RMIT University, Melbourne)
* Yuniya Kawamura (Fashion Institute of Technology, New York)
* Leslie Rabine (University of California)
* Emma Tarlo (Goldsmiths, University of London)
* Sarah Cheang (Royal College of Art, London)
* Reina Lewis (London College of Fashion)
300 word abstracts are due by the 30th of June 2013.
Emails containing the abstracts should be submitted to m.jansen@fashion.arts.ac.uk and entitled: NON-WESTERN FASHION ABSTRACT SUBMISSION.
Please include the author’s name, affiliation, email address and the title of the abstract. Please send PDF, Word or RTF formats, using plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis.
Receipt of the email will be acknowledged within one week. If you do not receive a reply, please assume that it was not received, and send it again. A selection of the papers will be invited to feature in a hardcopy edited volume following the conference.
African Masters on The Africa Channel
African art in your living room!
African Masters is a new arts series that starts on the Africa Channel at 9pm tonight. The 6-part programme visits studios in Senegal, galleries in New York, artists residences in Nigeria and auction houses in London to reveal how the African art scene is emerging as a dynamic force internationally. The globe-trotting show shot on location in Nigeria, Senegal Benin, Kenya, South Africa, France, the USA and the UK features interviews with a wide range of artists, Ousmane Sow, William Kentridge, Romuald Hazoumé, Yinka Shonibare and Yusuf Grillo, exclusive studio visits with El Anatsui, Ablade Glover, Soly Cissé, Sokari Douglas-Camp, Bruce Onabrakpeya and Mary Evans as well as discussions with art world key players including André Magnin (French Curator and Art Dealer) and Bisi Silva (Curator at the Center for Contemporary Art in Lagos).
Dedicated to providing bold, high-quality programming giving viewers unique…
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ACRAH 