CFP: Photography as Witness: Power and Politics, the charged landscape of the 21st century

EXTENDED DEADLINE EXTENDED DEADLINE
NEW DEADLINE: DECEMBER 14, 2012

Call for Participation in a Juried Exhibition

Photography as Witness: Power and Politics, the charged landscape of the 21st century

Exhibition: January 25 through March 9, 2013

This exhibition seeks artists whose photographic practice interrogates contemporary issues, and documents our global conditions and challenges. Technology has extended our awareness of events taking place around the world from the Arab Spring, the Occupy Movement to the ongoing poverty caused by corporate greed, corrupt governments, criminal organizations, and religious and tribal violence. These challenges affect the two-third of the world, emergent nations and under-reported regions of the West. It is the witnessing of the devastation of humanity and the environment that moves us to action.

For submission guidelines go to: http://www.geneseo.edu/galleries/photography-witness-juried-exhibition

Call for Submissions: Meditations on Emancipation (in the 21st Century) @

This exhibition Meditations on Emancipation (in the 21st Century) is being developed as part of the semester long programming in support of Celebrating the 150th Anniversary of the Emancipation Proclamation at Geneseo. The Bertha V.B. Lederer Gallery seeks artist’s submissions that specifically address the Emancipation Proclamation and what it means today.

Submissions are due: November 15, 2012

Artist Notification:  December 15, 2012

http://www.geneseo.edu/galleries/meditations-emancipation

 

Renee Cox: Challenging Stereotypes and Empowering Minorities through Art

Santiago de Cuba Gets Ready to Host Caribbean Festival/Fiesta del Fuego

Antonio Martorell Completes Sculpture of Ramón Emeterio Betances for the Puerto Rican Athenaeum

Art Exhibition: Charles Juhasz Alvarado at the Cherry Blossom Festival

Video of the Week: After Hot-En-Tot: Two conversations with Artist Renée Cox

blackatlanticresource's avatarBlack Atlantic Resource Debate

Following on from the popularity of an earlier post – If you don’t ask, you don’t get, and then you get kicked to the curb – focusing on the work of Renée Cox this week’s video feature includes two clips, each containing an interview with artist Renée Cox recorded at the Spelman College Museum of Fine Art on 22 October 2009. The first is a conversation with an audience led by former Spelman Cosby chair Lisa E. Farrington, Ph.D., John Jay College, CUNY. The second is a one-on-one conversation that appears to have been filmed on the same day inside the Museum’s gallery space.

Each clip presents Cox ruminating on themes and driving forces behind her work including Race, Gender, Womanhood, Representation and Femininity. There are some overlaps in the conversation of each clip but also some interesting divergences.

The first conversation is pinned around specific works of Cox’s…

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LEC: Vinegar Hill Monument Proposals Unveiled @ Jefferson School African American Heritage Center

On Friday, April 20th, the nationally renowned sculptors, Melvin Edwards, Preston Jackson, Lorenzo Pace and Rodney Leon will present their past works to the Charlottesville community as part of the jury process to create a monument about Vinegar Hill, the African American neighborhood destroyed by urban renewal in the early 60′s.  This is the first sculpture commissioned by the community since 1926.  It will be sited on the historic Jefferson School, originally founded in 1865 and currently being renovated as a City Center whose heart is the African American Heritage Center.  The event will take place from 5-6:30 at Burley Middle School on Rose Hill Drive.

Melvin Edwards is one of America’s foremost sculptors whose work can be found in the collections of Metropolitan Museum of Art, New York the Modern Museum of Art, New York and the L.A. County Museum of Art, Los Angeles. Preston Jackson, a professor of sculpture at the Art Institute of Chicago is best known for his figurative work, which can be found in the collections of Perdue University, Lakeview Museum, Peoria and the Waterloo Museum of Art, Waterloo. The design team of Lorenzo Pace and Rodney Leon is recognized for their lower Manhattan visitors’ center and slavery monument that marks the 18th century African burial ground.

Jurors for the competition are Carmenita Higginbotham, assistant professor of American art history specializing in depictions of race in American visual productions of the 1920s and 1930s; Sarah Tanguy curator ART in Embassies, US Department of State, as well as an independent curator and critic based in Washington, DC.; and Franklyn Walker, a local artist whose work describes the African American experience and who grew up in Vinegar Hill.

According to Jefferson School Foundation Chair Martin Burks, “the competition is yet another example of the way in which the Jefferson School Foundation and the African American Heritage Center look for meaningful partnerships that significantly impact the City’s cultural landscape.” He continues, “Partnering with the City’s Dialogue on Race allows us to leverage resources to produce a work that is historically significant, locally and nationally, and further establishes Charlottesville as a location where contemporary artistic production is celebrated.”

For additional information contact Elizabeth Breeden, vinegarhillmonument@gmail.com or 434-977-5411

http://dialogonrace.org/call-to-artists/