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TO celebrate a hundred years of Gerard Sekoto’s life, the Wits Art Museum (WAM) is staging a retrospective of his artwork in an exhibition titled Song for Sekoto 1930-2013.

In collaboration with the Gerard Sekoto Foundation, WAM brings an intimate and exclusive display of Sekoto’s celebrated pieces. Some which have been brought overseas, loaned from the Johannesburg Art Gallery and private collectors.

The work of self-taught painter and sculptor Everald Brown is best understood in the context of religious Rastafari and African-Jamaican spirituality. Like many other religious Rastafarians, Brother Brown was attracted to the teachings and ritual practices of the Ethiopian Orthodox Church and in the early 1960s established the Assembly of the Living, a self-styled mission of the Ethiopian Orthodox Church which was located at 82 ½ Spanish Town Road. The beliefs, ritual practices and symbols of Brother Brown and his church community were however far from “orthodox’” and freely combined elements of religious Rastafari, Freemasonry, Kumina, Revival, and Ethiopian Orthodox Christianity.

Shoshanna Weinberger’s work takes beauty and sex appeal and turns them on their head. Her swollen, awkward humanoid creatures have all the trappings of beauty- gold chains, stilletos, and curves aplenty- but for all their glamour and glitter they are decidedly ugly, a potent and pungent distillation of stereotypes and female and racial objectification. Her use of grids, and titles like A Collection of Strange Fruit illustrate her interest in scientific discourse, and her own mixed race background fuels a fascination with hybridity.