Author: Camara Dia Holloway

I am the Project Manager for the Romare Bearden Digital Catalogue Raisonné at the Wildenstein Plattner Institute. I earned my PhD at Yale University in the History of Art Department and specialize in twentieth century American art with a particular focus on the history of photography, race and representation, and transatlantic modernist networks. I also serve as a Founding Co-Director of the Association for Critical Race Art History (ACRAH).

Stepping Into The Shadow Of Racism

brotherpeacemaker's avatarbrotherpeacemaker

The March 2012 cover of FHM Philippines showed a very Caucasian looking, Filipino actress and model Bela Padilla appearing to emerge from a group of very dark, very African looking black models accompanied with the caption, Stepping Out of the Shadows.  The cover photo was immediately met with a backlash from readers and social media who argued, rightly so, that it was racially insensitive.  The social outrage was so strong that it prompted the local publisher to issue an apology and scrap the edition with a promise to print a new cover featuring Ms. Padilla.  A statement from the publisher said that in their pursuit to come up with edgier covers they will strive to be more sensitive.

An online petition on Change.org calling for the publisher to apologize for the cover saying that people of African descent have been unjustly stigmatized as embodying darkness ever since the era of…

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Q&A with Artist Alison Saar about Her Connection to Watts Towers

lacma's avatarUnframed The LACMA Blog

I recently had the pleasure of interviewing Alison Saar, a sculptor who is a native Angeleno, over tea and coffee at Ray’s on LACMA’s campus. I wanted to ask her about the lifelong relationship she has had with the Watts Towers. She comes from a family immersed in art: Her mother, Betye Saar, is also an artist and her father, Richard Saar, was an art conservator. The family’s connection with the Towers began with her maternal great-grandmother, a resident of Watts, and continued with her mother, who saw Simon Rodia’s work in progress, before being passed along to Alison and even now to Alison’s children.

After discussing LACMA’s Watts Towers conservation efforts, we got around to talking about Alison’s connection to the Towers.

Lucas Casso: Could you tell me a little about your first memories of the Watts Towers?

Alison Saar: Well, actually, one of my first memories of…

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