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Review: Art Basel goes ‘Afropolitan’
Stop AIDS
December 1 is World AIDS Day, a great occasion to step up your efforts to stop AIDS in Black communities in the US and internationally.
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NEWS: Kenya Arts Diary 2014 Launched
The fourth edition of the Kenya Arts Diary 2014 was officially launched
November 15th at the home offices of the Heinrich Boell Foundation in
Nairobi. Unofficially the popular arts diary cum calendar went on sale at
major Nairobi book shops, galleries and art centres this week.
“What makes the Kenya Arts Diary so special,” says glass artist Nani Croze,
the founder mother of the Arts Diary, “is that it contains original
artwork by contemporary Kenyan artists along with their bios, head shots
and contacts. That means anyone who wants to get in touch directly with
the artists can easily do so.”
Croze also noted that ever since the first diary came out in 2011, the KAD
arts committee (all of whom are volunteers) chose to only include artists
who hadn’t been in the diary in previous years.
“This year we broke that precedent due to public demand for the inclusion
of both established local artists and those who are relatively new to the
local art scene,” said Peta Meyer, the graphic designer responsible for
putting the diary together and ensuring that all the images presented are
impeccable sharp and crystal clear.
The photographers that provided most of the colourful images in the diary
are Qi Lin and Sylvia Gichia with several snaps provided by James Muriuki,
Charles Kamau, Anthony Wachira and Aernout Zevenbergen.
Among the more than 60 Kenyan artists featured in this year’s Diary are
Patrick Mukabi, Cyrus Ng’ang’a, Anthony Okello and Florence Wangui as well
as Beatrice Wanjiku, Uhuru B, Poonam Suryavanshi and Mike Kyalo, one of the
two winners of the first edition of KADRA or the Kenya Arts Diary [art]
Residency Award. The other winner was Ezra Joab of Kisumu.
A number of non-Kenyan East African artists are also in the diary,
including painters and sculptors from Sudan, Uganda, Tanzania, and
Ethiopia. Among are El Tayeb Dawelbeit and Ermias Ekube.
“Ever since we started the diary, i wanted to launch an art residency award
for up and coming Kenyan artists, and this year we finally made it happen,”
said Croze who had Joab working with her for a month at Kitengela Glass
Trust while Kyalo worked at Kuona Trust.
The art residency award includes one month working all expenses paid at the
Kitengela Glass Trust, including art materials and a stipend. At the end of
the residency, the artist will be given an exhibition of all the artwork
they produced during that one month’s time.
The Arts Diary sells in Kenya for ksh1850. It is also available to overseas
East African art lovers. Contact kenyaartsdiary@gmail.com for details.
A Critique of Afrofuturism…
A good friend left the following response on my Facebook page where I had posted a link to my previous post on Afrofuturism, the Studio Museum etc. As I didn’t explicitly get his permission to repost his comment here I won’t name him but he raises some compelling points. While I might agree with some of them I think the main thing is that Afrofuturism is about fantasy, a fantasy of shedding a troublesome past as the two tweets by @StormSaulter indicate. By no means is it a substitute for investment in scientific research or a so-called scientific outlook. So I don’t think the existence of what we call Afrofuturism is at the expense of scientific inquiry or even a placeholder for it. In fact it’s the opposite, an artistic impulse that is futuristic in orientation. Anyway…what do YOU think? Is it a ‘timewank’ to borrow a phrase from…
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NATIONAL GALLERY STAGES WALKING TOUR OF NEW ROOTS ON OCTOBER 31
The National Gallery of Jamaica is staging another educational event associated with its New Roots: 10 Emerging Artists exhibition, namely a tour of the exhibition with five of the participating artists, namely Deborah Anzinger, Varun Baker, Camille Chedda, Nile Saulter and Ikem Smith, who will each talk about their work. This event is scheduled for Thursday, October 31, starting at 2:30 pm.
New Roots features work in a variety of new and conventional media by 10 artists under 40 years old, Deborah Anzinger, Varun Baker, Camille Chedda, Gisele Gardner, Matthew McCarthy, Olivia McGilchrist, Astro Saulter, Nile Saulter, Ikem Smith, and The Girl and the Magpie. The exhibition samples some of the most dynamic and innovative directions in the Jamaican art world, by artists who are questioning conventional understandings of art and the artist while presenting a socially engaged perspective on contemporary Jamaican society.
Thursday’s artists’ tour…
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African Diaspora, Ph.D. is now on FACEBOOK!
Afro-Futurism, Pastlessness, the Studio Museum of Harlem and Jamaica
The first time I heard of Afrofuturism it was from Camille Turner (@Afrofuturist) who was helping Honor Ford-Smith with her Rest in Peace murals project. She introduced me to her short film, The Final Frontier, according to her “an ongoing performance that chronicles the voyage of African Astronauts, descendants of the Dogon people of West Africa who have returned to earth after 10,000 years to save the planet.” Check it out.
There’s quite a tradition of Afrofuturism in Jamaica. The inimitable Lee ‘Scratch’ Perry is possibly the coolest alien the world ever hatched and he’s from here. check out his video below. It’s unclear if this is a spontaneous ad for Guiness but among other things the goblin of dub raises a toast or two to Dublin.
And then, improbably enough, there’s Bunny Wailer. He who hated flying in airplanes, navigates cyberspace on his flying carpet in grand style.
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Freedmen’s Children and Racism in the Cherokee Nation
African and Native American peoples came together in the Americas because of colonization and slavery. Over centuries, Black people and Native Americans created shared histories, communities, families, and ways of life. They were joined in a struggle against prejudice, laws, and twists of history. Earlier in the colonial period some Native Americans were enslaved alongside Africans. Later on, select tribes harbored runaway slaves where intermarriage and the joining of cultures gave way to new and interesting communities of African American and Native people. There are still Blacks today who enjoy Indian citizenship and celebrate their mixed heritage, however, one group has been stripped of that right. In 2007 The Cherokee Nation decided to limit its membership to people who can prove they have Indian blood. This took away the citizenship rights of about 2,800 Black Americans who are descendants of slaves once owned by wealthy Cherokees.
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BOOK: West on Voluntary Enslavement in U.S. South
Emily West. Family or Freedom: People of Color in the Antebellum South. Lexington: University Press of Kentucky, 2012.
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