The Grapevine

LEC: The Gertrude Stein Paradox @ SVA

Jeff Edwards's avatarThe Visual & Critical Studies blog

This Monday, April 2nd at 7:00 p.m., the Visual & Critical Studies Department will present “The Gertrude Stein Paradox: Michèle Cone heads a panel of renowned Stein scholars.” Here is a detailed description of the event from SVA’s Press Resources page:

School of Visual Arts (SVA) presents The Gertrude Stein Paradox, a roundtable discussion led by historian and SVA faculty member Michèle C. Cone about Gertrude Stein, patron of the arts and mercurial author and thinker. The panel discussion coincides with “The Steins Collect: Matisse, Picasso and the Parisian Avant-Garde,” the exhibition on view at The Metropolitan Museum of Art from February 21 – June 3, 2012. Dr. Cone will be joined in conversation by Mary Ann Caws, distinguished professor of English, French and comparative literature at the Graduate Center of the City University of New York; Catharine Stimpson, University Professor and Dean Emerita of the Graduate…

View original post 318 more words

Exhibition: ‘Teenie Harris, Photographer: An American Story’ at Carnegie Museum of Art, Pittsburgh, Pennsylvania

Dr Marcus Bunyan's avatarArt Blart _ art and cultural memory archive

Exhibition dates:  29th October 2011 – 7th April 2012

 

Teenie Harris (American, 1908-1998) 'Construction site with bulldozer, two men, including one in front holding child, large tank with hose, and car on right, possibly in construction site of Belmar Gardens' c. 1954

 

Teenie Harris (American, 1908-1998)
Construction site with bulldozer, two men, including one in front holding child, large tank with hose, and car on right, possibly in construction site of Belmar Gardens
c. 1954
Gelatin silver print
© Carnegie Museum of Art

 

 

What an astonishing photographer this man was. These photographs are a revelation. African American artist Charles “Teenie” Harris, captured “the essence of daily African-American life in the 20th century. For more than 40 years, Harris – as lead photographer of the influential Pittsburgh Courier newspaper – took almost 80,000 pictures of people from all walks: presidents, housewives, sports stars, babies, civil rights leaders and even cross-dressing drag queens.”

While Harris is most famous for depicting an innovative and thriving black urban community – daily life in Pittsburgh’s Hill District – it is the less figurative, more abstract urban landscape…

View original post 3,846 more words

CFP: Feminist Art History Conference @ American University

Announcing the Third Annual
FEMINIST ART HISTORY CONFERENCE
at American University in Washington DC

Friday-Sunday, November 9-11, 2012

CALL FOR PAPERS: please submit via email a one-page, single-spaced proposal and two-page curriculum vita by May 15, 2012 to fahc3.cfp@gmail.com. 

Notification of acceptance by July 1, 2012

This conference builds on the legacy of feminist art-historical scholarship and pedagogy initiated by Norma Broude and Mary D. Garrard at American University. To further the inclusive spirit of their groundbreaking anthologies, we invite papers on subjects spanning the chronological and geographic spectrum to foster a broad dialogue on feminist art-historical practice. Speakers may address such topics as: artists, movements, and works of art and architecture; cultural institutions and critical discourses; practices of collecting, patronage, and display; the gendering of objects, spaces, and media; the reception of images; and issues of power, agency, gender, and sexuality within visual cultures. 

Keynote address:
“Guess Who’s Coming to Dinner? Feminism, Art History and the Story of a Book”
Whitney Chadwick, Professor Emerita of Art History
San Francisco State University

 Sessions and keynote will be held on AU’s campus

with additional events at the National Museum of Women in the Arts

in conjunction with its 25th Anniversary celebration

 

Sponsored by the Art History Program, Department of Art,
College of Arts and Sciences at American University
Organizing committee:  Kathe Albrecht, Juliet Bellow, Norma Broude, Kim Butler,
Mary D. Garrard, Namiko Kunimoto, Helen Langa, and Andrea Pearson

SPANISH-AMERICAN WAR: VISIONS OF VICTORY AT THE WOLFSONIAN

"The Chief"'s avatarWolfsonian-FIU Library

Today’s blog post comes to you courtesy of Sharf Associate Librarian Rochelle Pienn. Rochelle has been processing and cataloguing recent additions to the Jean S. and Frederic A. Sharf Collection at the Wolfsonian, and has also been selecting objects and writing interpretative text for some of the Spanish-American War materials that will be featured in an exhibit on the fifth floor gallery. In the course of culling items and condensing the interpretative text down to very concise labels, lots of information gets left out. Rather than see that exhaustive research go to waste, we thought that we would share some of it with you, as a teaser to entice you to visit the show which will be up in time for the 110th anniversary of Cuban Independence celebrated in Miami on May 20th, 2012.

My dear friend Isis took a harrowing boat ride from Cuba to the United States at…

View original post 2,037 more words

CFP: Extended Deadline for Proposals for AHAA-sponsored session @ CAA 2014

DEADLINE REMINDER: Proposals for the AHAA-sponsored scholarly session at CAA 2014 are due April 1. Because April 1 is Sunday, proposals will be accepted through Monday, April 2.

As an affiliated society of CAA, AHAA (Association of Historians of American Art) sponsors two sessions at the CAA annual conference: a one-and-a-half-hour professional session and a two-and-a-half-hour scholarly session.

AHAA-sponsored scholarly sessions are similar to the scholarly sessions generally held at CAA, although sometimes more topical issues are addressed. Scholarly session proposals should be sent by email to Katherine Smith, AHAA Sessions Coordinator (kasmith at agnesscott.edu). Successful chairs will be notified by June 1, 2012.

AHAA seeks to include new voices, and younger scholars are encouraged to make submissions. Chairs of AHAA-sponsored sessions must be current members of both AHAA and CAA. Proposals should include a title for, and short description of, the session along with the proposer’s c.v. and a statement of expertise on the topic or area proposed. For examples of appropriate topics, see the list of past AHAA-sponsored CAA sessions at ahaaonline.org.

“Testimonios” Shows Bold, Colorful Works From Non-Traditional Makers

3rd Edition of Journal: SAVVY | art.contemporary.african.

blackatlanticresource's avatarBlack Atlantic Resource Debate

Out Now: 3rd Edition of SAVVY Journal for Critical Texts on Contemporary African Art

SAVVY | art.contemporary.african. (ISSN 2191-4362)

Title: Art and politics – An inseparable couple? The fire behind the smoke called political art. 

Talking about politics and Africa is always crackling. Talking about politics and art is always a guarantee for a hot debate. Then of course talking about art, politics and Africa is a recipe for an electrifying discourse. An objective and constructive critique without pledging any predetermined allegiance to a specific school of thought is an important ingredient in this recipe.

What is for certain is, arts and politics are not of different planets. They share the same playground, they are not antagonistic but complementary to each other and usually co-exist in a symbiotic relationship… and that was evident in many of the texts we received. Surprisingly, we received no article claiming the independence of…

View original post 364 more words