Resource Directory for Diversity Practices launched by CAA

About the Directory

The Resource Directory for Diversity Practices, compiled by CAA’s Committee on Diversity Practices,
provides a range of materials that is useful for incorporating issues
about diversity in its various forms into the classroom. The directory
offers, as a starting point, a fraction of the myriad available
documents addressing topics related to diversity, including ethnicity,
race, gender, sexuality, disability, and aging. Areas for additional
resources include language, religion, and socioeconomic class.

http://www.collegeart.org/diversity/

JOB: Tenure-Track position in Arts of Africa and African Diaspora @ Oberlin College

REMINDER: Tenure-Track position in Arts of Africa and African Diaspora, Art Department, Oberlin College. Teaching abilities and interests in the Arts of Africa and the African Diaspora, with a research specialization in any subfield.
Deadline: Dec. 1, 2013.
A completed application includes: a cover letter, CV, graduate academic transcripts, and at least three recent letters of reference.

CONF: Collecting Art History Symposium @ UT Austin, February 22, 2014

Collecting Art History Symposium flyer 11-21-13

http://www.utexas.edu/cola/centers/caaas/events/29497

A Critique of Afrofuturism…

ap's avatarActive Voice

A good friend left the following response on my Facebook page where I had posted a link to my previous post on Afrofuturism, the Studio Museum etc. As I didn’t explicitly get his permission to repost his comment here I won’t name him but he raises some compelling points. While I might agree with some of them I think the main thing is that Afrofuturism is about fantasy, a fantasy of shedding a troublesome past as the two tweets by @StormSaulter indicate. By no means is it a substitute for investment in scientific research or a so-called scientific outlook. So I don’t think the existence of what we call Afrofuturism is at the expense of scientific inquiry or even a placeholder for it. In fact it’s the opposite, an artistic impulse that is futuristic in orientation. Anyway…what do YOU think? Is it a ‘timewank’ to borrow a phrase from…

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NATIONAL GALLERY STAGES WALKING TOUR OF NEW ROOTS ON OCTOBER 31

nationalgalleryofjamaica's avatarNational Gallery of Jamaica

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The National Gallery of Jamaica is staging another educational event associated with its New Roots: 10 Emerging Artists exhibition, namely a tour of the exhibition with five of the participating artists, namely Deborah Anzinger, Varun Baker, Camille Chedda, Nile Saulter and Ikem Smith, who will each talk about their work. This event is scheduled for Thursday, October 31, starting at 2:30 pm.

New Roots features work in a variety of new and conventional media by 10 artists under 40 years old, Deborah Anzinger, Varun Baker, Camille Chedda, Gisele Gardner, Matthew McCarthy, Olivia McGilchrist, Astro Saulter, Nile Saulter, Ikem Smith, and The Girl and the Magpie. The exhibition samples some of the most dynamic and innovative directions in the Jamaican art world, by artists who are questioning conventional understandings of art and the artist while presenting a socially engaged perspective on contemporary Jamaican society.

Thursday’s artists’ tour…

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Afro-Futurism, Pastlessness, the Studio Museum of Harlem and Jamaica

ap's avatarActive Voice

The first time I heard of Afrofuturism it was from Camille Turner (@Afrofuturist) who was helping Honor Ford-Smith with her Rest in Peace murals project. She introduced me to her short film, The Final Frontier, according to her “an ongoing performance that chronicles the voyage of African Astronauts, descendants of the Dogon people of West Africa who have returned to earth after 10,000 years to save the planet.” Check it out.

There’s quite a tradition of Afrofuturism in Jamaica. The inimitable Lee ‘Scratch’ Perry is possibly the coolest alien the world ever hatched and he’s from here. check out his video below. It’s unclear if this is a spontaneous ad for Guiness but among other things the goblin of dub raises a toast or two to Dublin.

And then, improbably enough, there’s Bunny Wailer. He who hated flying in airplanes, navigates cyberspace on his flying carpet in grand style.

Bunny Wailer as Cyber Ras flying through space
Bunny…

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Freedmen’s Children and Racism in the Cherokee Nation

Progressive Pupil's avatarThe Progress

African and Native American peoples came together in the Americas because of colonization and slavery. Over centuries, Black people and Native Americans created shared histories, communities, families, and ways of life. They were joined in a struggle against prejudice, laws, and twists of history. Earlier in the colonial period some Native Americans were enslaved alongside Africans. Later on, select tribes harbored runaway slaves where intermarriage and the joining of cultures gave way to new and interesting communities of African American and Native people. There are still Blacks today who enjoy Indian citizenship and celebrate their mixed heritage, however, one group has been stripped of that right. In 2007 The Cherokee Nation decided to limit its membership to people who can prove they have Indian blood. This took away the citizenship rights of about 2,800 Black Americans who are descendants of slaves once owned by wealthy Cherokees.

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BOOK: West on Voluntary Enslavement in U.S. South

Jessica Marie Johnson's avatar#ADPhD

WestFamilyorFreedom

Emily West. Family or Freedom: People of Color in the Antebellum South. Lexington: University Press of Kentucky, 2012.

via University Press of Kentucky:

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