CFP: Race and Representation in French Colonial Empire at AAH conference

CFP: Race and Representation in the French Colonial Empire
Co-convenors: Susannah Blair (Columbia University) and Dr Stephanie O’Rourke (University of St Andrews)
Contact details: seb2210@columbia.edu and so38@st-andrews.ac.uk

Abstract
This panel will consolidate new research on the visual culture of race in France and its colonies during the eighteenth century and into the nineteenth century. It will be oriented around two key terms, ‘representation’ and ‘possession’, and their many resonances­­ – artistic, political, legal, and relational. We invite papers to explore how art objects articulated, contested, and disseminated changing notions of racial identity and citizenship in France and its global networks.

Over the past several years, scholars have examined the role of pictorial representation in shaping ideas of race, identity, indigeneity, and slavery in the context of the eighteenth-century British empire. However, as Anne Lafont observes in her recent book (L’Art et la race, 2019), the French case has received relatively less sustained attention. Bringing together new scholarship that builds upon these precedents, we aim to address a deliberately expansive geographical notion of French visual culture, one that includes the Caribbean, New France, Canada, and the Indian Ocean in addition to sites within the ‘metropole’ such as Paris and Nantes. Fostering a dialogue between art history, indigenous studies, and critical race theory, our panel will provide a crucial scholarly platform for research that can inform pedagogy, curatorial practice, and future scholarship.

How to Submit a Proposal:
We invite proposals for 25-minute papers. At present AAH is planning a hybrid event that will involve a physical conference as well as a digital participation option for those who cannot or would prefer not to attend in person. We encourage submissions from those who intend to participate in a digital-only capacity as well as from those interested in attending in person. To submit a paper proposal, please fill out the proposal form (bit.ly/3eVYWZu)  and send it to seb2210@columbia.edu and so38@st-andrews.ac.uk by 19 October 2020. Please provide a title and abstract (250 words max), and a CV.  For more information, visit forarthistory.org.uk/our-work/conference/2021-annual-conference/

CFP: Beyond Boundaries: Artistic inquiries into borders and their meaning(s) @ Association for Art History 2018

Association for Art History Annual Conference 2018

5-7 April 2018

Courtauld Institute of Art and King’s College London

Deadline for submissions: 6 November 2017

Beyond Boundaries: Artistic inquiries into borders and their meaning(s)

Borders have played a critical role in the development and distribution of culture, often acting as frameworks that help or hinder our ability to ‘look outwards’. In The Location of Culture, Homi Bhabha calls attention to the value of interstitial spaces, where borders, frames, and other locations ‘in- between’ become ‘innovative sites of collaboration and contestation in the act of defining the idea of society itself.’ Other philosophical considerations of borders, such as Martin Heidegger’s concept of gestell, or enframing, Jacques Derrida’s deconstruction of Enlightenment aesthetics vis-à-vis the parergon, and Victor Stoichita’s analysis of framing devices in early modern ‘meta-painting’, have demonstrated the transformative power of edges, frames, borders, and boundaries in art.

This session will focus on works of art, artistic practices, and art historical perspectives that think critically and creatively about borders and their meaning(s). The goal is to expand our understanding of borders, whether physical or conceptual, historical or theoretical. In the spirit of pushing beyond boundaries of convention and ‘looking outwards’, we welcome papers that focus on any medium, art historical period, or curatorial practice. Papers may address, though are not limited to: art that explores the significance of borders to migrants, immigrants, diasporic communities or other groups residing (both literally and figuratively) ‘in-between’; activist art that interrogates borders and their meaning(s); the role of public art, public space, and social media in thinking beyond boundaries; the metaphorical and/or literal framing of a work of art and its effects; the symbolic purpose or meaning of frames in various cultural contexts (for instance, the role of framing in religious spaces or objects, such as tabernacles, wall niches, icon paintings, and marginalia).

Please email your paper proposals directly to the session chairs:

Mey-Yen Moriuchi, La Salle University, moriuchi@lasalle. edu

Lesley Shipley, Randolph College, lshipley@randolphcollege.edu

Proposals should include an abstract (250 words maximum) and CV.

Click here for the full call for AAH submissions.

Papers topics addressing critical race art history, theory, and curatorial practices welcome.