Michael Parchment (1957-2013)

nationalgalleryofjamaica's avatarNational Gallery of Jamaica

The National Gallery of Jamaica deeply regrets the passing of the painter, sculptor and poet Michael Parchment on Tuesday, August 20, 2013.

Michael Parchment was born on August 13, 1957 to a Revival family and he lived in Seaview Gardens in Kingston for most of his adult life. Called by visions, he started painting in 1978 and had his first exhibition in 1983. He was a regular participant in the Festival Fine Arts Exhibition (later the National Visual Arts Competition and Exhibition), where he won many accolades, including Gold medals in 2006 and 2007. He regularly exhibited at Harmony Hall, the Mutual Gallery and the National Gallery of Jamaica in Jamaica, where he won the Tribute to Bob Marley Competition in 2005 with his relief panting No Woman Nuh Cry (2005). He was featured in the National Gallery’s Intuitives III exhibition in 2006. Parchment also exhibited internationally in the…

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Conversations in Black Freedom Studies: The Roots of Harlem Radicalism At The Schomburg

Tribute to Gerard Sekoto at WAM

palesaehle's avatarPalesa Radebe

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TO celebrate a hundred years of Gerard Sekoto’s life, the Wits Art Museum (WAM) is staging a retrospective of his artwork in an exhibition titled Song for Sekoto 1930-2013.

In collaboration with the Gerard Sekoto Foundation, WAM brings an intimate and exclusive display of Sekoto’s celebrated pieces. Some which have been brought overseas, loaned from the Johannesburg Art Gallery and private collectors.

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Natural Histories: Everald Brown

nationalgalleryofjamaica's avatarNational Gallery of Jamaica

The work of self-taught painter and sculptor Everald Brown is best understood in the context of religious Rastafari and African-Jamaican spirituality. Like many other religious Rastafarians, Brother Brown was attracted to the teachings and ritual practices of the Ethiopian Orthodox Church and in the early 1960s established the Assembly of the Living, a self-styled mission of the Ethiopian Orthodox Church which was located at 82 ½ Spanish Town Road. The beliefs, ritual practices and symbols of Brother Brown and his church community were however far from “orthodox’” and freely combined elements of religious Rastafari, Freemasonry, Kumina, Revival, and Ethiopian Orthodox Christianity.

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