Category: call for participation

CFP: Feminist Art History Conference @ American University

Announcing the Third Annual
FEMINIST ART HISTORY CONFERENCE
at American University in Washington DC

Friday-Sunday, November 9-11, 2012

CALL FOR PAPERS: please submit via email a one-page, single-spaced proposal and two-page curriculum vita by May 15, 2012 to fahc3.cfp@gmail.com. 

Notification of acceptance by July 1, 2012

This conference builds on the legacy of feminist art-historical scholarship and pedagogy initiated by Norma Broude and Mary D. Garrard at American University. To further the inclusive spirit of their groundbreaking anthologies, we invite papers on subjects spanning the chronological and geographic spectrum to foster a broad dialogue on feminist art-historical practice. Speakers may address such topics as: artists, movements, and works of art and architecture; cultural institutions and critical discourses; practices of collecting, patronage, and display; the gendering of objects, spaces, and media; the reception of images; and issues of power, agency, gender, and sexuality within visual cultures. 

Keynote address:
“Guess Who’s Coming to Dinner? Feminism, Art History and the Story of a Book”
Whitney Chadwick, Professor Emerita of Art History
San Francisco State University

 Sessions and keynote will be held on AU’s campus

with additional events at the National Museum of Women in the Arts

in conjunction with its 25th Anniversary celebration

 

Sponsored by the Art History Program, Department of Art,
College of Arts and Sciences at American University
Organizing committee:  Kathe Albrecht, Juliet Bellow, Norma Broude, Kim Butler,
Mary D. Garrard, Namiko Kunimoto, Helen Langa, and Andrea Pearson

CFP: Extended Deadline for Proposals for AHAA-sponsored session @ CAA 2014

DEADLINE REMINDER: Proposals for the AHAA-sponsored scholarly session at CAA 2014 are due April 1. Because April 1 is Sunday, proposals will be accepted through Monday, April 2.

As an affiliated society of CAA, AHAA (Association of Historians of American Art) sponsors two sessions at the CAA annual conference: a one-and-a-half-hour professional session and a two-and-a-half-hour scholarly session.

AHAA-sponsored scholarly sessions are similar to the scholarly sessions generally held at CAA, although sometimes more topical issues are addressed. Scholarly session proposals should be sent by email to Katherine Smith, AHAA Sessions Coordinator (kasmith at agnesscott.edu). Successful chairs will be notified by June 1, 2012.

AHAA seeks to include new voices, and younger scholars are encouraged to make submissions. Chairs of AHAA-sponsored sessions must be current members of both AHAA and CAA. Proposals should include a title for, and short description of, the session along with the proposer’s c.v. and a statement of expertise on the topic or area proposed. For examples of appropriate topics, see the list of past AHAA-sponsored CAA sessions at ahaaonline.org.

CFP: Exhibition Complex: Displaying People, Identity, and Culture @ Carnegie Museum of Art

Exhibition Complex: Displaying People, Identity, and Culture
October 18 2012 (All day) – October 20 2012 (All day) Carnegie Museum of Art

History of Art and Architecture Department at the University of Pittsburgh is pleased to announce the call for proposals for its Graduate Student Symposium, “Exhibition Complex: Displaying People, Identity, and Culture.” The symposium will be held October 18-20, 2012.

This year’s symposium sets out to analyze the many modes of display, types of artistic production, and built and existing structures that constitute ephemeral exhibition spaces. Organized in collaboration with the Carnegie Museum of Art, our topic is inspired by the museum’s fall 2012 exhibition, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851–1939. We are interested in projects that explore temporary exhibitions displaying people, identity, and culture in any geographical location or time period, within and beyond the modern history of Western display. The keynote address will be delivered by Saloni Mathur, Associate Professor of Art History at UCLA and author of the book India by Design: Colonial History and Cultural Display (2007), and co-editor of the forthcoming No Touching, Spitting, Praying: Modalities of the Museum in South Asia (2012).

We encourage paper submissions from graduate and MFA students at all stages of their studies.
Presentations should not exceed 20 minutes. Please email an abstract or description of artistic
intervention no longer than 300 words, and a brief CV to symposium organizers at
pittgradsymposium@gmail.com by April 27, 2012. Selected speakers will be notified by May 15, 2012.

http://www.haa.pitt.edu/news-events/exhibition-complex-displaying-people-identity-and-culture?ct=t%28November_3_201110_28_2011%29

CFP: Multicultural America: A Multimedia Encyclopedia

CALL FOR AUTHORS: Multicultural America: A Multimedia Encyclopedia

Multicultural America: A Multimedia Encyclopedia presents state-of-the-art
research, ready-to-use facts, and multimedia pedagogy. The approximately 950
signed entries (with cross-references and further readings) will cover
issues in historical and contemporary ethnic and multicultural studies. The
print 4 volumes and the online edition with 100 videos will include
information relevant to the following academic disciplinary contexts: the
demographic and cultural balance of the United States today and tomorrow;
arts and media; business and economics; criminal justice; education; family
studies; health; media; military; politics; science and technology; sports;
and religion. From A-to-Z, this work covers the spectrum of defining and
illuminating multiculturalism. The goals of this encyclopedia are to help
readers gain a better understanding of:

* the historical development of multicultural America.
* the contemporary American multicultural mosaic.
* the possible future trajectories of American multiculturalism.

In writing, contributors should consider their entries’ contribution to
these three goals. Where appropriate, entries should include data from and
references to the 2010 United States census.

This comprehensive project will be published by SAGE Reference in 2013 and
will be marketed to academic and public libraries as a print and digital
product available to students via the library’s electronic services. The
General Editor, who will be reviewing each submission to the project, is Dr.
Carlos E. Cortés, Professor Emeritus of History, University of California,
Riverside.

We are currently making new assignments with a deadline for submissions of
August 1, 2012.

If you are interested in contributing to this cutting-edge reference, it is
a unique opportunity to contribute to the contemporary literature,
redefining sociological issues in today’s terms. Moreover, it can be a
notable publication addition to your CV/resume and broaden your publishing
credits. SAGE Publications offers an honorarium ranging from SAGE book
credits for smaller articles up to a free set of the printed product for
contributions totaling 10,000 words or more.

The list of available articles is already prepared, and as a next step we
will e-mail you the Article List (Excel file) from which you can select
topics that best fit your expertise and interests. Additionally, Style and
Submission Guidelines will be provided that detail article specifications.

If you would like to contribute to building a truly outstanding reference
with Multicultural America: A Multimedia Encyclopedia, please contact me by
the e-mail information below. Please provide a brief summary of your
academic/publishing credentials in related disciplines.

Thanks very much,

Lisbeth Rogers
Author Manager
multicultural@golsonmedia.com

CFP: Between the Literary and the Visual: Inter-Artistic Approaches to African-American Art History @ MACAA 2012

Call for Papers (Deadline April 10, 2012)
Between the Literary and the Visual: Inter-Artistic Approaches to African-American Art History
Session Chair: Jennifer J. Marshall, University of Minnesota-Twin Cities
Email: marsh590@umn.edu

A stubborn truism vexes African-American art history: the canon of black American literature is viewed as more established and robust than that of black American visual arts. This misconception has more to do with conventional disciplinary divisions, than it does with either the quantity or quality of black visual expression. Segregating the “literary” from the “visual”–and assigning these to English and Art History departments, respectively–has obscured the originally inter-artistic nature of much black cultural expression as well as the terms of its early reception and critique.

African-American artists have repeatedly worked in black literary contexts–from Aaron Douglas’s illustrations for Alain Locke’s The New Negro to Glenn Ligon’s painted excerpts from Ralph Ellison and Richard Pryor. At the same time, many (nonblack) literary critics have been enthusiastic interpreters of black visual arts. Theater critic and novelist Carl Van Vechten promoted the painters of the Harlem Renaissance; Sidney Hirsch, one of Vanderbilt University’s influential literary modernists, “discovered” black folk sculptor William Edmondson; and French poststructuralist Roland Barthes famously used a photograph by James Van Der Zee to explain his concept of the photographic punctum.

This panel seeks papers that take stock of this prodigious overlap between the literary and the visual arts. Participants are invited to address how literature and literary criticism may productively inform African-American art history, to recount the specific historical circumstances that compel this approach, and to consider broadly how attention to inter-artistic histories might helpfully reform both approaches to and canons of black cultural expression.

http://digitalcommons.wayne.edu/macaa2012/

Call for submissions for the ttff/12

CFP: Africana Annual, new journal

Africana Annual: a journal of African and African Diaspora Studies

The Department of African & African American Studies at the University of Kansas is proud to announce the establishment of Africana Annual and to invite the submission of full-length articles and review essays. Africana Annual is a broadly conceived annual interdisciplinary peer-reviewed journal. The principal focus of the journal is to create and facilitate critical dialogue and analysis of the African, African American, and African Diasporic experiences. An interdisciplinary journal encompassing history, politics, sociology, performance arts, economics, literature, cultural studies, anthropology, Africana studies, gender studies, ethnic studies, religious studies, the fine arts, and other allied disciplines. Africana Annual embraces a variety of humanistic and social scientific methodologies for understanding the social, political, and cultural meanings and functions of the varied experiences of Africana. We invite authors to submit work that examines key issues or profound topics on African America, Africa (north and south of the Sahara), and the Diaspora.

Submission Policies
The journal encourages authors to submit unsolicited articles and comprehensive review essays. All academic articles should be between 20 and 30 pages. Comprehensive review essays should be about 10 to 15 pages in in length. All articles and comprehensive review essays will be peer-reviewed.

Authors should e-mail their manuscripts as Microsoft Word files to:
Africana Annual africana@ku.edu
Authors must provide full contact information, including e-mail address, with manuscripts.

All manuscripts must follow the current edition of the Chicago Manual of Style and should use endnotes. Materials submitted to Africana Annual must not have been previously published nor submitted for publication elsewhere while under review by Africana Annual editors. All manuscripts accepted are subject to editorial modification.

The deadline for submission for the inaugural issue is May 31, 2012

CFP: ACASA-Sponsored Panels @ ASA 2012

CALL FOR PROPOSALS FOR ACASA-SPONSORED PANELS
ASA 56th Annual Meeting
Philadelphia
November 29-December 2, 2012

DEADLINE: FEBRUARY 1, 2012
ADDRESS: Send proposals electronically to Steven Nelson, ACASA President nelsons@humnet.ucla.edu

Conference Theme: “Research Frontiers in the Study of Africa”

ACASA sponsors two panels at ASA’s annual meeting. We invite proposals for panels in all areas of the study of the arts of Africa, and we welcome submissions from professionals and scholars at all stages of their careers. Proposals are particularly encouraged that focus on this year’s theme of “Research Frontiers in the Study of Africa,” which is expanded upon below:

Studying Africa often comes with an acute consciousness of challenges both in the societies we study and in the immediate institutional contexts in which we do our work. That consciousness is justified, but it often consigns us to only muted joys when we in fact ought to allow ourselves more. Africa continues to be compelling as both subject and object of knowledge, thanks to the composite of the profound transformations currently going on, the immense creativity of the people, and the innumerable challenges of diverse local and global origins that frame those developments. This dynamism has tasked and frayed our theories, not because the continent is strange or abnormal but because our theories and methods could be much more supple, more vibrant, and more educated. This situation calls for thinking at the limits, at the frontiers, and beyond, and here are some questions to start with: Where are the research frontiers in our different fields today? Which frontiers have only just been opened and will soon emerge as major research fields? What is a research frontier and under what academic, funding, social, and political contexts is it created? How are research frontiers consolidated, made hegemonic or subordinate, and disarticulated? By which means are we advancing the frontiers in developing our methods of data collection and analysis? How do we work, and thrive, at the frontier at a time of diminishing resources? Let us collectively begin to explore these issues and many more at the 2012 ASA Annual Meeting in Philadelphia.

REQUIREMENTS:
A panel typically has a chair, three or four paper presenters, and a discussant. A panel proposal consists of the panel title, the panel abstract, and titles and abstracts for each paper presenter, including their contact information (institutional affiliation, email address, telephone number, and address). The panel abstract should consist of a statement about the topic and a brief summary of the main argument(s) to be explored (no more than 250 words). The quality of the panel abstracts is the main criterion for acceptance; a panel with a weak abstract or with two or more weak paper abstracts is unlikely to be accepted.

Please note that all participants on a panel must be members of BOTH ACASA and ASA. For those panels accepted by ACASA, panelists must be preregistered for the annual meeting before the panel proposal can be submitted, including the panel chair and discussant.

AUDIO VISUAL EQUIPMENT:
Due to the rapidly increasing costs charged by hotels for AV equipment, the ASA is unable to provide projection or sound equipment. However, each meeting room will have a screen and presenters are welcome to bring their own equipment. The ASA understands the importance of AV support for many presenters and the Association is working to develop strategies to facilitate AV support for future conferences.

CFP: Black (Inter)Nationalism, Identity, and Art @ ASA 2012

Black (Inter)Nationalism, Identity, and Art at ASA 2012

The ASA’s 2012 annual meeting will be held November 15-18 in San Juan,
Puerto Rico. We are seeking PANELISTS and a CHAIRPERSON/COMMENTER to join
in an exploration of the manner in which arts, letters, and activism have
communicated various ideas of black identity across global/local
trajectories. In keeping with the American Studies Association’s 2012
theme, “Dimensions of Empire and Resistance,” we wish to probe the use of
cultural production and racial identity toward political ends—whether to
project regional racial issues onto the global stage on the one hand or to
harness transnational racial identities to local struggles on the other.
Through this conversation, we hope to further an investigation of the role
of art and race in both perpetuating and resisting manifestations of
empire, capitalism, and white supremacy at the global and local levels.
This call is open to projects which explore black self-fashioning of racial
identity as well as investigations of the manner in which others have
sought to thrust identity upon black Americans. We invite submissions
examining art, cultural production/practice, and all modes of
expression—whether aural, visual, or written. Additionally, while we are
particularly interested in the global/local transmission of racial identity
during the Jim Crow-era, we are open to projects dealing with any
historical time period.

Panelists: please send a 1 page CV and brief project proposal by December
27, 2011.
Chairperson/Commenter: please send a 1 page CV by December 27, 2011.
All proposals and inquiries should be sent to Robert Hawkins at
rlhawkins@bradley.edu
Notifications will be made before the 1st of the year.