CFP: “Making Art In/About/For Cities in Crisis” Session @ Northeast Modern Language Association (NeMLA)

Making Art In/About/For Cities in Crisis
45th Annual Convention, Northeast Modern Language Association (NeMLA)
April 3-6, 2014
Harrisburg, Pennsylvania
Host: Susquehanna University

This session seeks to promote cross-disciplinary discussion of the roles
verbal and visual art might play in the 21st-century American city. On the
heels of the Great Recession, cities are undergoing massive
transformations, with some gaining new prominence by attracting
what Richard Florida calls “creative class” workers while others,
particularly in the industrial Midwest and overbuilt South and Southwest,
seem to be in irreversible decline. In collaboration with government and
business leaders, architects and urban designers are arranging the physical
environments of cities on the rise to further accelerate and intensify
economic growth. At the same time, writers and artists are flocking to
cities at the other end of the spectrum—Detroit, most prominently—creating
collectives and workshops reminiscent of the 1960s poetry and art scenes in
cities like Los Angeles and New York. Are we, as Sarah Schulman argues in
The Gentrification of the Mind, on the leading edge of another wave of
appropriation and displacement, with writers and artists merely leading the
way? Can anything save cities from capitalism’s tendency toward creative
destruction? Do they need to be saved? Is there a critique from art or
aesthetic theory that might be put in productive dialogue with economic and
cultural approaches to urban problems? When will the new generation of
urban artists break through and in which media?

Send 250-word abstracts with contact and affiliation information to Nate Mickelson,
mickelsonjn@yahoo.com by September 30, 2013.

About the Conference:

The 2014 NeMLA convention continues the Association’s tradition of sharing
innovative scholarship in an engaging and generative location. This capitol
city set on the Susquehanna River is known for its vibrant restaurant
scene, historical sites, the National Civil War museum, and nearby Amish
Country, antique shops and Hershey Park.  NeMLA has arranged low hotel
rates of $104-$124.

The 2014 event will include guest speakers, literary readings, professional
events, and workshops. A reading by George Saunders will open the
Convention. His 2013 collection of short fiction, The Tenth of
December, has been acclaimed by the New York Times as: “the best
book you’ll read this year.” NeMLA’s Keynote Speaker will be David Staller,
Producer and Director of Project Shaw. Mr. Staller presents monthly
script-in-hand performances of Bernard Shaw’s plays at the Players Club in
New York City.

Interested participants may submit abstracts to more than one NeMLA
session; however, panelists can only present one paper (panel or seminar).
Convention participants may present a paper at a panel and also present at
a creative session or participate in a roundtable.

http://www.nemla.org/convention/2014/cfp.html

 

SYMP: American Art in Dialogue with Africa and its Diaspora @ Smithsonian American Art Museum, October 4-5, 2013

American Art in Dialogue with Africa and its Diaspora

Smithsonian American Art Museum | Eighth and G Streets NW, Washington, D.C.

October 4-5, 2013

This symposium examines the role of Africa and the African Diaspora in the development of art of the United States, from nineteenth-century portraiture to American modernism; from the Harlem Renaissance to the contemporary art world. Speakers include Chika Okeke-Agulu of Princeton University, Krista Thompson of Northwestern University, Jeffrey Stewart of the University of California, Santa Barbara, Celeste-Marie Bernier of the University of Nottingham, James Smalls of the University of Maryland, Baltimore County, and artist and distinguished scholar David C. Driskell. A full schedule is listed below. For more information, visit AmericanArt.si.edu/research/symposia/2013/terra/.

The event is free, but registration is required at www.America-Africa.eventbrite.com. The symposium will be available through a simultaneous webcast; an archived version will remain online indefinitely. Recordings of past symposia including “Encuentros: Artistic Exchange between the U.S. and Latin America” and “East-West Interchanges in American Art” are now available on the museum’s website, ArtBabble, YouTube, and iTunes U.

Continue reading “SYMP: American Art in Dialogue with Africa and its Diaspora @ Smithsonian American Art Museum, October 4-5, 2013”

First Exposure Symposium at Northeastern University, Friday, April 26, 2013

nikkigphd's avatarNikki G Ph.D.

Image

I am very excited about presenting another installment on my ruminations on FUNK at the inaugural symposium of First Exposure, the culmination of a full academic year of reading, meeting, and discussing scholarship in The Dark Room: A Faculty Seminar on Race and Visual Culture, primarily convened at Northeastern University through the rigorous efforts of Assistant Professor of English, Kimberly Juanita Brown. My paper is titled, “Personifying Funk: Lessons Learned from Adrian Piper and Renée Stout,” wherein I will discuss how both artists embodied funk, physically and philosophically in such a way as to resist the limitations of the “triple negation of colored women artists.” I will consider Piper’s Funk Lessons and Renée Stout’s Fetish #2 and her personas, in particular.

There are so many brilliant topics by scholars from across the country with keynote addresses by María Magdalena Campos-Pons and Saidiya Hartman. This symposium will be invigorating and enlightening…

View original post 28 more words

Conference: Encounters, Affinities, Legacies – the 18th Century in the Present Day

CONF: Black Collectivities @ Museum of Contemporary Art Chicago

May 3–4, 2013

How do collaboratives created by cultural practitioners of African descent provide new perceptions, understandings, and forms of practice? This conference brings together key individuals from around the globe, including Otolith Group cofounder Kodwo Eshun, artists Theaster Gates and Rick Lowe, musician George Lewis, and Tate Gallery curator Elvira Dyangani Ose, among others, to broach this timely question. Organized by Huey Copeland, Associate Professor at Northwestern, and Naomi Beckwith at the MCA.

On Friday at the Block Museum, Kodwo Eshun and Rick Lowe provide the keynote conversation, moderated by Naomi Beckwith. All other speakers listed below are featured in conversations on Saturday at the MCA, along with a conference wrap up panel moderated by Huey Copeland.

Conference participants include:

http://www2.mcachicago.org/event/event-past-10/

SYMP: Women in American Art @ PAFA

Saturday, February 23rd, 2013

In conjunction with The Female Gaze: Women Artists Making Their World │ November 17, 2012 – April 7, 2013

PAFA Graduate Student  Symposium: Women in American Art


10:00 am – 4:00 pm, Auditorium in the Historic Landmark Building

This graduate symposium offers an opportunity for area graduate students to present new research on a particular artist or group of artists in American Art. Featuring original papers presented by graduate-level students at the University of Delaware, University of Pennsylvania, Rutgers, the State University of New Jersey, Princeton University, Pennsylvania Academy of the Fine Arts and Temple University, the program will conclude with a panel discussion by illustrious scholars of American Art. (Act 48 credit available for educators.)

Registration: $15 (includes admission). Free for members.

Register online

http://www.pafa.org/museum/Education/General-Adult-Audiences/Symposia/1286/

 

SCHEDULE OF EVENTS

10:00 a.m.       Welcome and Opening Remarks, Dr. Robert Cozzolino

10:30 a.m.       Interior Exposures:Women and the Practice of Home Portraiture, 1885-1920 (Marina Isgro, University of Pennsylvania)

10:55 a.m.       Super Housekeeping? Dorothy C. Miller’s Curatorial Career at MoMA (Karli Wurzelbacher, University of Delaware)

11:20 a.m.       Circulating Abstraction: The Portability and Commercial Success of Women Artists’ Abstract Expressionist Prints (Christina Weyl, Rutgers University)

11:45 a.m.       Q & A, Moderated by Curator of Historical American Art at PAFA, Dr. Anna O. Marley

12:15 p.m.       Lunch Break

1:00 p.m.         Curators and Educators available for conversation in PAFA’s Historic Cast Hall, the Permanent Collection, and The Female Gaze exhibition

 

2:00 p.m.         The ‘Dumb’ Objects of Vija Celmins (Frances Jacobus-Parker, Princeton University)

2:25 p.m.         Where It Was, I Shall Come To Be: Shadows and Absences in The Female Gaze Show (Abby King, Pennsylvania Academy of the Fine Arts)

2:50 p.m.         She Works Hard for the Money: Flashy Patterns and Glittering Surfaces by Mickalene Thomas (Sophie Sanders, Tyler School of Art, Temple University)

3:15 p.m.         Q & A, moderated by Senior Curator and Curator of Modern Art at PAFA, Dr. Robert Cozzolino

 

3:45 p.m.         Faculty Roundtable Response  including Michael Leja (University of Pennsylvania), Camara Holloway (University of Delaware), Joan Marter (Rutgers University), Rachael DeLue (Princeton University), Jennifer Zwilling (Pennsylvania Academy of the Fine Arts) and Susanna Gold (Tyler School of Art, Temple University).

CONF: Mapping: Geography, Power, and the Imagination in the Art of the Americas @ NYU

March 7-8, 2013

Focusing on the North and South American landscape in the nineteenth and twentieth centuries, the conference will explore mapping as a conceptual and artistic practice from a hemispheric perspective. While scholarship has generally used the date of 1900 and the border between the United States and Mexico to mark distinct fields, this event seeks to foster a dialogue between disciplines traditionally separated by such temporal and geographic boundaries. How can the “map” as an intellectual model both unite diverse cultures and modes of knowledge as well as highlight their differences? Though maps are often taken as straightforward, objective configurations, they can also expose deeply subjective frameworks with social, political, and economic significance. Whether considering mapping as a traditional cartographic system representing the land or as a contemporary scientific approach to visualizing the body, maps allow for the unique diagramming of relationships between people and spaces, objects and time, vision and knowledge. The conference will use the concept of map-making as “world-making” in order to examine the ways in which power, place, and cultural traditions intersect and come into conflict.

Organized by Jennifer Raab (IFA/Andrew W. Mellon Postdoctoral Fellow, 2011 – 2013) with Kara Fiedorek and Elizabeth Frasco (IFA Ph.D. students)

For a detailed conference agenda with abstracts:
http://www.nyu.edu/gsas/dept/fineart/research/mellon/mellon-mapping.htm

This event will be streamed live on:
http://www.nyu.edu/gsas/dept/fineart/events/livestream.htm

PARTICIPANTS:

Keynote Speakers:
Jennifer L. Roberts (Professor of History of Art and Architecture, Harvard University)
Irene V. Small (Assistant Professor of Art and Archaeology, Princeton University)

Curatorial Roundtable:
Richard Aste (Curator of European Art, Brooklyn Museum)
Peter John Brownlee (Associate Curator, Terra Foundation for American Art, Chicago)
Dennis Carr (Carolyn and Peter Lynch Curator of American Decorative Arts and Sculpture, Art of the Americas, Museum of Fine Arts, Boston)
Deborah Cullen (Director and Chief Curator, Miriam and Ira D. Wallach Art Gallery, Columbia University)
Georgiana Uhlyarik (Assistant Curator, Canadian Art, Art Gallery of Ontario)

Graduate Student Speakers:
Cabelle Ahn (Courtauld Institute of Art)
Layla Bermeo (Harvard University)
Lauren Jacks Gamble (Yale University)
Sean Nesselrode (Institute of Fine Arts, New York University)
Gabriela Piñero (Universidad Nacional Autónoma de México, Mexico City)
D. Jacob Rabinowitz (Institute of Fine Arts, New York University)
Caroline Riley (Boston University)
Oliver Shultz (Stanford University)
Catalina Valdés Echenique (École des Hautes Études en Sciences Sociales, Paris)

RSVP
This event is open to the public, but an RSVP is required. To make a reservation for this event, please click here:
http://tinyurl.com/IFAmapping
Your RSVP will apply to both days of the conference. Please note that seating in the Lecture Hall is on a first-come first-served basis with RSVP. A reservation does not guarantee a seat in the lecture hall. We will provide a simulcast in an adjacent room to accommodate overflow. This event will also be streamed online.

This conference is made possible through support from the Terra Foundation for American Art and the Andrew W. Mellon Foundation.

SYMP: Beyond the Proclamation: Interpreting Emancipation for Today’s Youth

There will be symposium which will feature presentations by museum professionals, artists, and educators on teaching and engaging K-12 audiences in conversations about the EMANCIPATION PROCLAMATION, as well as other complicated topics in history.

Entitled Beyond the Proclamation: Interpreting Emancipation for Today’s Youth, this symposium is jointly hosted by Independence National Historical Park, Friends of Independence National Historical Park, National Park Service, the Library Company, and the African American Museum in Philadelphia, and University of Delaware’s President’s Diversity Initiative and University Museums.

In honor of the 150th Anniversary of the Emancipation Proclamation, this symposium will look beyond the historical facts to explore creative ways that difficult topics in history can be taught.

Panelists and presenters will address the incorporation of multiple teaching techniques for a variety of learning styles for a richer classroom experience. Attendees will have the opportunity to interact with their peers and the panelists.

Participating Teachers will be able to earn Act 48 Credits for attending this symposium. Please fill out the educator section of the registration form to receive credit.

Panelists and presenters include:

Panel 1 – Reaching Students in the Classroom and in the Field
· Introduction by Erica Armstrong Dunbar, Ph.D.,Director of the Program in African American History, The Library Company of Philadelphia
· Museum Programs: Naomi Coquillon, National Museum of American History
· Experiential Learning: Michelle Evans, Conner Prairie Interactive History Park
· K-12 Educator: Amy Cohen, Julia R. Masterman Laboratory and Demonstration School
· Reference Librarian: Krystal Appiah, The Library Company of Philadelphia

Panel 2 – Bringing History Alive Through Literature and the Arts
· Introduction by Denise Valentine, Storyteller
· Visual Arts: Jerry Pinkney, Artist
· Games: Amy Hillier, The Ward: Mapping Race and Class in DuBois’ Seventh Ward
· Children’s Literature: Cynthia Levinson, Author
· Performing Arts: Michael Bobbitt, Adventure Theatre

*Benjamin Filene, co-editor of Letting Go? Sharing Historical Authority in a User-Generated World, will be the keynote speaker.

When: Saturday February 23, 2013 from 8:00 AM to 3:00 PM EST
Where: WHYY Philadelphia Offices, 150 North 6th Street, Philadelphia, PA 19106
Contact: Friends of Independence National Historical Park, 215-861-4971, attn@friendsofindependence.org
Registration is $70. Discounts are available for members of the hosting organizations.

The registration link for the symposium is here: http://events.constantcontact.com/register/event?llr=zfvkdvcab&oeidk=a07e6u90n3n2b6f24ff

Contact information:

Ivan D. Henderson
Curator of Education
University Museums
University of Delaware
203 Mechanical Hall
30 North College Avenue
Newark, DE 19716

EMAIL: ihenders@udel.edu

PHONE: 302-831-8047
FAX: 302-831-8057
WEB: www.udel.edu/museums

CFP: “Mapping: Geography, Power, and the Imagination in the Art of the Americas” @ Institute of Fine Arts, NYU

Institute of Fine Arts at New York University

March 7 – 9, 2013

Deadline: December 7, 2012

Symposium – “Mapping: Geography, Power, and the Imagination in the Art of the Americas”

CALL FOR PAPERS

The Institute of Fine Arts is pleased to announce the upcoming graduate student conference, “Mapping: Geography, Power, and the Imagination in the Art of the Americas,” which will include keynote lectures by Jennifer Roberts (Harvard University) and Irene Small (Princeton University).

This international graduate student symposium will focus on the North and South American landscape in the nineteenth and twentieth centuries and seeks to explore mapping as a conceptual and artistic practice from a hemispheric perspective. How can the “map” as an intellectual model both unite diverse cultures and modes of knowledge as well as highlight their differences?

Whether considering mapping as a traditional cartographic system representing the land or as a contemporary scientific approach to visualizing the body, maps allow for the unique diagramming of relationships between people and spaces, objects and time, vision and knowledge. As the scholar Donna Haraway contends, “maps are models of worlds crafted through and for specific practices of intervening and ways of life.” The conference will use this concept of map-making as “world-making” in order to examine the ways in which power, place, and cultural traditions intersect and come into conflict. Though maps are often taken as straightforward, objective configurations, they can also expose deeply subjective frameworks with social, political, and economic significance.

Speakers are encouraged to address not only more traditional forms of landscape art, but also non-traditional approaches and media. Subjects may include European artists depicting the North or South American landscape, or artists from the Americas confronting their own geography. Mapping may engage with ideological issues (imperialism and nationality), representational paradigms (realism and abstraction), or questions of the body (sexuality, ethnicity, mortality).

Possible topics might include:

–       indigenous cartography

–       traveler artists and explorers

–       survey or aerial photography

–       nineteenth-century panoramas

–       abstraction and the landscape

–       American WPA projects

–       Mexican muralists

–       ethnographic photography

–       art and Caribbean mercantilism

–       site-specific land art

–       genetic/chromosonal mapping

–       natural history and botanical illustration

–       neuroaesthetics

–       performance art

With generous funding from the Terra Foundation for American Art, the conference will provide a significant opportunity for the exchange of ideas between emerging scholars from around the world who would not otherwise have the chance to share their work. The deadline for the submission of a 20-minute presentation proposal is Friday, December 7, 2012. Applicants will be notified of their acceptance by Friday, January 18, 2013. Abstracts should not exceed 250 words. Papers will be given in English but may be made available in other languages through the conference website. Current graduate students as well as recent graduates are encouraged to apply. Funds for travel and accommodations are available. Please send an abstract and CV to ifaMapping@gmail.com.  In your application please indicate your current institutional affiliation and from where you would be traveling.

The conference is organized by Dr. Jennifer Raab, Kara Fiedorek, and Lizzie Frasco, and is supported by grants from the Terra Foundation for American Art and the Andrew W. Mellon Foundation.

For further information or with any questions, please contact ifaMapping@gmail.com.

See also: http://www.nyu.edu/gsas/dept/fineart/research/mellon/mellon-mapping.htm

CONF: ‘Race Matters: Interdisciplinary Approaches’ Research Seminar @ The Institute of North American Studies, King’s College London

‘Race Matters: Interdisciplinary Approaches’
The Institute of North American Studies, King’s College London
http://www.kcl.ac.uk/aboutkings/worldwide/global/nas/index.aspx

October 3; 5-7pm; S0.12
Daniel Matlin, King’s College London
On the Corner: African-American Intellectuals and the Urban Crisis of the
1960s

October 17; 5-7pm; S0.12
Celeste-Marie Bernier, University of Nottingham
Imaging Slavery: The Body, Memory and Representation in the Transatlantic
Imagination

October 31; 5-7pm; K2.40
Harvey Cohen, King’s College London
Duke Ellington on Film 1929-1942

November 14; 5-7pm; S0.12
Paul Gilroy, King’s College London
Elements of a Vernacular Neoliberalism

November 28; 5-7pm; S0.12
Ashwani Sharma, University of East London
No ordinary TV: The Wire as (post)racial critique

December 12; 5-7pm; S0.12
Sarah Meer, University of Cambridge
Nineteenth-century Theatre, Burlesque, and Ethnicity in John Brougham’s
‘Po-ca-hon-tas’ and Dion Boucicault’s ‘Belle Lamar’