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In March 1963, almost a year after Jamaican Independence, the late Rex Nettleford gave the main address at an art exhibition held at the now defunct Hills Gallery in Kingston. This public exhibition was considered to be the first of its kind in Jamaica to feature paintings and drawings that were solely abstract in nature. The works were created by a young Jamaican artist named Milton Harley and it was his first solo exhibition in the island, since graduating from the Pratt Institute in New York the previous year. In response to an expressed concern that the work of Jamaican artists must be relevant to the redefinition of Jamaican cultural identity at that time,, Nettleford was quoted as saying that, “The most we can demand of him is that he works to the pulse of Jamaica and that he allows Jamaican life to act as a catalyst for thought and…

We are creating a geographically precise digitized map of 1866 Rio de Janeiro with historically accurate delineations of streets and property—which include over 15,000 parcels in the central parishes. More than 300,000 historic records including names, addresses, and other detailed information covering the period 1840-1890 are also being organized in a database to reveal interconnections, networks, movement, and change over time. The digitized maps and data created by the project provide the spatially-oriented resources for dynamic visualizations that will inform historical analysis as well as illustrate key findings. Extensions of the project into the twentieth century, through 1930, are planned in the years to come.

Biographies: Atlantic Slave Database Conference

Michigan State University

November 8^th & 9^th 2013

“In 2011, with the support of the National Endowment for the Humanities, MSU’s History Department and MATRIX initiated Biographies: The Atlantic Slave Data Network (ASDN). We seek to provide a platform for researchers to upload, analyze, visualize, and utilize data they have collected, and to link it to other databases which together will complement each other in ways to create a much richer resource than the individual databases alone. There is a significant need for such a collaborative research platform. During the past two decades, there has been a seismic change in perception about what we can know about African slaves and their descendants throughout the Atlantic World (Africa, Europe, North and South America). Scholars have realized that, far from being either non-existent or extremely rare, various types of rich documentation about African slaves abound…

We are pleased to present the opening remarks delivered by Petrona at the opening of New Roots: 10 Emerging Artists on July 28, 2013.

I am pleased to have the opportunity to share some observations on what is an exciting and challenging exhibition.  This exhibition is significant in a number of ways. The National Gallery has had a long history of providing opportunities for artists to show work which challenge prevailing ideas and reflect new thinking, as seen in the Young Talent exhibitions. This exhibition, however, is groundbreaking in that it presents bodies of work which do not have the curatorial framing based on chronology, and presents the body of work on its own terms. This is the realisation of the concept of the “project space” which allows artists to present proposals for recent work, and allows us to focus on their ideas in a given space.

The exhibition reveals…